ANU01

Rian Ayu 60

LP Anucha • Wat Pho Ratchaburana, Ratchaburi
1st batch (60th birthday)
B.E 2568
1.5 Inches
Mainstream Artifact

Bio of LP Anucha: click here

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Sacred Craftsmanship

The Rian Ayu 60 holds particular importance within the amulet lineage of LP Anucha Anuchato of Wat Pho Ratchaburana. Created to commemorate his 60th birthday, it also represents the first official batch of Rian issued under LP Anucha, giving the medal significance beyond that of an ordinary commemorative release.

Each piece is therefore individually prepared and hand worked; natural variations in casting, surface, patina and the master's handwritten Yant make every example unique.

The photographs are representative only. A piece will be selected at random, and the item supplied may differ slightly from the exact piece shown in the images.

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Sacred Craftsmanship

The Rian Ayu 60 was created to commemorate the 60th birthday of LP Anucha of Wat Pho Ratchaburana, Ratchaburi, while also marking an important point in his sacred-object lineage as his first batch Rian.

What makes this example considerably more personal is the extensive hand-Yant work performed individually by LP Anucha himself.

Each medal was individually prepared from copper and personally worked upon by hand; natural variations in patina, surface tone and the positioning and character of LP Anucha's inscriptions make every hand-Yanted example unique.

The photographs are representative only. A piece will be selected at random, and the item supplied may differ slightly from the exact piece shown in the images.

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Personal Experiences Shared by Luksits

One of the more noticeable characteristics of LP Anucha's following is the number of long-term devotees involved in business and commerce.

During visits to Wat Pho Ratchaburana, I have met followers whose connection with respected masters extends across generations. Some explained that their fathers had previously followed older masters such as LP Deang of Wat Khao Bandai-It, while they themselves later developed a close relationship with LP Anucha.

One businessman involved in Thailand's beauty industry spoke particularly strongly about this connection. His father had been a devoted collector of LP Deang, while he later began carrying LP Anucha's sacred objects. As his own business expanded, he regarded LP Anucha's blessings as an important spiritual companion throughout that period.

Other devotees speak less about dramatic windfalls and more about steady progress — customers returning, negotiations becoming easier, difficult financial periods becoming manageable and opportunities appearing at useful moments.

For close Luksits, individually hand-Yanted medals carry an additional personal significance. Rather than receiving only the standard design of a production batch, they preserve physical traces of LP Anucha's own ritual work upon the individual piece.

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Summary

The Rian Ayu 60 commemorates two milestones simultaneously.

It marks LP Anucha's 60th birthday and represents his first batch Rian.

This particular copper example adds another layer through the extensive individual hand-Yant work personally performed by LP Anucha on both sides.

The portrait identifies the master.

The formal reverse Yant establishes the original ritual composition.

The additional handwritten inscriptions record LP Anucha's direct involvement with the individual medal.

For collectors, it therefore occupies a different position from an untouched standard-production example. Although both belong to the same commemorative lineage, the hand-Yanted piece carries an individual ritual character that cannot be duplicated exactly on another medal.

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Historical Background

LP Anucha Anuchato was born on 23 August 1964 in Nakhon Pathom Province.

His relationship with temple life began early, and one of the most important figures in his development was LP Sanga of Wat Nong Muang. Through this early association, LP Anucha was introduced to traditional Buddhist Wiccha, sacred inscriptions, meditation and ritual practice.

He first entered the monkhood in B.E. 2527 (1984) at Wat Nong Pho. After subsequently returning to lay life for a period, he continued his interest in Buddhist and traditional ritual knowledge.

On 10 August B.E. 2552 (2009), he returned to the monkhood at Wat Pho Ratchaburana.

His later studies combined two complementary paths: formal Buddhist education and traditional Wiccha. Between B.E. 2556 and 2558 (2013–2015), he completed the Nak Tham sequence while continuing the ritual knowledge received through his teachers.

His principal lineage is associated with LP Sanga of Wat Nong Muang, while additional branches of study are associated with masters including LP Non of Wat Khao Phran Thup, LP Boonkham of Wat Chaiyaphum and LP Od of Wat Bang Muang.

Among the practices particularly associated with LP Anucha are sacred Yant inscription, protective Wiccha, Metta Maha Niyom, business and prosperity blessings, and the traditional Na Ma Pa Ta Wiccha concerning the Four Great Elements.

His approach nevertheless remains centred upon the Buddhist principle that sacred objects support a person; they do not replace merit, ethical conduct, diligence or wise action.

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Origins of the Materials

This particular Rian is made from copper.

Copper has a long history in Thai sacred-object production. It accepts struck detail well while also providing a suitable surface for subsequent hand inscription.

This becomes especially relevant with the present example.

The front contains the moulded portrait and decorative framework, yet LP Anucha was still able to work directly over the copper surface with additional sacred characters.

The reverse carries the formal central Yant, surrounded by further individual hand inscriptions.

Over time, copper naturally develops variations of red, brown and darker oxidation. These changes are part of the ageing characteristics of the material rather than something that must necessarily be polished away.

For a personally Yanted piece, preservation of the original surface is particularly desirable because excessive polishing could diminish the shallow hand-worked lines.

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Ritual

The ritual importance of this example lies in the distinction between a batch consecration and individual ritual attention.

The Rian Ayu 60 belonged to the wider first-batch commemorative issue and underwent the chanting and consecration associated with the series.

This particular medal, however, received an additional stage.

LP Anucha personally inscribed sacred characters and Yant across both its obverse and reverse.

Within traditional Wicha, handwriting by the master is not treated simply as decoration. The inscription is connected with sacred formulae, concentration and the particular intention under which the characters are written.

The irregularity of the lines is consequently part of their importance.

They were not machine engraved to make every medal identical.

They preserve the movement of the master's hand across the individual piece.

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Blessings and Effects

The Rian Ayu 60 is best understood as a balanced general-purpose amulet, strengthened in this example by LP Anucha's additional personal Yant work.

Protection and Klaew Klaad

Protection forms an important aspect of LP Anucha's Wicha.

The medal may traditionally be carried for personal safety, avoidance of harmful circumstances and greater steadiness when travelling or entering uncertain situations.

Baramee and Authority

The master's portrait and sacred inscriptions are also associated with Baramee — personal standing, credibility and the ability to command appropriate respect.

This quality is particularly relevant to business owners, managers and those responsible for making decisions on behalf of others.

Metta Maha Niyom

Metta concerns favourable human relationships.

Rather than forcing another person's behaviour, its traditional purpose is to encourage goodwill, receptiveness and smoother dealings with those around the owner.

This naturally complements business, sales, negotiation and leadership.

Prosperity and Stability

Among LP Anucha's followers, prosperity is often spoken of in terms of sustainable progress rather than sudden riches.

The emphasis is upon maintaining one's position, recognising opportunities, protecting what has already been built and gradually strengthening livelihood.

The character of the medal may therefore be understood as:

Protection preserves.
Baramee establishes.
Metta connects.
Prosperity allows what has been built to continue growing.

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Modern Application

The broad nature of the Rian Ayu 60 makes it particularly suitable as a principal daily amulet.

Business owners may carry it for customer relationships, stability and judgement.

Executives and managers may value its traditional associations with Baramee and authority.

Salespeople and entrepreneurs may find the combination of Metta and prosperity particularly relevant where trust and interpersonal relationships directly influence income.

For a collector, however, this hand-Yanted example offers something beyond function.

It preserves an individual intervention by LP Anucha upon a medal belonging to his first Rian batch, created at the milestone of his 60th birthday.

That gives the piece both devotional and documentary interest.

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Physical Details

This example measures approximately 1.5 inches and is made from copper, displaying a warm golden-red to reddish-brown surface tone.

The obverse presents a portrait of LP Anucha in monastic robes within an ornate frame. Numerous fine sacred characters have been individually inscribed across the surrounding field and around the portrait by LP Anucha himself.

The reverse carries the formal symmetrical Yant of the issue, formed from intersecting and looping sacred lines with characters arranged throughout the composition. Additional handwritten inscriptions extend around the original design, again personally applied by LP Anucha.

Both sides therefore display a combination of formal production detail and freehand ritual inscription.

The example shown is housed within a fitted silver-coloured protective casing, leaving both the portrait and extensive hand-Yant work clearly visible.

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Recommended Pairing

For livelihood and continuing access to resources, Phra Sivali makes a natural companion. The Rian provides broad protection and stability, while Sivali traditionally strengthens the aspect of sustenance and smooth access to necessities.

For commercial environments, Nang Kwak adds a more focused customer-attraction quality.

For communication-heavy occupations, Salika complements the Rian through persuasive speech, favourable communication and Metta Maha Niyom.

The Rian itself, however, is sufficiently broad to be worn alone as a principal daily piece.

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Personal Notes

Among first-batch medals, there is an important difference between an example that remains exactly as produced and one that subsequently returned to the master's hands for individual Yant inscription.

The latter records another moment in the object's history.

LP Anucha physically handled the medal, worked upon its copper surface and gave it a configuration of sacred inscriptions that differs from other examples.

That individuality is perhaps the most important characteristic of this particular Rian Ayu 60.

It commemorates five completed cycles of LP Anucha's life.

It belongs to his first batch Rian.

And across both sides, it carries the unmistakable irregularity of personal hand-Yant work rather than replicated machine engraving.

For the collector, these three elements come together particularly well:

a milestone of the master, a milestone of his amulet lineage, and the individual touch of his own hand.