ANU01

Rian Sema Ayu 60 

LP Anucha • Wat Pho Ratchaburana, Ratchaburi
1st Batch • 60th Birthday / 5 Rob Commemorative Issue
B.E. 2568
5cm 
Mainstream Artifact

Bio of LP Anucha: click here

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Sacred Craftsmanship

The Rian Sema Ayu 60 was created to commemorate the 60th birthday of LP Anucha Anuchato of Wat Pho Ratchaburana, representing the completion of 5 Rob, or five full twelve-year cycles.

LP Anucha personally hand-Yanted both the front and back.

Each medal was produced from prepared metal and individually worked by hand; natural variations in surface, copper tone, patina and the positioning and depth of the handwritten Yant make every personally inscribed example unique.

The photographs are representative only. A piece will be selected at random, and the item supplied may differ slightly from the exact piece shown in the images

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Personal Experiences Shared by Luksits

Among LP Anucha's established Luksits, personally hand-Yanted medals are often valued differently from ordinary production examples.

A standard medal may share the same formal consecration and imagery, but a hand-Yanted piece required LP Anucha to handle the individual Rian and personally work upon its surface.

For close followers, this creates a particularly direct connection with the master.

During visits to Wat Pho Ratchaburana, I have encountered followers whose relationship with this spiritual tradition extends across generations. Some explained that their fathers had previously followed respected older masters such as LP Deang of Wat Khao Bandai-It, while they themselves later developed their own relationship with LP Anucha.

One businessman involved in Thailand's beauty industry spoke particularly strongly about this continuity. His father had been devoted to LP Deang, while he later began carrying and collecting sacred objects associated with LP Anucha.

As his own business expanded, he came to regard LP Anucha's blessings as an important spiritual companion alongside diligent work and careful decision-making.

Other entrepreneurs have similarly spoken about better customer relationships, smoother negotiations, greater confidence when making difficult decisions and increased stability during uncertain periods.

Their accounts generally concern gradual improvement rather than sudden riches.

Customers return. Difficult periods become manageable. Useful contacts appear. Decisions become clearer. Business gradually strengthens.

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Summary

The Rian Sema Ayu 60 commemorates an important milestone: LP Anucha reaching 60 years of age and completing 5 Rob.

Within the Thai calendrical tradition, one Rob represents a twelve-year zodiac cycle. Five complete cycles therefore equal sixty years.

This particular example combines three important characteristics:

First-batch 5 Rob commemorative issue.
Copper construction.
Personal hand-Yant by LP Anucha across both front and reverse.

The obverse establishes the devotional relationship with the master through his seated portrait.

The reverse carries the formal sacred Yant of the issue.

LP Anucha's additional handwritten inscriptions then personalise the individual medal.

For collectors, this creates a useful distinction between batch and piece.

The mould identifies the batch.

The copper identifies the material.

The handwriting identifies the individual work of the master.

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Historical Background

In the traditional Thai calendrical system, a Rob represents one complete twelve-year cycle, corresponding with the twelve zodiac animals.

Five Rob therefore equal 60 years.

Reaching this point is regarded as an important life milestone: five complete cycles have passed, and the individual enters another stage of life carrying the experience accumulated during those years.

The number five also carries considerable symbolic importance within traditional Buddhist Wicha.

One of its best-known expressions is Na Mo Phut Tha Ya (นะโมพุทธายะ), the five-syllable heart formula traditionally associated with the Five Buddhas of the present aeon.

Within traditional practice, the formula is approached in connection with broad auspicious qualities including protection, Metta, stability and spiritual support.

For this reason, a 5 Rob sacred-object issue is not viewed merely as a birthday souvenir. It commemorates the life and accumulated practice of the master at a significant cyclical milestone.

LP Anucha was born on 23 August 1964 in Nakhon Pathom Province. His early spiritual development was closely associated with LP Sanga of Wat Nong Muang, through whom he was introduced to meditation, sacred inscriptions and traditional Buddhist Wicha.

He first entered the monkhood in B.E. 2527 (1984) at Wat Nong Pho. After spending a period in lay life, he returned permanently to the monkhood at Wat Pho Ratchaburana on 10 August B.E. 2552 (2009).

His later development combined formal Buddhist education with traditional Wicha. Between B.E. 2556 and 2558 (2013–2015), he completed the Nak Tham sequence while continuing his ritual studies.

Additional branches of his learning are associated with masters including LP Non of Wat Khao Phran Thup, LP Boonkham of Wat Chaiyaphum and LP Od of Wat Bang Muang.

Among the practices associated with LP Anucha, sacred Yant inscription is particularly relevant to this example because his personal writing remains directly visible upon the medal.

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Origins of the Materials

This Rian is struck in copper, one of the traditional metals widely used in Thai medal production.

Copper is particularly suited to this type of work because it takes moulded detail cleanly while also providing a suitable surface for subsequent hand inscription.

Its warm reddish tone also changes naturally with age and handling. Depending upon storage and environmental conditions, the surface may gradually develop darker brown, reddish or deeper oxidised areas.

For this piece, however, the significance of the copper goes beyond appearance.

It became the physical writing surface for LP Anucha's additional sacred work.

After the medal had been produced, the available areas on both sides were personally inscribed. The distinction between the original moulded details and the later handwritten characters remains visible upon close examination.

The metal therefore records two stages of creation:

the striking of the medal and the subsequent hand of the master.

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Ritual

The Rian Sema Ayu 60 combines formal commemorative production with individual ritual preparation.

The original mould establishes the portrait, Sema form and principal reverse Yant.

LP Anucha's personal hand-Yant work forms the next stage.

Rather than merely blessing the medal as part of a larger group, he personally inscribed sacred characters upon the individual piece.

On the obverse, these inscriptions were worked into the available spaces surrounding his portrait and the elaborate decorative border.

On the reverse, additional sacred characters surround and complement the principal moulded Yant.

Within traditional Wicha, writing a sacred character is not treated simply as engraving. The Yant is understood through the relationship between its form, Katha, ritual intention and the concentration of the practitioner.

For this reason, personally inscribed examples are particularly meaningful to followers who value the direct physical involvement of the master.

And because this work was performed individually, variations between medals are expected.

Two Rian from the same batch may begin with the same mould.

Once LP Anucha personally works upon them, however, they need no longer be identical.

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Blessings and Effects

The Rian Sema Ayu 60 is best understood as a balanced, all-purpose sacred medal rather than one restricted to a single branch of Wicha.

Protection and Klaew Klaad form part of its traditional character, supporting safe passage and avoidance of dangerous or unfavourable circumstances.

Kongkrapan Chatree is traditionally associated with physical resilience and protection from harm.

Metta Maha Niyom concerns goodwill, acceptance and favourable treatment from others. This makes the medal particularly relevant to people working in sales, business, management or any environment where human relationships strongly influence outcomes.

Baramee concerns personal standing, dignity and the respect one receives from others.

Prosperity is approached in a similarly practical manner. Among many established Luksits, this is less about sudden windfalls and more about maintaining one's position, recognising opportunities, preserving income and progressing steadily through difficult periods.

The 5 Rob symbolism adds the ideas of completion, maturity and continuity.

The overall character may therefore be summarised as:

Protection to preserve.
Metta to connect.
Baramee to strengthen.
Prosperity to progress.

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Modern Application

The balanced nature of the Rian makes it particularly suitable as a principal daily amulet.

Business owners may approach it for customer relationships, commercial stability and the ability to recognise favourable opportunities.

Managers and executives may value its Baramee aspect for leadership, negotiations and maintaining composure when making difficult decisions.

Salespeople and entrepreneurs may place greater emphasis upon Metta Maha Niyom, particularly where trust and communication directly affect livelihood.

Those who travel regularly may appreciate the traditional protective and Klaew Klaad associations.

For the collector, meanwhile, the attraction lies in the combination of a recognisable mainstream issue with something distinctly individual: LP Anucha's own sacred writing upon that particular medal.

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Physical Details

The Rian Sema Ayu 60 measures approximately 5 cm and is struck in copper.

The obverse depicts LP Anucha seated cross-legged in meditation, surrounded by an elaborate high-relief Sema composition. Ornamental motifs rise along both sides of the portrait, while sacred characters and additional individually inscribed markings occupy the surrounding field.

The reverse carries a formal geometric sacred Yant centred upon a triangular composition, surrounded by sacred characters and commemorative inscriptions identifying the temple and 5 Rob issue.

Additional hand-Yanted characters personally applied by LP Anucha can be seen across both surfaces.

The copper displays an attractive reddish-brown tone, with darker areas naturally accentuating the recessed portions of the design and brighter copper highlights appearing across raised details.

The medal is housed in a clear protective casing, allowing the original copper surfaces and handwritten inscriptions to remain visible from both sides.

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Recommended Pairing

For a more strongly Buddhist devotional arrangement, Phra Somdej pairs naturally with the Rian's Baramee, protection and spiritual steadiness.

For livelihood and continued access to resources, Phra Sivali complements its prosperity qualities.

Those involved heavily in sales, negotiation or customer relationships may pair it with Salika, adding a more specialised emphasis upon persuasive communication and Metta Maha Niyom.

Nevertheless, the broad character of the Rian Sema Ayu 60 means that it is entirely suitable to be worn alone.

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Personal Notes

A personally hand-Yanted medal preserves something that cannot be reproduced simply by making another strike from the original mould.

The formal Rian belongs to the batch.

The handwriting belongs to the individual piece.

That distinction is particularly meaningful here.

The Rian itself commemorates LP Anucha reaching 60 years — five complete cycles of life. Its first-batch status places it at an important point within his medal lineage. Its copper construction gives it the familiar character of traditional Thai medal work.

Then LP Anucha personally returned to the piece and wrote upon it.

Front and back.

The result retains both identities.

It remains a recognisable Rian Sema Ayu 60, yet it also carries the irregularity and individuality of the master's own hand.

The portrait represents LP Anucha.
The 5 Rob represents his milestone.
The Yant represents his Wicha.
And the handwriting makes this particular Rian its own piece.