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Por Sala Tan

Por Sala Tan

Regular price $325.00 SGD
Regular price Sale price $325.00 SGD
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PST03

Yak Burisat 

Por Sala Tan
4.5cm
Barang Artifact


Sacred Craftsmanship

This Yak Burisat is a distinctive Barang artifact individually carved by Por Sala Tan from Graduk Chang Kraden, a sacred elephant relic traditionally associated with strength, authority, endurance and Baramee.

Each artifact is individually handmade from carefully prepared sacred materials. Natural variations in carving, texture, colour and the arrangement of sacred substances make every piece unique.

Exact piece will be given. 


Personal Experiences Shared by Luksits

Among followers of Por Sala Tan, Yak Burisat is remembered for its traditional associations with wealth fetching, increasing popularity, personal authority and favourable opportunities.

Several early Luksits who carried these pieces reportedly experienced improvements in their professional and social circumstances.

Some described receiving greater recognition at work, attracting helpful individuals and finding that previously difficult negotiations became easier.

One particularly interesting account concerns an early wearer who was involved in the media industry.

Before carrying the artifact, his career had yet to gain significant recognition. Over time, he began receiving more opportunities, gradually establishing his presence within the industry.

He subsequently became a recognised radio personality.

The wearer attributed part of this favourable progression to the Yak Burisat, believing that its influence had helped strengthen his popularity and professional visibility.

Other devotees have similarly associated the artifact with increased confidence, improved social acceptance and unexpected business opportunities.


Summary

This Yak Burisat represents one of Por Sala Tan's small, specially prepared cave-consecrated creations.

Individually carved from Graduk Chang Kraden, the artifact combines the traditional Baramee of the elephant with the commanding presence of Yak.

Its reverse incorporates Takruts, a relic and Fang Seur, completing the sacred composition.

The batch is particularly notable for its consecration during a lunar eclipse inside a cave in Fang, accompanied by a forest Lersi.

Only ten pieces were created under these ceremonial conditions.

The rear composition differs from piece to piece. This variation corresponds to the aura of the specific yak presence invoked and harmonised into each amulet.

Traditionally associated with wealth fetching, authority, Metta Maha Niyom, increasing popularity and protection, Yak Burisat is particularly appreciated by devotees seeking advancement in business and professional life.


Historical Background

Yak Burisat and the Guardian Tradition

Yak figures occupy an important position in Thai and Southeast Asian religious and animist traditions.

Commonly associated with strength, guardianship and supernatural authority, Yak are frequently depicted protecting temples, sacred places and important spiritual boundaries.

Within traditional Thai occult Wicha, certain Yak forms are also associated with Maha Amnat, Baramee, wealth and commanding personal presence.

Yak Burisat belongs to this broader tradition of guardian-related sacred figures.

The Fang Lunar Eclipse Ceremony

According to the lineage account, Por Sala Tan created this batch during a lunar eclipse in the caves of Fang, Northern Thailand.

The ceremony involved a forest Lersi who had spent decades practising meditation and undertaking Tudong journeys through Northern Thailand and Burma.

During these journeys, the Lersi collected sacred woods, herbs, minerals and other ritual materials.

These accumulated substances were subsequently incorporated into the consecration.

Within traditional occult belief, a lunar eclipse represents a period of unusual celestial influence, making it significant for certain specialised rituals.

The cave provided a secluded setting for the invocation of Yak-related spiritual forces.


Origins of the Materials

Graduk Chang Kraden

The principal material is Graduk Chang Kraden, an elephant relic traditionally valued for its associations with strength, endurance and Baramee.

Por Sala Tan selected and individually carved the relic into the image of Yak Burisat.

Fang Seur

Fang Seur was incorporated into the reverse as part of the sacred composition.

Within Por Sala Tan's traditional Wicha, Seur-related materials are associated with courage, authority, protection and the ability to overcome opposition.

Takruts and Relic

Two Takruts and an additional relic were embedded into the reverse.

These materials were prepared to complement the qualities of Yak Burisat, particularly personal influence, attraction and protection.

Sacred Materials from the Forest Lersi

Additional ritual substances collected by the forest Lersi during his Tudong journeys were used in the cave consecration.

Their inclusion connected the artifacts with the Lersi's accumulated practice and traditional knowledge.


Ritual

The consecration took place inside a cave in Fang during the peak period of a lunar eclipse.

Por Sala Tan conducted the ceremony with the participation of a forest Lersi familiar with the surrounding mountains and their traditional spiritual practices.

The Lersi contributed sacred materials accumulated throughout his years of meditation and Tudong journeys.

During the ceremony, Yak essence was ritually invited into the individual carvings, following the traditional methods practised by the masters.

The Takruts, relics and Fang Seur were incorporated to complement and stabilise the intended spiritual qualities of each artifact.

According to the accompanying account, each piece was treated individually rather than as an ordinary mass-produced batch.

The ceremony was completed with only ten Yak Burisat artifacts, and no additional pieces were produced under the same ritual conditions. The rear composition differs from piece to piece. This variation corresponds to the aura of the specific yak presence invoked and harmonised into each amulet.


Blessings and Effects

1. Chok Larp – Wealth Fetching

Traditionally associated with attracting financial opportunities, favourable business circumstances and unexpected sources of fortune.

2. Metta Maha Niyom – Popularity and Goodwill

Believed to encourage positive relationships, social acceptance and favourable treatment from others.

3. Maha Amnat – Authority and Influence

Yak Burisat is associated with commanding presence, confidence and the ability to gain respect in professional and social environments.

4. Baramee – Personal Standing

The Graduk Chang Kraden contributes the traditional symbolism of strength, dignity, endurance and accumulated authority.

5. Saneh – Personal Attraction

Associated with increased charisma, favourable impressions and attracting attention in social or professional settings.

6. Career Advancement and Recognition

Traditionally sought by individuals wishing to increase their visibility, reputation and opportunities for professional progression.

7. Spiritual Protection

The combined Yak and Seur symbolism is associated with guarding against harmful influences, hostility and misfortune.


Modern Application

Yak Burisat is particularly suited to individuals whose daily activities involve public interaction, negotiation or maintaining professional influence.

Business Owners and Entrepreneurs: Traditionally appreciated for wealth fetching, attracting opportunities and strengthening business relationships.

Sales and Marketing Professionals: Associated with personal attraction, persuasive communication and favourable customer interactions.

Media and Public-Facing Professionals: Particularly relevant to those seeking recognition, popularity and a stronger public presence.

Managers and Leaders: The Yak and Chang symbolism represents authority, confidence and the ability to command respect.

Collectors of Traditional Barang: The limited production, unusual materials and lunar eclipse cave consecration distinguish this artifact from more conventional Yak amulets.

Its compact size makes it suitable for wearing around the neck or carrying discreetly.


Physical Details

Approximately 4.5 cm, individually hand-carved from Graduk Chang Kraden. The front depicts a crowned Yak Burisat with raised arms and traditional geometric detailing. The reverse contains a dark sacred backing embedded with two Takruts, a central relic and Fang Seur positioned above. Each piece is housed within a clear protective casing. Limited to ten pieces, consecrated inside a cave in Fang during a lunar eclipse.


Recommended Pairing

Tao Wessuwan – Complements Yak Burisat through traditional associations with authority, guardianship and spiritual protection.

Phra Sivali – Associated with abundance, favourable opportunities and the smooth progression of one's undertakings.

Nang Kwak – Suitable for strengthening the wealth-fetching and customer-attraction symbolism of the artifact.

Hanuman – Complements the qualities of confidence, adaptability, personal influence and overcoming opposition.

Lersi Artifacts – Particularly meaningful given the involvement of a forest Lersi in the original consecration.


Personal Notes

What makes this Yak Burisat particularly interesting is the combination of its unusual carving material, limited production and the circumstances surrounding its consecration.

Por Sala Tan did not simply carve the Yak image from conventional wood or metal. Instead, he selected Graduk Chang Kraden, incorporating the traditional symbolism of elephant strength and Baramee directly into the figure.

The reverse further combines Takruts, a relic and Fang Seur, creating a composition centred on authority, attraction and protection.

Another important aspect is the involvement of the forest Lersi.

The materials he contributed were reportedly accumulated during many years of Tudong journeys and secluded practice. Their use connects the artifacts with an older tradition of collecting sacred substances from remote forests and mountain regions.

The lunar eclipse ceremony adds another distinctive element.

Rather than producing a large batch, Por Sala Tan completed only ten pieces under these particular conditions.

The account of an early wearer who later became a recognised radio personality is also noteworthy, especially given Yak Burisat's traditional association with popularity and professional recognition.

Although such experiences cannot establish supernatural effects, they contribute to the history and reputation of the batch among Por Sala Tan's followers.

For collectors, the significance of this Yak Burisat lies not merely in its rarity but in the relationship between the Graduk Chang Kraden, the forest Lersi's materials, the lunar eclipse ceremony and the traditional Yak Wicha.

Together, these elements reflect Por Sala Tan's approach to creating specialised Barang artifacts through carefully selected materials and individual ritual preparation.

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