PST04

Ya Rattana Khampira

Por Sala Tan
~ 2.5" size

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Each piece of this nature was individually prepared and hand-yanted by Por Sala Tan from carefully selected sacred materials. Natural differences in the Hua Galok, handwritten inscriptions, gold foil, herbs, Paneang and embedded takruts create variations in texture, colour and arrangement, making every completed artifact unique.

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Personal Experiences Shared by Luksits

Among followers of Por Sala Tan, artifacts prepared through Ya Rattana Khampira wicha became especially appreciated for their traditional associations with Metta Maha Niyom, Saneh, customer attraction and favourable human relationships.

Followers who received such artifacts have repeatedly returned to Por Sala Tan requesting further pieces, sharing that they had become meaningful companions in their day-to-day lives. Many spoke particularly of smoother interactions with people, greater receptiveness from those around them and unexpected improvements in situations that had previously remained stagnant.

One account concerns a shopkeeper whose business had deteriorated to the point where he was considering closing the shop. With customer traffic becoming increasingly poor, he approached Por Sala Tan seeking help.

Por Sala Tan subsequently gave him an artifact prepared through this form of wicha. After acquiring it, the shopkeeper noticed a gradual change. Customers slowly began entering the shop again. More importantly, some of these customers returned and eventually became regular patrons.

Over time, the increased customer traffic helped stabilise the struggling business. The shopkeeper attributed the change to the Metta and customer-attraction qualities of the artifact and remained deeply appreciative of Por Sala Tan's assistance.

Other luksits have similarly described people becoming more receptive, conversations beginning more naturally and negotiations becoming smoother. Those involved in sales and business have reported introductions developing into opportunities, while others associate the Saneh aspect with increased personal magnetism and opposite-gender attention.

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Summary

This unusual Ya Rattana Khampira artifact by Por Sala Tan was prepared upon a rare piece of Hua Galok, traditionally said to have originated from an old Lersi who practised ancient medicinal knowledge, particularly in healing and Saneh wicha.

Por Sala Tan personally inscribed the principal Ya Rattana Khampira yant upon the Hua Galok before applying gold foil. Around the main yant, he added further sacred inscriptions directed towards Metta Maha Niyom, Maha Saneh, persuasive speech, popularity and opening the minds of others.

The reverse was prepared with sacred Metta-Saneh herbs, Por Sala Tan's own Nam Man Prai, Paneang fragments and multiple takruts, creating a specialised ritual composition centred upon attraction, goodwill and favourable human interaction.

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Ya Rattana Khampira

Ya Rattana Khampira, also known amongst Shan and Burmese communities as Ya Khaeb Kham, belongs to an old medicinal and esoteric tradition preserved across Northern Lanna and neighbouring regions.

Within older traditions, herbal knowledge and wicha were closely connected. Medicinal substances could be prepared alongside sacred inscriptions, mantra and ritual consecration, bringing together both the physical qualities of the ingredients and their ritual significance.

Ya Rattana Khampira became particularly associated with Metta, attraction, harmony, auspicious fortune and protection. Its importance lies in the complete method of preparation — sacred materials, yant, mantra and consecration brought together under the practitioner's wicha.

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The Hua Galok

The foundation of this artifact is an old piece of Hua Galok, a material increasingly difficult to encounter amongst old ritual collections.

According to its provenance, this particular Hua Galok came from an old Lersi knowledgeable in ancient medicine, whose practice included traditional healing together with Saneh-related wicha.

Its history made the material particularly suitable for Por Sala Tan's preparation of Ya Rattana Khampira.

Por Sala Tan retained the original character of the Hua Galok while transforming its surface through extensive sacred inscriptions, gold foil and ritual consecration.

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Hand-Inscribed Ya Rattana Khampira Yant

The face of the artifact was personally hand-yanted by Por Sala Tan.

At its centre is the principal square-form yant connected with the Ya Rattana Khampira wicha. Surrounding it are numerous additional sacred characters specifically inscribed to strengthen Metta Maha Niyom, Maha Saneh, open minds, persuasive speech and popularity.

After completing the inscriptions, Por Sala Tan applied gold foil across the prepared surface. The handwritten characters remain visible throughout the aged golden finish, giving the artifact its distinctive appearance.

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Sacred Materials at the Reverse

The reverse contains a concentrated arrangement of materials selected to complement the main Ya Rattana Khampira yant.

A prepared compound of Metta Maha Niyom and Saneh sacred herbs forms the foundation. Por Sala Tan added his own Nam Man Prai, together with multiple takruts positioned throughout the reverse.

Fragments of Paneang were incorporated specifically to strengthen the Saneh character of the artifact and its traditional association with attraction and personal magnetism.

Together, these materials form an integral part of the complete ritual preparation.

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Paneang & Saneh Wicha

The inclusion of Paneang is particularly significant to the attraction character of this piece.

Within Por Sala Tan's wicha, Paneang is valued in specialised Saneh preparations intended to strengthen personal presence, attraction and favourable attention.

Here it is combined with the old Hua Galok, sacred herbs, Nam Man Prai and Por Sala Tan's handwritten inscriptions, giving the artifact a concentrated Metta Maha Niyom and Maha Saneh character.

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Ritual & Consecration

After completing the inscriptions and preparing the reverse, Por Sala Tan consecrated the artifact according to the Ya Rattana Khampira wicha.

The central yant established the principal ritual identity, while the surrounding inscriptions strengthened its Metta and Saneh qualities. The herbs, Paneang, Nam Man Prai and takruts provided complementary ritual elements.

Through consecration, these different components were brought together as a single sacred artifact.

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Traditional Blessings

The principal emphasis of this Ya Rattana Khampira is Metta Maha Niyom and Maha Saneh — traditionally associated with goodwill, attraction and favourable attention.

Its blessings extend towards personal magnetism, persuasive speech, opening people's minds and smoother communication, particularly during business, sales and negotiation.

For livelihood, it is associated with customer attraction, popularity, business opportunities and supportive relationships, while retaining the auspicious and protective qualities of Ya Rattana Khampira.

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Modern Application

This form of Ya Rattana Khampira is particularly suited to those whose livelihood depends upon communication, relationships and personal presence.

Business owners and shopkeepers may appreciate its traditional association with attracting customers and encouraging repeat patronage. Salespeople and negotiators may value its emphasis upon persuasive communication, favourable reception and smoother dealings.

Those working in hospitality, entertainment and other public-facing professions may similarly value its connection with popularity and favourable attention.

Within personal relationships, its Saneh character is traditionally associated with attraction, warmth and greater openness between people.

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Physical Details

The front consists of an old piece of Hua Galok, extensively covered by Por Sala Tan's handwritten sacred characters.

A square Ya Rattana Khampira yant occupies the centre, surrounded by additional Metta Maha Niyom and Saneh inscriptions. Gold foil was applied across the prepared surface, producing its distinctive aged golden appearance.

The reverse is prepared upon a reddish-brown sacred herbal compound and contains multiple takruts, visible Paneang fragments, Metta-Saneh herbs and Por Sala Tan's own Nam Man Prai.

The complete artifact is presently preserved within a custom silver casing.

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Collector's Note

What distinguishes this piece is the convergence of several uncommon elements within a single artifact.

The Hua Galok itself is difficult to obtain, with this particular material carrying a stated connection to an old Lersi versed in ancient healing and Saneh practice. Por Sala Tan further prepared it with the Ya Rattana Khampira yant, extensive handwritten Metta-Saneh inscriptions, gold foil, sacred herbs, Paneang, Nam Man Prai and multiple takruts.

The repeated requests from followers for artifacts of this nature also form an important part of their oral history. For collectors of Por Sala Tan's work, it represents a particularly specialised example of his Metta Maha Niyom and Maha Saneh wicha, combining an unusual old material with extensive personal preparation by the master.