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Por Sala Tan
Por Sala Tan
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PST04
Phra Lersi Narod Song Phaya Suea
Por Sala Tan
Each Ong Krut was individually handmade from carefully selected sacred materials and personally prepared by Por Sala Tan. Natural differences in the Keow Moo Tong Deang, carving, sacred inscriptions and placement of ritual components give every piece its own unique texture, colour, form and character.
Personal Experiences Shared by Luksits
According to Ac Lek, this particular Ong Krut was originally kept as a working sacred piece within Por Sala Tan's ritual space.
It was not simply stored as a collection piece. Por Sala Tan frequently kept it beside him or held it during ceremonies when dealing with heavy spiritual energies, clearing harmful influences, dissolving hexes and stabilising the ritual environment during consecrations.
Ac Lek recalled that the piece was particularly valued when additional wisdom, protection and spiritual strength were required during more demanding ritual work.
Its reputation extended beyond Por Sala Tan's own use. Visiting monks and masters would occasionally borrow the Ong Krut for their own ceremonies when they required additional ritual support.
The piece therefore accumulated a distinctive history as a working ritual object, repeatedly present during spiritual practice and consecration rather than being created solely for personal wear.
Its later preservation as an Ong Krut gives collectors a direct connection to this period of ritual use.
Summary
This Phra Lersi Narod Song Phaya Suea is an exceptionally uncommon Ong Krut of Por Sala Tan, carved from Keow Moo Tong Deang and depicting Lersi Narod seated above the powerful Phaya Suea, or King Tiger.
The imagery brings together two complementary forces.
Lersi Narod represents wisdom, sacred knowledge, discipline and the authority of the Kroo, while Phaya Suea represents courage, commanding presence, protection and the ability to confront difficult circumstances.
Together, the image expresses a central principle:
Wisdom sits above force.
The reverse contains a Lersi Narod Roop Lor, while sacred takruts are positioned at the back and along the sides. Their arrangement was intended to balance the principal qualities of the piece — wisdom, courage, authority and protection.
Its significance is further strengthened by its history as one of Por Sala Tan's working ritual pieces, used repeatedly during ceremonies and occasionally borrowed by other practitioners.
For collectors of Por Sala Tan, this is a particularly difficult type of Ong Krut to encounter.
Historical Background – Lersi Narod
Lersi Narod belongs to the wider Thai Lersi tradition of revered ascetic teachers and custodians of sacred knowledge.
Lersi traditions developed from the ancient Indian Rishi and became deeply integrated into Thai religious, artistic, healing and occult practice.
Within these traditions, the Lersi occupies the position of Kroo — the teacher through whom knowledge and wicha are transmitted.
Lersi Narod is especially associated with wisdom, learning, spiritual discipline and mastery of specialised knowledge. For this reason, Lersi imagery remains closely connected with Wai Kru and the acknowledgement of one's teachers and lineage.
For practitioners, the Lersi represents more than knowledge itself. He represents the discipline and judgement required to use that knowledge correctly.
Lersi Narod Song Phaya Suea
The imagery of Lersi Narod seated upon the Phaya Suea combines the authority of the teacher with the strength of the tiger.
The tiger has long represented courage, alertness, authority and protection within Thai forest and wicha traditions.
Yet in this composition, the tiger remains beneath the Lersi.
The symbolism is therefore one of controlled strength.
The Lersi represents wisdom and judgement directing the tiger's formidable power. Courage remains under discipline; authority is guided by knowledge; and force is exercised with restraint.
For this reason, the image is especially relevant to those who must make difficult decisions or command others while remaining composed.
Keow Moo Tong Deang
The principal material used for this Ong Krut is Keow Moo Tong Deang.
Within traditional sacred-material practice, Keow Moo Tong Deang is regarded as a strong natural material and has been used for ritual objects requiring durability, stability and firm anchoring energy.
Por Sala Tan selected the material specifically for the Lersi Narod Song Phaya Suea form.
Its dense natural character complements the symbolism of the image: the steady wisdom of the Lersi combined with the grounded strength and courage of the tiger.
The aged material also gives the carving its distinctive cream, brown and naturally weathered appearance.
Lersi Narod Roop Lor
At the reverse is an additional Lersi Narod Roop Lor, creating a second representation of the Kroo within the same artifact.
The Roop Lor reinforces the Lersi aspect of the piece and its emphasis upon wisdom, guidance, spiritual discipline and the continuation of wicha.
Its placement at the centre of the reverse gives the entire construction a clear ritual focus.
While the front presents Lersi Narod commanding the Phaya Suea, the reverse preserves the Lersi himself as the central spiritual foundation.
Sacred Takruts
Several takruts were incorporated throughout the Ong Krut.
They are positioned at the reverse and along the sides of the carved material, surrounding the central Lersi Narod Roop Lor.
Their placement was intended to create a balanced ritual composition supporting the principal qualities of the piece:
Protection, to guard the keeper and ritual environment.
Wisdom, supporting judgement and clarity.
Courage, particularly when confronting difficult circumstances.
Authority, strengthening confidence and personal baramee.
The result is a compact but complex sacred construction in which the carving, Roop Lor and takruts work towards the same overall purpose.
Ong Krut – A Working Ritual Piece
The term Ong Krut is particularly important when understanding this example.
This was a piece retained for actual ritual use within Por Sala Tan's sacred space.
According to Ac Lek's account, Por Sala Tan used it repeatedly during ceremonies, particularly when the ritual environment required additional stability and protection.
It was kept close when clearing heavy energies or harmful influences and during consecrations where greater spiritual support was required.
The fact that other visiting monks and masters were also said to have borrowed the piece gives it an unusual history of continued ritual use.
For collectors, this distinguishes the artifact from pieces that entered private collections shortly after their creation.
Traditional Blessings (Summary)
The central quality of Phra Lersi Narod Song Phaya Suea is Baramee supported by wisdom and controlled authority.
Lersi Narod traditionally supports wisdom, learning, judgement, concentration and spiritual practice, while Phaya Suea contributes courage, Maha Amnaj, commanding presence and protection.
The piece is also associated with overcoming obstacles and opposition, particularly where calm judgement is more valuable than confrontation.
Its protective character extends traditionally towards harmful intentions, hostile spiritual influences and heavy ritual environments, reflecting its history of ceremonial use.
For working life, the same qualities translate naturally towards leadership, negotiation, decision-making, confidence and maintaining authority under pressure.
Together, its character may be summarised as wisdom, courage, authority, protection and the strengthening of baramee.
Modern Application
This Lersi is particularly suited to those whose responsibilities require both knowledge and authority.
Business owners, managers and negotiators may value its symbolism of remaining decisive without becoming reckless.
Teachers, healers and practitioners of wicha may appreciate its strong connection with Kroo, knowledge and spiritual discipline.
Those working in competitive environments may keep it for courage, protection and the ability to maintain composure when facing rivalry, pressure or difficult personalities.
For practitioners, its history as Por Sala Tan's own working ritual piece gives it particular relevance to meditation, consecration and spiritual work.
The lesson represented by the image remains simple: strength becomes most effective when governed by wisdom.
Physical Details
The front depicts Lersi Narod seated upon Phaya Suea, individually carved into the naturally shaped Keow Moo Tong Deang.
The Lersi is shown with a pronounced headdress and beard, seated above the tiger while holding a long ritual implement across the body. Fine hand-carved lines define the robes, facial features and surrounding details.
The natural outer form of the material has been retained, including its irregular projections and aged cream-brown surface.
At the reverse, a recessed central chamber contains the Lersi Narod Roop Lor. Several sacred takruts are embedded beneath and above the figure, while additional ritual components are incorporated along the sides of the artifact.
The complete piece is now preserved within a custom protective casing.
Recommended Pairings
Tiger Spirit or Seur Wicha — complements the Phaya Suea aspect for collectors concentrating upon courage, Maha Amnaj and commanding presence.
A Rare Ong Krut of Por Sala Tan
The importance of this piece extends beyond its unusual material or imagery.
It was an Ong Krut — a working sacred object kept within Por Sala Tan's own ritual environment.
Carved from Keow Moo Tong Deang as Lersi Narod Song Phaya Suea, the piece combines the wisdom and discipline of the Kroo with the courage and authority of the King Tiger. The Lersi Narod Roop Lor and surrounding takruts further reinforce its qualities of protection, wisdom and spiritual stability.
According to Ac Lek, Por Sala Tan repeatedly used the piece during ceremonies involving heavy energies, harmful influences and demanding consecrations, while other visiting monks and masters occasionally borrowed it when additional ritual support was required.
Such pieces were never common and were frequently retained by those close to Por Sala Tan rather than circulating openly.
For serious collectors and devotees of Por Sala Tan, this is therefore a particularly significant example — a rare Ong Krut with a history of direct ritual use, combining Kroo wisdom, tiger courage, Maha Amnaj, protection and the strengthening of baramee.

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