PST06

Bobo Aung

Por Sala Tan
Mainstream Artifact
1.5 inches

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Sacred Craftsmanship

Each artifact was individually prepared and carved by hand from naturally irregular old material. Differences in grain, surface, carving, lacquer and gold application therefore make every surviving piece unique.

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Personal Experiences Shared by Luksits

Among Por Sala Tan's Burmese-influenced artifacts, Bobo Aung is generally regarded by luksits as a figure connected with wisdom, overcoming difficulties, opportunity and guidance.

Owners often describe the effect less in terms of sudden windfalls and more as circumstances gradually becoming easier to navigate. When difficulties arise, they speak of remaining calmer, noticing another solution, meeting someone who can assist, or finding an unexpected opening after an earlier path appeared blocked.

For people involved in business, negotiations or responsibilities requiring judgment, Bobo Aung is also carried as a reminder to observe carefully before acting rather than forcing an immediate outcome.

This particular example carries additional significance because the material itself had already spent more than two decades in the keeping of an elderly Burmese shaman before being entrusted to Por Sala Tan.

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Summary

Bobo Aung occupies an important place within Burmese spiritual and folk traditions, where he is remembered as a legendary Weizza — an accomplished practitioner associated with meditation, esoteric knowledge and extraordinary spiritual attainment.

Por Sala Tan's interpretation connects that Burmese tradition directly with the provenance of the material.

Rather than carving the figure from newly prepared material, he used old Graduk Chang Graden preserved and blessed for more than twenty years by an elderly Burmese shaman. Por Sala Tan subsequently prepared the material through his own wicha, carved Bobo Aung and completed the figure with red lacquer and gold foil.

The result is an artifact carrying two stages of ritual history: the long period under the Burmese shaman, followed by its transformation into Bobo Aung under Por Sala Tan.

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Historical Background

Bobo Aung is one of the best-known figures associated with the Burmese Weizza tradition.

The term Weizza refers broadly to accomplished practitioners of esoteric disciplines. Burmese traditions surrounding such figures combine Buddhist devotion, meditation, moral discipline, sacred formulas, alchemical knowledge and other forms of inherited spiritual practice.

Bobo Aung became particularly prominent in Burmese popular belief as a figure representing wisdom, spiritual accomplishment and the ability to overcome seemingly impossible obstacles.

Images of Bobo Aung are therefore kept not simply for protection, but also as representations of intelligence, perseverance and finding a path through difficult circumstances.

For collectors of Por Sala Tan's work, the Burmese origin of the Graduk Chang Graden gives this particular carving an especially appropriate relationship with the figure represented.

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Origins of the Materials

The central importance of this artifact lies in its Graduk Chang Graden.

According to its accompanying history, the raw material originally belonged to an elderly Burmese shaman. He had kept it for more than twenty years, during which it was regularly blessed as part of his spiritual practice.

It was therefore already considered an established ritual material long before Por Sala Tan received it.

Once it passed into his possession, Por Sala Tan did not simply preserve the material in its original state. He selected and prepared suitable sections for the creation of sacred artifacts, incorporating them into his own working tradition.

One portion was chosen for this Bobo Aung.

The connection is particularly meaningful: an old material preserved by a Burmese practitioner was eventually used to represent one of the most recognisable spiritual masters of Burmese esoteric tradition.

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Ritual

Por Sala Tan first prepared the old Graduk Chang Graden according to his own wicha before beginning the carving.

Bobo Aung was then formed individually by hand, retaining the compact seated posture associated with devotional images of the master.

Once the carving was completed, Por Sala Tan applied traditional red lacquer over its surface. Gold foil was subsequently laid over the lacquer, producing the deep reddish-gold appearance of the finished figure.

This method gives the surface considerable character. Areas of gold remain bright while other sections reveal darker lacquer and the aged material beneath, allowing the history of the handmade object to remain visible.

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Blessings and Effects

Within traditional belief, Bobo Aung is principally associated with wisdom, guidance, protection and overcoming obstacles.

His Weizza identity also connects him with perseverance — remaining composed when circumstances become complicated and finding another route when the obvious one has failed.

For this reason, devotees commonly associate Bobo Aung with clear judgment, assistance from helpful people, progress through difficult periods, opportunity, livelihood and protection during uncertain circumstances.

In professional life, these qualities may be interpreted as stronger decision-making, patience during negotiation and recognising opportunities that might otherwise be overlooked.

The emphasis is not merely on receiving good fortune, but on possessing the clarity and persistence needed to make proper use of it.

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Modern Application

Bobo Aung is particularly suitable for those facing periods requiring patience, judgment and perseverance.

Business owners, traders, managers and people regularly making consequential decisions may carry the artifact as a symbol of clear thinking and finding workable solutions under pressure.

It is equally meaningful for someone beginning a new undertaking, travelling, rebuilding after a setback or entering an unfamiliar stage of life.

The underlying principle remains closely aligned with the Bobo Aung tradition: when one path closes, remain composed enough to recognise another.

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Physical Details

The artifact is a three-dimensional seated Bobo Aung individually carved from old Graduk Chang Graden. He is depicted wearing the characteristic Burmese-style head covering, seated cross-legged with both hands resting before the body. The facial features, folds of the clothing and compact posture retain the unmistakable character of hand carving rather than machine production.

Its surface was finished with red lacquer and gold foil. Age and handling have allowed areas of the darker reddish-brown foundation to show through the gold, giving the figure a naturally variegated appearance. The reverse continues the sculptural treatment, showing the head covering, shoulders and layered robes rather than presenting a flat-backed carving.

The piece is presently protected within a fitted silver casing, allowing both the front and reverse of the carving to remain visible.

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Recommended Pairing

Bobo Aung pairs naturally with Lersi artifacts where greater emphasis on knowledge, teachers and disciplined practice is desired.

For someone concerned with business or leadership, it may also be paired with Yant Baramee or a wealth-oriented artifact, combining Bobo Aung's symbolism of wisdom and overcoming obstacles with respected presence and livelihood.

Where stronger guardian symbolism is preferred, Tao Wessuwan provides a complementary pairing centred upon protection and authority.