MS03

Phra Somdej Pim Rasami

LP Sook, Wat Pak Khlong Makham Thao
Wat Khlong Khom • B.E. 2460 (1917)

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Personal Experiences Shared by Luksits

Among devotees and collectors familiar with the Wat Khlong Khom batch, these amulets have long been valued particularly for protection, Klaew Khlaad and steadiness during difficult circumstances.

Luksits favour pieces of this nature for travelling, demanding work and periods where greater awareness and composure are required. Some describe feeling steadier when confronted with unexpected situations and more confident when travelling through unfamiliar surroundings.

Others appreciate the balanced character of the Phra Somdej. Its Metta Maha Niyom qualities are traditionally associated with smoother dealings and favourable treatment, while Maha Amnaj supports confidence and personal presence.

For long-term collectors, the historical connection is equally important. These amulets were created in connection with a temple-building merit project, remained within the Wat Khlong Khom kru for decades, and preserve the traditional lineage between LP Um and his teacher LP Sook.

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Summary

Phra Somdej Pim Rasami of Wat Khlong Khom is an old Phong Bai Lan kru amulet traditionally created in B.E. 2460 (1917) during the time of LP Um, with the participation of his respected teacher LP Sook of Wat Pak Khlong Makham Thao.

The batch was prepared using sacred Phong Bai Lan from old palm-leaf manuscripts and traditionally underwent an extended consecration lasting through one Buddhist Lent.

Remaining pieces were subsequently deposited beneath the principal Buddha image and within a chedi at Wat Khlong Khom, preserving them for decades before the kru was eventually opened.

The distinctive Pim Rasami, recognised by the spreading rays above the seated Buddha, combines old Buddhist iconography with the naturally matured character of a temple-cache amulet.

Traditionally respected for Kong Kraphan Chatri, Klaew Khlaad, Metta Maha Niyom, Maha Amnaj and baramee, it remains a significant old Wat Khlong Khom amulet carrying the respected lineage of LP Sook and LP Um.

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Historical Background

Phra Somdej Pim Rasami is an old sacred-powder amulet from Wat Khlong Khom, Suphan Buri, traditionally created in B.E. 2460 (1917) during the time of LP Um, the temple's abbot.

LP Um was a disciple of the highly revered LP Sook of Wat Pak Khlong Makham Thao, Chai Nat. He regularly travelled to visit his teacher and maintained a close connection with LP Sook's lineage of meditation and sacred wicha.

During this period, Wat Khlong Khom was raising funds for the construction of its ubosot, or ordination hall. LP Um arranged for sacred amulets to be created as part of the temple's merit-making effort, with LP Sook invited to assist in their preparation and consecration.

Completed amulets were distributed to devotees who contributed towards the temple project. Those that remained were eventually deposited within sacred kru, where they stayed for decades before being rediscovered.

Among the recognised forms from this batch is the distinctive Phra Somdej Pim Rasami, identified by the radiating lines above the seated Buddha.

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LP Sook of Wat Pak Khlong Makham Thao

LP Sook of Wat Pak Khlong Makham Thao, Chai Nat, is remembered as one of the highly respected monk-masters of the old Thai wicha tradition.

He became renowned for his meditation practice and knowledge of yant, takrut, sacred powders, ritual consecration and protective wicha.

His reputation was particularly strong in Kong Kraphan Chatri and Klaew Khlaad, relating to protection, resilience and avoidance of danger. His lineage was also associated with Metta Maha Niyom, Maha Amnaj and baramee.

As his reputation spread, monks, lay practitioners and devotees travelled to seek his teachings and blessings. LP Sook also transmitted his knowledge to disciples, allowing different branches of his wicha to continue through later generations.

Among the most famous figures traditionally connected with LP Sook was Prince Abhakara Kiartivongse, Prince of Chumphon, widely remembered as Krom Luang Chumphon Khet Udomsak. Their association became an important part of LP Sook's enduring historical reputation.

LP Sook was also invited to assist disciples and other temples with important consecrations and merit-making projects. The B.E. 2460 Wat Khlong Khom batch belongs to this tradition, with LP Um remembered as his disciple and LP Sook participating in the preparation and consecration of the temple's amulets.

This connection remains one of the principal reasons the old Wat Khlong Khom kru pieces continue to be highly regarded by collectors.

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Sacred Material & Preparation

The principal material traditionally associated with this batch is Phong Bai Lan, sacred powder prepared from old palm-leaf manuscripts.

Palm leaves were historically used for recording Buddhist scriptures and teachings. When old manuscripts had deteriorated beyond practical use, the material could be respectfully incorporated into sacred preparations.

According to Wat Khlong Khom tradition, old palm-leaf manuscripts were burned to produce part of the powder used for these amulets.

During this preparation, LP Sook and LP Um are said to have walked in meditation around the burning palm leaves, blessing the material before it was incorporated into the sacred powder mixture.

The resulting Phong Bai Lan became particularly associated with Kong Kraphan Chatri and Klaew Khlaad, forming an important foundation of the protective reputation of the batch.

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Ritual & Consecration

The Wat Khlong Khom amulets were traditionally subjected to an extended period of consecration.

According to local accounts, LP Sook and LP Um consecrated the amulets throughout one Buddhist Lent, approximately three months, before the concluding major ceremony.

LP Sook is remembered as an important presiding master of the consecration.

Local oral tradition further associates several respected monks with the larger ceremony, including LP Boey of Wat Manao, LP Im of Wat Hua Khao and LP of Wat Bang Nom Kho.

These additional names form part of the temple and collector oral history surrounding the batch where surviving contemporary documentation remains limited.

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The Wat Khlong Khom Kru

Following the completion of the ubosot, a considerable number of powder amulets reportedly remained. LP Um arranged for these pieces to be preserved within two sacred kru at Wat Khlong Khom.

One group was placed inside a chedi in front of the ubosot, while another was deposited beneath the pedestal of the principal Buddha image. Local tradition also records that a silver inscribed plate concerning the origin of the batch was placed together with the amulets.

The principal kru is said to have been discovered around B.E. 2522–2524 (1979–1981) after rainwater leaking through the temple roof gradually damaged the pedestal of the principal Buddha image.

When the structure was moved, the old amulets were discovered beneath it. Pieces nearer the upper portion were generally better preserved, while those lying lower had been affected by moisture, soil and sand. Some developed heavy staining and mineral deposits, while others became adhered together.

A separate cache inside the chedi was reportedly opened after the structure was damaged during an attempted theft, after which the temple arranged for the remaining amulets to be properly removed.

These different conditions within the kru explain the considerable variation in colour, surface and preservation encountered amongst surviving examples today.

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Pim Rasami

The Pim Rasami is distinguished by the radiating lines extending above the seated Buddha.

Rasami refers to radiance or sacred aura, with the spreading rays representing the brilliance surrounding the Buddha.

The composition presents the seated Buddha within a simple framed form, crowned by the characteristic rays that give this mould its identity.

Because these amulets remained inside the kru for decades, surviving pieces show different degrees of mould definition. Moisture, mineral deposits and natural ageing may soften the Buddha image and Rasami lines, giving every old example its own character.

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Traditional Blessings

The principal qualities traditionally associated with this batch are Kong Kraphan Chatri and Klaew Khlaad, representing protection, resilience and avoidance of danger.

It is also respected for Metta Maha Niyom, encouraging goodwill and favourable interactions, together with Maha Amnaj and baramee, supporting confidence, authority and personal presence.

The overall character is therefore one of protection, safe passage, metta and steady personal authority.

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Modern Application

For modern devotees, Phra Somdej Pim Rasami is particularly suitable as a balanced amulet for daily wear, work and travel.

Its protective and Klaew Khlaad qualities are valued by those who travel frequently or work in demanding environments. Metta Maha Niyom complements business, sales and occupations dependent upon favourable relationships with customers and colleagues.

Maha Amnaj and baramee further suit those carrying responsibility or regularly making decisions under pressure.

At its centre remains the Buddha image, serving as a reminder of mindfulness, composure and right conduct.

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Physical Details

This example is an old Phra Somdej Pim Rasami formed from sacred powder traditionally associated with Phong Bai Lan.

The obverse depicts the seated Buddha beneath the characteristic spreading Rasami lines, while the reverse remains plain.

Its deeply matured surface displays natural darkening, deposits and softened relief accumulated during its prolonged period within the kru.

Such variations are expected amongst old cache pieces, as their appearance depends greatly upon their original position and exposure to moisture, soil and surrounding material.

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Collector's Note

Wat Khlong Khom kru amulets are valued for their combination of B.E. 2460 age, Phong Bai Lan material, temple-cache provenance and traditional connection with LP Sook and LP Um.

Surviving examples can differ considerably in condition. Cleaner pieces may have remained in protected areas of the kru, while others display darker surfaces, mineral deposits and heavier weathering.

For this reason, authentication should consider the mould, material, natural ageing and provenance together, rather than relying solely upon colour or surface condition.

The distinctive Pim Rasami remains an interesting old form within this historical Wat Khlong Khom batch.

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