Mae Kali 

Por Sala Tan
5cm x 3cm
Barang Artifact
Encased in silver casing

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Sacred Craftsmanship

This Mae Kali is an unusual cave-discovered artifact subsequently prepared and consecrated by Por Sala Tan, combining an old Nur Din (baked clay) image with sacred materials recovered from its original surroundings.

Each artifact is individually handmade or prepared from carefully selected sacred materials. Natural variations in texture, colour and form make every piece unique.

Exact piece to be given

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Personal Experiences Shared by Luksits

Among devotees who venerate Mae Kali, personal experiences are often described in terms of overcoming obstacles, gaining courage and finding greater determination during difficult periods.

Some followers associate her protective nature with the ability to remain composed when facing hostility, workplace difficulties or complicated personal circumstances.

Others describe feeling more decisive when confronting problems they had previously avoided, regarding this change as an expression of Mae Kali's protective and transformative qualities.

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Summary

This Mae Kali is a cave-discovered Nur Din artifact, subsequently blessed and further prepared by Por Sala Tan.

Following its discovery after monsoon flooding, the piece was brought to Por Sala Tan, who reportedly recognised a strong spiritual presence associated with it.

He incorporated holy powders, soil from the original cave and a Takrut into the lower section.

The reverse was further prepared with a Yant-inscribed relic, coated with Nam Man Prai and Tid Jai.

Its traditional purposes combine fierce protection, overcoming obstacles, personal strength, attraction and spiritual transformation.

The artifact is particularly distinctive for its cave provenance and the combination of an older Mae Kali image with Por Sala Tan's subsequent ritual preparations.

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Historical Background

Mae Kali – The Divine Mother of Protection and Transformation

Mae Kali, also known as Kali Ma, is one of the most significant goddesses within Hindu Shakta traditions.

Her name is associated with time, darkness, mortality and transformation, reflecting her role as a divine force that confronts destructive influences and the limitations of worldly existence.

Although her appearance is frequently fierce, Kali is not traditionally understood simply as a destructive deity.

To her devotees, she is the Divine Mother, whose protective nature is expressed through the destruction of harmful forces, ignorance and obstacles that prevent spiritual progress.

One of her best-known appearances occurs in the Devi Mahatmya, where she emerges during the struggle against powerful demonic forces.

In the account of Raktabija, a demon whose spilled blood produces additional demons, Kali prevents his multiplication and enables his defeat.

This narrative has become an important expression of her ability to confront problems at their source rather than merely suppress their outward manifestations.

Kali and Shiva

Another important tradition depicts Kali standing upon Lord Shiva after a period of intense destruction.

Within several Hindu interpretations, Shiva represents consciousness and stillness, while Kali embodies dynamic divine energy, or Shakti.

Together, they express the relationship between awareness and transformative power.

Mae Kali in Southeast Asian Spiritual Traditions

Kali's imagery and worship spread beyond India through Hindu devotional and Tantric traditions.

Within certain Thai and neighbouring regional esoteric practices, Mae Kali is approached for protection, courage, overcoming adversaries and removing obstacles.

However, these local practices should be distinguished from established Hindu temple worship, as different practitioners may employ different materials, rituals and interpretations.

Por Sala Tan's preparation of this artifact reflects his own spiritual approach rather than a standardised form of Hindu Kali worship.

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Origins of the Materials

Nur Din

The original Mae Kali image was formed from Nur Din, or baked clay.

According to its accompanying history, the artifact was recovered from a cave after monsoon flooding exposed objects previously buried beneath accumulated soil.

The clay retains a dark, weathered surface with natural irregularities associated with its reported period of burial.

Sacred Cave Soil

Soil collected from the location where the artifact was discovered was incorporated into the preparation beneath the image.

This was intended to preserve a connection between the Mae Kali figure and its original place of discovery.

Holy Powders

Por Sala Tan combined sacred powders with the cave soil before placing the mixture into the lower section of the artifact.

Takrut

A Takrut was embedded within the prepared material, adding a further protective and ritual component.

Yant-Inscribed Relic

The reverse carries a separate Yant-inscribed relic, visibly surrounded by a dark preparation.

The relic provides an additional element of traditional sacred inscription.

Nam Man Prai and Tid Jai

The reverse was coated with Nam Man Prai and Tid Jai.

Within Por Sala Tan's practice, these preparations are traditionally associated with Maha Saneh, attraction, emotional attachment and personal influence.

Their inclusion connects the protective symbolism of Mae Kali with the attraction-oriented Wicha for which Por Sala Tan is also known.

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Ritual

The original Mae Kali artifact was discovered following a period of prolonged monsoon rainfall that flooded sections of a cave and exposed several buried sacred objects.

After being brought to Por Sala Tan, the piece was examined and held by him.

According to the account, he sensed a particularly strong spiritual presence associated with the image and decided to undertake additional ritual preparation.

He first prepared a mixture of holy powders and soil from the cave, incorporating a Takrut into the lower section.

A Yant-inscribed relic was then attached to the reverse.

The relic was subsequently coated with Nam Man Prai and Tid Jai, introducing the traditional attraction and personal-influence aspects of his Wicha.

The completed artifact was further blessed by Por Sala Tan, combining the original Mae Kali image with his own sacred preparations.

The precise date and duration of this additional consecration have not been recorded.

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Blessings and Effects

• Fierce Protection: Traditionally associated with guarding against harmful influences, hostility and spiritual disturbances.

• Overcoming Obstacles: Sought for removing difficulties and helping devotees progress through challenging circumstances.

• Courage and Determination: Associated with inner strength, confidence and the ability to confront adversity.

• Transformation and Renewal: Symbolises the removal of destructive patterns and the beginning of more favourable circumstances.

• Metta and Maha Saneh: The additional Nam Man Prai and Tid Jai preparations are traditionally associated with attraction, goodwill and personal influence.

• Success and Progress: Sought for greater clarity, determination and favourable developments in personal or professional undertakings.

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Modern Application

This Mae Kali is particularly relevant to devotees who value the traditional symbolism of protection, transformation and overcoming obstacles.

Individuals facing difficult professional circumstances, complicated relationships or major life changes may find meaning in Kali's association with courage and decisive action.

For business owners and professionals, the artifact's protective qualities are traditionally connected with maintaining confidence and overcoming resistance during challenging periods.

The additional Nam Man Prai and Tid Jai preparations introduce an attraction-oriented aspect, making the piece relevant to those who also seek Metta, goodwill and stronger interpersonal influence.

Its significance extends beyond material prosperity, reflecting the belief that progress sometimes requires the removal of obstacles before new opportunities can develop.

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Physical Details

This Mae Kali is an old Nur Din baked-clay artifact with a dark reddish-brown surface and pronounced signs of weathering. The front depicts a seated, multi-armed female figure identified as Mae Kali, with softened facial details and raised limbs arranged around the body. The reverse features a centrally attached Yant-inscribed relic, surrounded by a dark coating associated with the additional ritual preparations. The clay surface displays irregular textures, colour variations and areas of natural wear. The artifact is housed within an engraved silver-coloured protective casing, fitted with transparent covers and a suspension loop.

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Recommended Pairing

Phra Somdej: Traditionally associated with Baramee, spiritual stability and protection, providing a balanced Buddhist foundation alongside Mae Kali's specialised symbolism.

Phra Kring: Associated with well-being, protection and personal stability, complementing the protective intentions of the artifact.

LP Derm Roop Lor: Traditionally sought for authority, Baramee and protection, particularly suitable for devotees seeking greater confidence and personal standing.

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Personal Notes

My interest in Mae Kali began while studying the different manifestations of Goddess Parvati, the consort of Lord Shiva.

I was first introduced to Kali through Mae Pim, and as I continued reading about her origins and significance, I gradually developed a deeper interest in her worship.

This eventually led me to a former Kali shrine at Lim Chu Kang Hindu Cemetery, Path 2, which I visited on several occasions before it was removed by the authorities.

Through these experiences, I came to understand Kali beyond her fierce appearance.

To me, Kali represents the protective love of a mother towards her children and devotees.

Her image holding the severed head of a demon is not simply an expression of destruction. It represents her determination to confront harmful forces and protect those who seek her refuge.

I also regard Kali as a divine presence associated with removing obstacles, overcoming negativity and restoring the determination needed to move forward.

Personally, when I venerate Kali, I often feel that difficulties become easier to address one by one. This allows me to concentrate more clearly on my goals and approach my responsibilities with greater confidence.

Although Por Sala Tan is widely recognised for his saneh and Metta creations, I believe his artifacts associated with protection, progress and overcoming obstacles deserve equal consideration.

This Mae Kali is especially meaningful because it combines an older cave-discovered image with his subsequent ritual preparations, preserving both its reported origins and his individual approach to Wicha.

As with other specialised artifacts, I recommend pairing Mae Kali with a mainstream Buddha amulet.

In my view, building one's Baramee through Buddhist practice and a balanced collection provides an important spiritual foundation, while specialised artifacts such as Mae Kali serve their particular devotional purposes.

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