Por Sala Tan

Summary

A Bo Bo Aung Weizza image carved by Por Sala Tan from lightning-struck gaduk wa tanoo, later wrapped in a hand-formed silver casing prepared by the current keeper of the piece. The figure carries a takrut vest structure across the chest that stabilises and harmonises the awakened charge within the material. The takrut was inscribed by a close companion of Por Sala Tan — a Lersi practitioner recognised as a direct student within the Bo Min Aung wiccha lineage.

The face of the image was ceremonially covered with pure gold leaf applied by the same Lersi practitioner, creating a radiant surface that signifies honouring the awakened Weizza presence within the figure.

The piece was obtained directly from Ac Lek, the son and disciple of Por Sala Tan, who also practices as a teacher within the same northern esoteric tradition. The combination of lightning-charged material, Burmese Weizza lineage, and authenticated transmission through Por Sala Tan’s family circle forms a piece aligned for wish-granting, wealth movement, protection, and baramee cultivation.

Historical Background

Por Sala Tan frequently worked with cross-border esoteric traditions during the later period of his practice. Among these influences, the Burmese Weizza system held an important place within his spiritual framework. Within this tradition, the figures of Bo Min Gaung and Bo Bo Aung are widely recognised as masters associated with miraculous intervention, protection of the Buddha’s sāsana, and the fulfilment of sincere wishes.

Throughout Myanmar, images of these masters were commonly kept in homes, trading houses, and commercial spaces. Devotees approached them as protectors capable of guiding business activities, removing obstacles, and strengthening personal fortune. Merchants in particular maintained strong devotion to these Weizza masters, believing their blessings supported the stability and growth of livelihood.

Por Sala Tan encountered these teachings through practitioners travelling between the northern Thai provinces and the Shan territories. Over time he integrated elements of Weizza practice into his own northern system, blending Burmese methods with the cave disciplines and forest wiccha that he already possessed.

This Bo Bo Aung image reflects that synthesis — a northern master shaping an object aligned with Burmese Weizza authority.

Origins of the Material

The figure is carved from gaduk wa tanoo that had been struck by far par (lightning). Within Southeast Asian ritual traditions, lightning is regarded as a sudden descent of celestial force. When such force strikes a substance capable of retaining spiritual imprint, the material becomes highly receptive to ritual activation.

Por Sala Tan valued lightning-struck materials and often kept them for special ritual use. Gaduk wa tanoo touched by lightning carries a concentrated energetic charge that practitioners regard as already awakened before formal consecration begins.

After carving the form of Bo Bo Aung, the image was ceremonially enhanced by a Lersi practitioner closely associated with Por Sala Tan. This Lersi applied pure gold leaf across the face of the figure, a traditional gesture of reverence used to honour awakened spiritual presences. The gold surface also acts as a symbolic seal, marking the image as an object of devotion connected to the Weizza lineage.

The same Lersi practitioner inscribed the takrut vest placed across the chest of the figure. As a direct student practising the Bo Min Aung wiccha lineage, his participation forms a living link between the amulet and the Burmese Weizza transmission.

The figure was later wrapped in a silver casing prepared by the current custodian, creating a stable housing suitable for daily use and ritual placement.

Ritual

Por Sala Tan performed the ritual awakening using his northern fire-based activation methods together with mantra recitation connected to Weizza practice.

The lightning-struck gaduk wa tanoo provided a strong energetic foundation. During ritual activation the takrut vest served as a harmonising structure, guiding the awakened charge so it could circulate in a stable and controlled manner.

Mantra invocation established the spiritual identity of Bo Bo Aung within the image, allowing the figure to function as a vessel through which devotees may direct wishes, requests, and devotional focus.

Blessings and Effects

Within the Weizza tradition, Bo Bo Aung is regarded as a guiding master whose presence supports those who maintain sincerity and disciplined intention.

The lightning-struck gaduk wa tanoo intensifies the responsiveness of the piece. Practitioners often experience a noticeable alignment of circumstances when wishes are directed with calm focus.

The takrut vest stabilises the internal force so that its effects appear gradually through everyday situations. Business activity, favourable encounters, and the clearing of obstacles are among the outcomes commonly associated with Weizza images.

Protection also forms a natural aspect of the piece. The spiritual authority of the Weizza master is believed to maintain balance around the practitioner and guard against disruptive influences.

Over time the amulet contributes to the cultivation of baramee, strengthening personal presence, karmic momentum, and the ability to move through life with increasing influence and clarity.

Modern Application

Images associated with the Weizza lineage are often placed in environments where decisions, negotiations, and financial movement take place.

Many practitioners keep them within offices, shops, or workspaces so that daily intentions may be directed toward the master. When approached with clarity and sincerity, devotees frequently observe smoother business flow, beneficial opportunities, and solutions appearing to previously difficult situations.

The image also functions as a spiritual reminder of disciplined conduct and focused intention, encouraging the practitioner to maintain ethical alignment while pursuing their wishes.

Physical Details

The figure depicts Bo Bo Aung seated in meditation posture, carved from lightning-struck gaduk wa tanoo. The face carries a layer of pure gold leaf applied by a Lersi practitioner connected to the Bo Min Aung lineage, giving the figure a radiant presence.

Across the chest rests a takrut vest arrangement, with the takrut inscribed by the same Lersi practitioner whose lineage connection strengthens the spiritual authority of the piece.

The amulet is housed in a custom silver casing prepared by the current custodian, allowing the figure to be worn or placed within a workspace while preserving the carved material.

The construction forms a compact yet energetically dense piece suited for regular devotional interaction.

Recommended Pairing

This Weizza image harmonises well with items associated with baramee cultivation and attraction energy. When used together, such pieces strengthen the flow between authority, opportunity, and steady wealth movement.

Within a practitioner’s collection it serves as a guiding centrepiece for wish-directed practice while maintaining stable protection and spiritual balance.