PST07

Takrut Maha Lap Jaturathit

Por Sala Tan 
2 Inches
Mainstream Artifact 

---

Individual Craftsmanship

Each artifact was assembled individually by hand, so variations in the takruts, bindings, sacred thread, ritual substances and arrangement are natural characteristics of these early pieces.

---

Personal Experiences Shared by Luksits

Among Por Sala Tan's luksits, early wealth takruts such as this were appreciated because they were practical pieces that could remain close to everyday work and business.

Some preferred to carry the Takrut Maha Lap Jaturathit with them, particularly when meeting customers, conducting business or travelling in search of opportunities. Others kept it permanently at their cashier, shop counter, office or home altar.

The four-direction concept was particularly meaningful to people whose income did not come from one fixed source. Traders, business owners and salespeople could regard the piece as symbolically drawing opportunities from many different directions — new customers, returning customers, unexpected enquiries or financial opportunities arriving through people they had not anticipated.

Luksits traditionally associate this type of work with smoother business, incoming sales, Choke Lap and opportunities appearing at useful moments.

---

Summary

The Takrut Maha Lap Jaturathit can be translated as the “Four-Directional Great Fortune Takrut.”

It belongs to an earlier period of Por Sala Tan's work and is a particularly good example of how he combined several individual takruts to create one complete artifact.

At its heart are two complementary sets.

The first contains four individually written takruts bound together, representing the four directions and the gathering of favourable influences from all around the keeper.

The second consists of takruts directed towards wealth fetching, fortune and Choke Lap.

Instead of treating these as unrelated purposes, Por Sala Tan brought them together: draw from every direction, then direct what is drawn towards fortune and livelihood.

This straightforward construction is what gives the piece its distinctly classic early character.

---

Historical Background

Takruts are among the most enduring forms of sacred objects found within Thai and neighbouring Southeast Asian ritual traditions.

Their construction commonly begins with a sheet or strip upon which a practitioner inscribes yant, sacred characters or specific formulas before rolling it into tubular form. Different inscriptions are prepared for different purposes, and several takruts may be combined when a practitioner wishes to bring multiple formulas into one artifact.

The Takrut Maha Lap Jaturathit follows this latter approach.

The idea of Jaturathit — the four directions — gives the artifact its underlying structure. Rather than fortune being imagined as coming through a single path, the four takruts symbolically open the arrangement towards every direction.

Por Sala Tan then combined this directional principle with a second group devoted specifically to wealth and fortune.

The result is therefore not simply a collection of takruts tied together, but a deliberately organised Maha Lap system.

---

Origins of the Materials

At the centre of the artifact are the individually prepared and hand-inscribed takruts.

Four form the principal Jaturathit group. Each was written separately before the four were brought together and securely bound as a single bundle.

Alongside them is the second group of takruts carrying formulas associated with wealth fetching, fortune and good luck.

Sacred thread was then used extensively throughout the construction, binding the separate components into one complete piece.

The visible age, dense wrapping and handmade arrangement are characteristic of an artifact intended for practical use rather than decorative uniformity.

---

Ritual

The preparation begins with the four directional takruts.

Each takrut is individually inscribed before being rolled and assembled with the remaining three. Once gathered together, they represent the complete four directions surrounding the keeper.

Their purpose is understood symbolically as calling and gathering favourable energies and opportunities from every direction.

The accompanying wealth takruts provide the second stage of the construction. Their formulas are directed towards Maha Lap, Choke Lap, financial opportunity and the movement of wealth.

The groups are finally bound together so that the different inscriptions function as one complete artifact.

In traditional terms, its principle can therefore be understood very simply:

Four directions gather.
The wealth formulas receive.
Maha Lap is brought towards the keeper.

---

Blessings and Effects

The Takrut Maha Lap Jaturathit is traditionally associated primarily with:

• Maha Lap — great fortune and favourable opportunities.
• Choke Lap — unexpected luck or fortunate openings.
• Riak Sap — calling and drawing wealth.
• Kha Khai — support for selling and commerce.
• Four-directional fortune — opportunities arriving through different people, places and channels.
• Customer attraction — traditionally suited to shops and customer-facing businesses.
• Business movement — encouraging activity where trade has become quiet.
• Opportunity — opening additional paths rather than depending upon one source of income.

---

Modern Application

One of the strengths of this early Por Sala Tan creation is its versatility.

It can be carried on the body as a personal takrut, particularly by someone working in sales, business, commission-based work or any occupation where opportunities can arise through meeting different people.

It can equally be kept permanently at a home altar.

For shopkeepers and business owners, another traditional placement is beside the cashier or payment area, where its wealth-fetching symbolism corresponds naturally with the movement of customers and money through the business.

It may also be kept in an office or workspace for someone whose livelihood depends upon contracts, enquiries, customers or opportunities arriving from multiple sources.

---

Physical Details

The Takrut Maha Lap Jaturathit is a rectangular assembled takrut artifact containing multiple rolled sacred sheets rather than a single tube. The principal components are bound extensively with aged red sacred thread, with the individual takruts remaining visible through the arrangement.

The four-directional group consists of four individually hand-written takruts tied together as a single set, accompanied by the additional wealth and fortune takruts. The surviving example also shows the characteristic dense binding and applied ritual material of Por Sala Tan's early handmade work.

The artifact is now housed within a protective casing, preserving the original thread, takruts and arrangement while still allowing the internal construction to remain visible.

---

Recommended Pairing

Because the Takrut Maha Lap Jaturathit already combines four-directional drawing with wealth and Choke Lap formulas, it is a complete wealth artifact in its own right.

For business use, it can be paired with a Metta Maha Niyom artifact where the intention is not only to attract opportunity but also to improve customer interaction and favourable reception.

A Maha Saneh or Kha Khai piece may also complement it for occupations strongly dependent upon personal presentation and sales.

For a cashier or business altar, however, the Takrut Maha Lap Jaturathit can simply be kept alone, allowing its original four-directional concept to remain the central focus.

---

Personal Notes

I particularly like this piece because it represents the classic simplicity of Por Sala Tan's early work.

There is no need for an elaborate physical form. The entire idea is expressed through the way the takruts themselves were written, grouped and bound.

One set contains four individual takruts representing the four directions, drawing favourable influences inward. The other set concentrates upon wealth fetching, fortune and Choke Lap.

Together, they express one very clear intention: to draw opportunities and fortune towards the keeper from every direction.

It is also an unusually practical artifact. It can be worn on the body, kept at a home altar, placed in an office or simply left beside the cashier of a business.

For collectors of Por Sala Tan's work, the Takrut Maha Lap Jaturathit is a fine example of his earlier period — handmade, purposeful and constructed around traditional takrut wicha rather than outward complexity.