PST06

Mae Per

Por Sala Tan
1.5 Inches
Barang Artifact

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Individual Craftsmanship

Each artifact was individually cast, filled and finished by hand. Differences in the metal surface, cemetery materials, relic fragments and placement of the ritual components give every example its own character.

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Personal Experiences Shared by Luksits

Mae Per has developed a strong reputation among Por Sala Tan's luksits for the combination of wealth fetching, Saneh and metta.

Business owners have spoken about increased customer activity, new enquiries and periods when opportunities seemed to arrive more readily. Others have associated Mae Per with smoother career movement or unexpected financial opportunities appearing at useful moments.

The Saneh aspect is equally important. Some luksits describe becoming more noticeable to others, finding conversations easier and receiving greater goodwill from customers, colleagues or people they meet.

For those working in sales or business, the combination is particularly relevant. Saneh attracts attention, metta encourages goodwill, while the wealth aspect is traditionally intended to help those interactions develop into useful opportunities.

Some long-term users have consequently regarded Mae Per as one of the more significant artifacts they have carried. As with all such accounts, these are personal experiences rather than guaranteed outcomes.

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Summary

This is a particularly material-rich Mae Per by Por Sala Tan, created from melted coffin nails mixed with brass.

Cemetery soil and relic chips collected by Por Sala Tan were added to the front, while the reverse incorporates Tid Jai, a takrut and Sai Sin.

These components bring together several aspects of Por Sala Tan's Barang practice within a single artifact, with the principal traditional emphasis upon wealth fetching, Saneh, metta, opportunity and protection.

The contrast between the cast figure and the visibly applied sacred materials also gives this Mae Per a distinctly old-style, handmade character.

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Historical Background

Mae Per belongs to the spirit-associated side of Thai Barang practice, where such figures are traditionally prepared for attraction, favourable relationships, assistance and the movement of fortune.

There is no single standard method for creating Mae Per. Different practitioners work according to their own lineage, using particular combinations of metals, oils, relic substances, soils, takruts and sacred threads.

Por Sala Tan's approach places considerable importance upon the origin and ritual character of the materials themselves.

In this example, even the body of the Mae Per carries this principle. Rather than ordinary brass alone, old coffin nails were melted into the metal used to create the figure, after which further cemetery and relic materials were incorporated into the finished artifact.

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Origins of the Materials

The Mae Per begins with a mixture of old coffin nails and brass, melted together before casting.

Por Sala Tan then added cemetery soil mixed with small relic chips that he had collected, applying the mixture prominently to the front of the figure.

The reverse contains Tid Jai, traditionally regarded within this practice as a concentrated spirit-associated relic material. A takrut was incorporated alongside it, while Sai Sin was tied around the figure.

The construction therefore combines ritual metal, cemetery material, relic fragments, sacred thread and an inscribed takrut rather than relying upon a single sacred ingredient.

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Ritual

Por Sala Tan chanted the appropriate mantras while preparing and casting the mixture of coffin nails and brass, making the casting process itself part of the ritual preparation.

After the figure had been formed, the cemetery soil and relic-chip mixture was applied. Tid Jai was prepared on the reverse, together with the takrut, before Sai Sin was bound around the Mae Per.

The intention was to bring these different materials together under one wicha and direct their traditional qualities towards metta, Saneh, wealth and assistance.

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Blessings and Effects

Mae Per is principally associated with wealth fetching and Saneh.

Its wealth aspect is traditionally sought for better business movement, customers, financial opportunities and favourable developments in one's career or livelihood.

Saneh and metta concern personal attraction and favourable reception. In practical terms, devotees may seek these qualities for customer relationships, networking, negotiations, social confidence or simply being better received by those around them.

The spirit-associated materials are also traditionally connected with protection and assistance, giving the Mae Per a broader role than attraction alone.

Its overall purpose can be summarised simply: attract people, encourage goodwill, open opportunities and help fortune move.

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Modern Application

Mae Per is especially suited to people whose livelihood depends heavily upon customers and personal relationships.

Business owners may keep it for customer attraction and wealth opportunities, while those working in sales, networking or client-facing professions may value its traditional association with charisma and favourable communication.

For collectors, this particular example is also notable for its construction. Coffin nails form part of the actual cast body, while cemetery soil, relic chips, Tid Jai, Sai Sin and a takrut remain visibly incorporated into the completed artifact.

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Physical Details

A seated Mae Per by Por Sala Tan, cast from melted coffin nails and brass. Cemetery soil mixed with relic chips collected by Por Sala Tan covers the front, while the reverse is prepared with Tid Jai and a takrut, completed with bound Sai Sin.

Traditional focus: Wealth Fetching · Saneh · Metta · Opportunity · Protection
Category: Barang Artifact

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Recommended Pairing

Mae Per can comfortably be carried on its own when the main purpose is wealth, attraction and favourable dealings.

For business use, it may be paired with an artifact associated with wealth retention, protection or baramee. Mae Per traditionally supports attraction and incoming opportunities, while the accompanying piece provides a complementary emphasis on stability and protecting what has already been gained.