PST06

Moo Tong Deang Graden

Por Sala Tan
2.5 Inches
Mainstream Artifact

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Individual Craftsmanship

Every element was individually carved, prepared and assembled by hand. Natural differences in the relic, teeth, surface, herbs and ritual inserts mean that no two examples can be completely identical.

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Personal Experiences Shared by Luksits

Among Por Sala Tan's luksits, pieces made from powerful animal relics are generally carried by people who require confidence, protection and the determination to push through difficult situations.

Moo Tong Deang pieces are particularly associated with people involved in business, trading and sales, where competition can be intense and hesitation can mean losing an opportunity.

Luksits describe the character of the piece as aggressive towards obstacles rather than towards people. When business becomes stagnant, negotiations become difficult or competitors begin applying pressure, the artifact is traditionally carried to strengthen resolve and keep opportunities moving.

The reverse introduces a very different quality. Wahn Maha Niyom, metta takruts and Ma Sek Nang soften the naturally forceful character of the wild boar relic, directing it towards customer relationships, attraction and favourable interaction.

This balance is important: strength at the front, metta at the back.

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Summary

The Moo Tong Deang Graden is one of Por Sala Tan's more unusual animal-relic artifacts, combining the uncompromising character of the wild boar with metta and attraction wicha.

Within Lanna forest belief, the wild boar represents an animal that does not easily surrender its territory. When threatened, it stands its ground and pushes forward with considerable determination.

Por Sala Tan used this symbolism as the foundation of the artifact.

The front therefore concerns courage, defence, authority and breaking through obstacles.

The reverse concerns metta, attraction, relationships and opportunity.

Together they create an artifact intended not merely to defend its owner, but to help the owner protect their position while continuing to move forward.

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Historical Background

The Wild Boar in Lanna Forest Wicha

Wild animals occupy an important symbolic place within older Southeast Asian forest traditions.

The tiger represents command and predatory authority. The elephant represents strength and baramee. The wild boar carries a somewhat different character — tenacity, territorial defence and the willingness to confront danger directly.

The term Moo Tong Deang Graden belongs to the particular oral tradition surrounding this relic and its use by Por Sala Tan.

Within such traditions, animal relics are valued not simply because they came from an animal, but because particular behavioural qualities are symbolically associated with the material.

For the wild boar, these qualities centre upon fearlessness, survival, stubborn persistence and defence of territory.

This explains why such relics became particularly meaningful for protection and competitive livelihood wicha.

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Origins of the Materials

The principal material is a wild boar relic, preserved in its raw form before being adapted by Por Sala Tan.

Rather than removing every natural characteristic, Por Sala Tan retained the teeth along the lower section. They form part of the visual identity of the finished artifact and establish an immediate relationship between the guardian image and its original material.

The front was then transformed into the face of a Lanna-style Yak mountain guardian Jinn.

The reverse was constructed to balance this forceful material.

Wahn Maha Niyom was added for goodwill and favourable attention. Takruts were incorporated to strengthen metta, while the hand-drawn Ma Sek Nang relic introduced a traditional opposite-sex attraction element.

The construction therefore combines two contrasting families of wicha:

wild boar for strength and defence; metta materials for attraction and opportunity.

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Ritual

Por Sala Tan's preparation centres upon directing the naturally forceful symbolism of the wild boar rather than leaving it uncontrolled.

The guardian face provides the principal protective form.

The reverse preparation then establishes the second side of the artifact. Wahn Maha Niyom and the metta takruts are intended to encourage goodwill and favourable reception, while Ma Sek Nang contributes the attraction aspect.

This is particularly significant for an artifact intended for business use.

A trader does not benefit from authority alone. One must also be approachable, trusted and able to establish relationships.

The ritual construction therefore joins amnat with metta — commanding presence with social acceptance.

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Blessings and Effects

Traditionally, the Moo Tong Deang Graden is associated with:

• Wealth fetching — actively seeking opportunities rather than waiting passively for fortune.
• Business and sales — supporting traders, dealers and those working in competitive environments.
• Breaking obstacles — persistence when circumstances become difficult or progress slows.
• Territorial protection — safeguarding one's business, livelihood, property and established position.
• Anti-betrayal — traditionally carried against gossip, manipulation and hidden opposition.
• Courage and authority — remaining firm under pressure.
• Metta Maha Niyom — favourable attention, goodwill and smoother dealings with others.
• Opposite-sex attraction — represented particularly through the Ma Sek Nang element.
• Opportunity — remaining alert to openings that others may overlook.

The character of the piece is therefore not purely defensive.

Its traditional principle is protect what belongs to you, recognise opportunity, and have the courage to pursue it.

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Modern Application

This piece is especially relevant to business owners, traders, salespeople, commission-based professionals and those working in highly competitive environments.

The Moo Tong Deang aspect represents the ability to hold one's ground when competitors apply pressure.

The metta side becomes important when dealing with customers, negotiations and new contacts. It tempers the forceful character of the front so that authority does not become unnecessary aggression.

For someone experiencing uncertain income or difficult competition, the artifact can therefore represent a useful three-part principle:

stand firm, remain attractive to opportunity, and keep moving forward.

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Physical Details

The front is visually striking.

Por Sala Tan carved the upper section into a broad Lanna guardian face, with strongly defined eyes, nose and mouth. The expression is stern rather than decorative, reinforcing the protective character of the piece.

Along the bottom remain several natural teeth from the wild boar relic. Their irregular colour, wear and form contrast strongly with the deliberately carved face above.

The reverse exposes the ritual construction.

A greenish hand-drawn Ma Sek Nang relic occupies the centre, surrounded by the darker herbal and sacred-material backing. A takrut can be seen along the side, while sacred script surrounds portions of the preparation.

The entire artifact is housed in a substantial hand-worked silver casing, leaving both its guardian face and reverse materials visible.

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Recommended Pairing

Moo Tong Deang Graden pairs particularly well with a Buddha or respected monk amulet associated with baramee, wealth and calm judgement.

A Phra Sivali or another traditional livelihood piece would strengthen the prosperity aspect, while a strong monk amulet provides a calmer spiritual counterbalance to the forceful forest character of the wild boar.

For someone already wearing a metta amulet, however, this piece can serve as the more assertive component — protection, courage and the determination to act when opportunity appears.

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Personal Notes

What interests me about this artifact is that Por Sala Tan did not attempt to turn the wild boar relic into something refined or conventional.

The teeth remain exposed.

The raw character of the material remains immediately visible.

Above them, however, he carved the face of a mountain guardian. Behind them, he placed an entirely different family of wicha — Wahn Maha Niyom, metta takruts and Ma Sek Nang.

That combination gives the artifact its character.

It is not simply a wild boar relic intended to intimidate or defend.

The front protects and pushes forward.
The back attracts and opens relationships.

For people whose livelihood depends upon both strength and human connection, this is one of the more interesting ways Por Sala Tan combined forest relic wicha with practical wealth and metta traditions.