Mae Nang Pim 

LP Up, Wat Tong Sai, Nakhon Pathom
B.E. 2546 
4cm x 3cm 
Mainstream Artifact
Encased in silver casing

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Sacred Craftsmanship

The Mae Nang Pim Roon Raek is the first officially authorised edition of LP Up's renowned Mae Nang Pim talisman, created in B.E. 2546 (2003) at Wat Tong Sai, Nakhon Pathom.

This first edition was created alongside LP Up's first traditional cast Roop Lor, and both were associated with an important consecration ceremony at Wat Tong Sai.

Exact piece to be given

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Personal Experiences Shared by Luksits

My personal experience with LP Up began unexpectedly in 2010, when I acquired a collection of amulets containing a locket of an elderly monk whose face seemed familiar.

Without much thought, I placed it in my shirt pocket. That day, my sales were five times higher than usual. Curious, I wore the locket again the following day and experienced another exceptionally good day of sales.

I later realised the monk was LP Up, whom I had personally met in 2006.

Since then, I have continued wearing the same locket. It has accompanied me through some of my most difficult periods, during which I gradually experienced greater financial stability, business growth and improvements in my overall life.

Among devotees of LP Up's Mae Nang Pim, the most frequently discussed experiences concern improved personal attraction, smoother relationships and greater goodwill from others.

Collectors involved in sales and business commonly associate Mae Nang Pim with customers becoming more approachable, easier negotiations and improved commercial opportunities.

Others value the artifact for its traditional reputation in Maha Saneh, particularly the belief that it encourages affection, reconciliation and favourable attention.

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Summary

The Mae Nang Pim Roon Raek B.E. 2546 is the first officially authorised powder edition of LP Up's celebrated Mae Pimpa talisman.

Distinguished by its Phong Kaysorn composition, personal hair relics, sacred metal filings and embedded silver takrut, it combines traditional materials with one of LP Up's most recognised Wicha.

Its significance is further strengthened by its association with the historic Maha Ud consecration ceremony, during which Wat Tong Sai's ordination hall was reportedly reopened for a major sacred ceremony after 38 years.

Traditionally sought for Metta Maha Niyom, Maha Saneh, business prosperity, protection and Baramee, this first edition holds particular importance within LP Up's amulet-making history.

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Historical Background

LP Up Khemmajaro (B.E. 2465–2555) of Wat Tong Sai, Nakhon Pathom, was widely respected for his knowledge of traditional Wicha, particularly practices concerning Metta, attraction, protection and prosperity.

According to accounts of his spiritual studies, LP Up travelled to Cambodia around B.E. 2535–2537, where he encountered and studied traditions associated with Mae Pimpa Wicha.

Upon returning to Wat Tong Sai, he initially referred to this discipline as Ee Due (อีดื้อ).

Around B.E. 2537–2539, he reportedly began applying the associated sacred Yant to close disciples. As the tradition gained recognition, it became more widely known as Mae Pimpa or Mae Nang Pim.

The B.E. 2546 edition marked an important milestone, being regarded as the first officially authorised Mae Nang Pim artifact produced under LP Up's direction.

Its creation coincided with the temple's first traditional cast Roop Lor edition and an important consecration ceremony involving the reopening of the Maha Ud ordination hall.

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Origins of the Materials

The first-edition Mae Nang Pim was prepared from a combination of sacred powders, personal relics and inscribed metal components.

Phong Kaysorn (Sacred Flower Powders): Prepared flower-based powders traditionally associated with Metta Maha Niyom, attraction and auspicious blessings.

LP Up's Hair Relics (Gesa): Personal hair relics incorporated into the composition, regarded by devotees as a direct physical connection to the master's spiritual practice and accumulated merit.

Sacred Metal Filings (Phong Tabai): Fine metal filings incorporated into the sacred powder, traditionally valued for their connection to amulet preparation and consecrated metalwork.

Silver Takrut: An embedded silver takrut on the reverse, traditionally bearing hand-inscribed sacred characters. It is associated with protection, prosperity and the strengthening of the artifact's sacred properties.

Sacred Yant Markings: Red characters applied to the reverse, representing traditional sacred inscriptions associated with LP Up's Wicha.

Together, these materials reflect LP Up's practice of combining sacred powders, personal relics and protective inscriptions within a single artifact.

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Ritual

The Mae Nang Pim Roon Raek B.E. 2546 was created in conjunction with LP Up's first traditional cast Roop Lor edition.

According to the supplied temple accounts, the ceremony took place at Wat Tong Sai, beginning at 8.09 am on Thursday, the eleventh waxing day of the first lunar month, with traditional metal casting conducted before the ordination hall.

This occasion was particularly significant because LP Up reportedly reopened the temple's Maha Ud ordination hall after 38 years.

During the ceremony, the monks of Wat Tong Sai recited Buddhist prayers, including the Dhammacakkappavattana Sutta.

LP Up then instructed that all doors and windows of the Maha Ud hall be closed, before undertaking a solemn individual consecration of the sacred artifacts.

An unusual aspect of the ceremony involved LP Up alternately facing towards and turning his back towards the assembled artifacts.

According to the traditional explanation, this method was intended to establish blessings for safe travel, prosperous livelihoods, wealth flowing from all eight directions, popularity and protection against adversaries.

The ceremony was also associated with LP Up's confident expression, likened to a tiger that does not need to beg others for food, symbolising self-sufficiency, spiritual authority and strength.

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Blessings and Effects

• Metta Maha Niyom: Traditionally believed to encourage goodwill, popularity and favourable treatment from others.

• Maha Saneh: Associated with personal attraction, affection, romantic relationships and reconciliation.

• Business Prosperity: Sought for attracting customers, improving negotiations and supporting commercial success.

• Maha Pokasap: Associated with wealth accumulation, financial opportunities and prosperity from all eight directions.

• Klaew Klaad: Traditionally believed to support safe travel and protection from danger.

• Baramee and Authority: Associated with personal confidence, respect and protection against hostile influences.

• Smooth Undertakings: Sought for overcoming obstacles and encouraging favourable outcomes in daily affairs.

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Modern Application

The Mae Nang Pim Roon Raek is traditionally carried by devotees seeking support in business, personal relationships, communication and social interactions.

Its reputation for Metta Maha Niyom and Maha Saneh makes it particularly relevant to those whose work involves meeting customers, negotiating agreements or maintaining strong interpersonal relationships.

Within LP Up's tradition, Mae Nang Pim is also valued for prosperity and protection, making it a broader talisman rather than one concerned solely with romantic attraction.

As the first officially authorised edition, it also carries historical interest for collectors studying the development of LP Up's Mae Pimpa Wicha.

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Physical Details

The artifact is a rectangular powder amulet with a light cream to beige composition, displaying natural darker inclusions and fine surface variations. The front features Mae Nang Pim seated beneath sacred symbols, surrounded by raised inscriptions along the borders. The reverse displays red sacred characters arranged around a centrally embedded silver takrut, with fine metal filings incorporated into the powder. The photographed example is enclosed in a silver-coloured protective casing with transparent covers on both sides. Minor variations in powder colour, inscription depth, takrut placement and surface texture are characteristic of individually prepared pieces.

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Recommended Pairing

LP Up Locket: A complementary artifact bearing the master's photographic image, traditionally associated with wish fulfilment, prosperity, protection and spiritual connection to LP Up.

LP Derm: Traditionally paired to strengthen Baramee, authority, leadership and personal standing, complementing Mae Nang Pim's emphasis on Metta and attraction.

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Personal Notes

The B.E. 2546 Mae Nang Pim Roon Raek is particularly significant because it represents the first officially authorised release of LP Up's Mae Pimpa talisman, rather than a later reproduction of the same sacred form.

Its connection to the Maha Ud ceremony, the reopening of the ordination hall after 38 years and LP Up's individual consecration gives this edition a distinctive place in the master's history.

The combination of Phong Kaysorn, hair relics, sacred metal filings and a hand-inscribed silver takrut also reflects the attention given to its preparation.

For collectors of LP Up, this edition represents an early expression of his renowned Mae Pimpa Wicha, bringing together Metta Maha Saneh, prosperity, protection and traditional sacred craftsmanship.

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