Rebirth Rahu Carved from Gaduk Chang Relics

Work of Luang Pu Pinak Wat Sanam Lao

Size 2" (Framed in Silver)

Overview

This piece is one of the more unusual creations linked to Luang Pu Pinak, whose ritual objects often carried forms, carvings, and functions that did not follow mainstream temple traditions. His work reflects a direct approach to esoteric practice, resulting in items that are distinctive in shape, material, and spiritual behaviour. The Rebirth Rahu carved on one face, paired with Mae Yoni on the reverse, is a format that appears only in very small numbers and is usually found in older, long-held collections.

Front: Rebirth Rahu Aspect

The carving of Rahu here represents the “birth-form” aspect rather than the more common swallowing-the-moon motif. This form is tied to resetting the life course and correcting periods of declining fortune. It is frequently sought by practitioners who feel their path has become obstructed or unstable.
In Luang Pu Pinak’s lineage, this Rahu is known for a responsive quality—devotees often remark that such pieces influence circumstances in ways that feel direct and immediate.

Associated functions:

• Stabilising destiny during periods of decline

• Clearing accumulated obstacles

• Supporting negotiations, requests, and delicate interactions

• Providing protection from unseen or disruptive influences

Reverse: Mae Yoni — Source of Lifeforce

The reverse side is carved with Mae Yoni, the organ that represents the physical and spiritual gateway into life. All beings, including the Buddha in every birth, enter the world through this point. Luang Pu Pinak’s pairing of Rahu with Mae Yoni is a deliberate teaching on origin and continuity: Rahu addresses the movement of destiny, while Mae Yoni reminds the bearer of the foundation from which life begins.

Key meanings:

• The origin of lifeforce

• The cycle of rebirth

• Recognition of the debt owed to one’s parents, especially the mother

• A grounding reminder of humility and gratitude

• Balance between karmic past and karmic movement forward

Material: Gaduk Chang Relics

This piece is carved from gaduk chang relic material, not coconut shell. Gaduk relics are historically associated with northern protective and destiny-anchoring practices. Material of this type is uncommon and difficult to obtain in modern times.

Properties of gaduk relics:

• Strong baramee accumulation

• Stable protective field

• Reinforcement of metta and seneh energies worn alongside it

• Tendency to create a “living” quality in talismans carved from it

Spiritual Behaviour and Usage

When assembled together—Rahu on the front, Mae Yoni on the back, and gaduk relics as the core—the piece becomes a compact structure for steadying one’s path and lifting long-standing stagnation. It is typically worn by individuals facing periods where luck, income, or life direction feel blocked. Unlike dramatic wealth pieces, this one works through consistency and alignment rather than sudden windfalls.

Common outcomes reported by long-term keepers:

• Improvement in personal interactions and social receptiveness

• Smoother negotiations and reduced conflict

• Gradual but reliable income flow

• Avoidance of misfortune and reduction of unseen influence

• Better mental clarity during difficult periods

Rarity and Collectability

Only a small number of these carvings were made. Most existing examples remain in older collections where they have been kept for decades. The combination of material, form, and esoteric function makes this a recognised and respected format among serious collectors of Luang Pu Pinak’s work.