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LP Pae - Wat Pikulthong π¨Collector's editionπ¨
LP Pae - Wat Pikulthong π¨Collector's editionπ¨
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MS6
Phra Somdej Pae 3 Pan β Laiser (Hand Mould)
LP Pae | Wat Pikulthong, SingburiΒ
B.E. 2512
Mainstream Artifact
Samakom Certification card (GJ05-84796)
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Sacred Craftsmanship
The Phra Somdej Pae 3 Pan, Pim Laiser (Hand Mould), B.E. 2512, is a classic powder amulet attributed to LP Pae Khemangkaro of Wat Pikulthong, Singburi.
Each artifact was individually formed from prepared sacred materials, with natural variations in texture, colour and moulding contributing to its distinctive appearance.
Exact piece to be given
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Personal Experiences Shared by Luksits
A Collector's Perspective β Appreciating the Hand Mould
Having collected LP Pae's Phra Somdej for many years, I have always appreciated the earlier Pae Phan editions, particularly the hand-moulded variations.
What attracts me to this Pae 3 Pan Pim Laiser is its well-defined Buddha image, distinctive powder texture and preserved condition.
Compared with the mechanical mould version, the hand mould has a more traditional character, with subtle differences in its proportions and finishing.
Devotees who wear LP Pae's Phra Somdej commonly associate them with reassurance, protection and Metta Maha Niyom.
For me, this is an evergreen LP Pae classic, appreciated for its craftsmanship, history and traditional character.
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Summary
The Phra Somdej Pae 3 Pan, Pim Laiser, B.E. 2512, is a recognised variation within LP Pae's early Pae Phan series.
Its distinguishing characteristics include the hand-moulded construction, beautiful aged powder composition and traditional combination of 108 Nur Phong Kaysorn with Nur Bailan.
Collector accounts suggest that fewer hand-moulded examples were produced than mechanical mould versions, although reliable production figures remain unavailable.
This particular piece is especially appealing for its well-preserved condition and clearly defined moulding.
A classic LP Pae Phra Somdej with established collector interest and historical significance.
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Historical Background
LP Pae Khemangkaro (B.E. 2448β2542) was the former abbot of Wat Pikulthong, Singburi, widely respected for his Buddhist scholarship, meditation practice and contributions to the local community.
His admiration for Somdej To Phrommarangsi of Wat Rakhang strongly influenced his Phra Somdej-making tradition.
The Phra Somdej Pae Phan, B.E. 2510, was named in honour of LP Pae and Phra Athikan Phan, the former abbot of Wat Pikulthong who ordained him as a novice.
Subsequent editions included Pae 2 Pan, Pae 3 Pan and later variations.
The B.E. 2512 Pae 3 Pan belongs to this established series, with both hand-moulded and mechanical mould variations recognised among collectors.
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Origins of the Materials
The Pae 3 Pan Pim Laiser is traditionally described as incorporating 108 Nur Phong Kaysorn and Nur Bailan, together with other sacred powder ingredients.
Collector accounts associate the edition with several materials:
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108 Nur Phong Kaysorn: Prepared floral powders traditionally used in Buddhist amulet production.
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Nur Bailan: Powder associated with traditional palm-leaf manuscripts, believed to contribute to the darker composition.
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Phong Ittijay: Sacred powder associated with traditional Buddhist and protective Wicha.
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Old Sacred Powders: Some accounts mention powder from early Bang Khun Phrom Phra Somdej amulets.
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Gold Chips and LP Pae's Hair: Materials reportedly incorporated into certain examples.
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Inserted Takruts: Small sacred scrolls said to have been included in selected pieces.
The resulting composition displays a characteristic greyish-green appearance with natural variations in colour and texture.
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Ritual
The Phra Somdej Pae 3 Pan is generally attributed to LP Pae's B.E. 2512 production at Wat Pikulthong.
LP Pae was widely respected for his Buddhist chanting, meditation practice and dedication to consecrating sacred objects.
His Phra Somdej-making tradition was strongly influenced by his reverence for Somdej To and the established practices surrounding traditional powder amulets.
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Blessings and Effects
Within traditional Thai Buddhist belief, LP Pae's Phra Somdej is associated with several qualities:
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Metta Maha Niyom: Traditionally believed to encourage goodwill and harmonious relationships.
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Chok Lap: Associated with favourable opportunities and prosperity.
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Klaew Klaad: Believed to offer spiritual protection against danger and misfortune.
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Kongkrapan Chatri: Traditionally associated with physical protection and resilience.
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Baramee: Representing spiritual merit, confidence and personal stability.
LP Pae emphasised the importance of observing the Five Precepts, regarding moral conduct as an essential part of Buddhist practice.
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Modern Application
Suitable for everyday wearing by devotees who appreciate LP Pae's teachings and traditional associations with goodwill, protection and prosperity.
For collectors, the hand-moulded Pim Laiser offers an interesting alternative to the mechanical mould variation.
Given its age and preserved condition, this example may also be appreciated primarily as a collectible artifact.
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Physical Details
A rectangular hand-moulded Phra Somdej featuring a seated Buddha beneath a rounded arch and above a multi-tiered pedestal. The Pim Laiser displays a greyish-green powder composition traditionally identified as 108 Nur Phong Kaysorn mixed with Nur Bailan. The reverse carries LP Pae's raised side-profile portrait, sacred inscriptions and the Thai numeral ΰΉ. This example retains well-defined details and a generally well-preserved surface, protected within a waterproof Ah Pook casing with a silver-coloured exterior and red inner border.
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Recommended Pairing
The Phra Somdej Pae 3 Pan may be worn independently as a principal Buddhist amulet.
Alternatively, a Phra Sivali or Phra Pidta may be worn alongside it according to individual devotional preferences and traditional beliefs.
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