Roop Lor LP Noi 

LP Noi Techapunyo | Wat Nong Pho, Nakhon Sawan 
B.E. 2535 (1992)
4cm
Mainstream Artifact 
Samakom Certification Card (GG05-EEF88)
Encased in silver casing

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Sacred Craftsmanship

The Roop Lor LP Noi is a hand-carved portrait talisman representing LP Noi of Wat Nong Pho, a respected successor to LP Derm Phuttasaro, one of Thailand's most renowned masters of traditional Wicha.

The artifact was individually handmade from carefully prepared sacred material. Natural variations in texture, colour, carving details and form distinguish each hand-carved piece.

Exact piece will be given

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Personal Experiences Shared by Luksits

One of the more meaningful accounts associated with this Roop Lor concerns its presentation to Por Sala Tan.

Although PST had never personally met LP Noi, he reportedly remarked that he could sense the master's spiritual presence through the artifact.

PST described LP Noi as a monk possessing exceptionally strong Metta and Baramee, whose daily meditation was accompanied by the continuous cultivation of kindness and goodwill towards others.

He further remarked that he could recognise the spiritual quality associated with LP Noi's meditation, despite the two masters never having met.

For the devotee who arranged the exchange, this was particularly meaningful. The artifact had been consecrated by LP Noi and subsequently acknowledged by PST, connecting two practitioners through their shared emphasis on meditation and spiritual discipline.

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Summary

The Roop Lor LP Noi, B.E. 2535, is an individually hand-carved portrait talisman associated with the Wat Nong Pho lineage of LP Derm.

Its principal significance lies in three aspects: its representation of LP Noi, its reported prolonged personal consecration, and its subsequent presentation to Por Sala Tan.

Unlike artifacts produced for large public distribution, this piece is associated with a small private arrangement involving a devotee connected to both masters.

Traditionally valued for Baramee, protection and wish granting, it reflects the continuity of spiritual practice from LP Derm to LP Noi and the respect shown by practitioners outside the immediate temple lineage.

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Historical Background

LP Noi Techapunyo (หลวงพ่อน้อย เตชปุญโญ) of Wat Nong Pho, Nakhon Sawan, was born on 21 May B.E. 2451 (1908), according to published biographical accounts.

He became a close disciple of LP Derm Phuttasaro, the revered master of Wat Nong Pho, who is traditionally remembered as the “God of the City of Four Rivers.”

LP Derm was renowned for his knowledge of protective Wicha, sacred incantations, meditation and traditional amulet preparation.

According to accounts of the temple lineage, LP Derm served as LP Noi's preceptor and personally instructed him in Buddhist discipline and sacred practices.

As a younger monk, LP Noi accompanied his teacher in various temple activities, including construction and restoration work.

Through this close relationship, he became familiar with the teachings, methods and spiritual disciplines maintained by LP Derm.

When LP Derm grew older, LP Noi gradually assumed greater responsibilities at Wat Nong Pho. He is remembered as the master's chosen successor and subsequently served as abbot.

Some biographical accounts place his abbacy between B.E. 2492 and B.E. 2533, although these dates require confirmation against official temple records.

Rather than establishing a substantially different tradition, LP Noi was known for preserving the meditation practices, protective Wicha and spiritual discipline inherited from LP Derm.

His approach emphasised sustained practice and personal consecration. Accounts from devotees describe sacred objects remaining with him for extended periods, sometimes many months, before being returned.

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Origins of the Materials

This Roop Lor was individually carved from Nga Chang, following the traditional practice of preparing small devotional portraits for personal carrying.

The material was shaped into a seated image of LP Noi, with attention given to the facial expression, monastic robes, folded legs and rectangular pedestal.

The carving reflects the craftsmanship associated with the Payuhakhiri region of Nakhon Sawan, where traditional artisans produced religious images and sacred objects for respected monks.

The significance of this particular artifact extends beyond its physical construction.

According to its collecting history, a devotee who had spent time in the monkhood at Wat Nong Pho arranged for several pieces to be prepared and consecrated by LP Noi and Por Sala Tan.

Some objects were entrusted to the respective masters for extended periods, allowing repeated chanting and meditation rather than a single brief ceremony.

This particular piece was consecrated exclusively by LP Noi. It was subsequently brought to PST as a gesture of respect and acknowledgement of LP Noi's spiritual lineage.

Its traditional attribution and material identification form part of the supplied provenance; neither can be conclusively established from the photograph alone.

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Ritual

The consecration of this Roop Lor LP Noi is associated with the master's longstanding practice of meditation, Buddhist chanting and the protective Wicha inherited from LP Derm.

According to the devotee's account, LP Noi did not produce sacred objects in large quantities. Pieces entrusted to him were sometimes retained for many months or even longer, receiving blessings during his regular practice.

The arrangement involving Por Sala Tan was similarly unhurried.

Because the devotee visited PST approximately once every four to six months, the objects could remain with the masters for extended periods before collection.

For this particular Roop Lor, LP Noi alone performed the consecration.

Afterwards, the artifact was presented to PST, who reportedly acknowledged the strong Metta and Baramee associated with LP Noi.

PST also spoke of LP Noi's continuous cultivation of kindness through meditation, describing this practice as part of the enduring spiritual tradition maintained by the monks of Wat Nong Pho.

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Blessings and Effects

• Baramee and Personal Authority: Traditionally associated with strengthening personal standing, confidence, respect and spiritual composure.

• Klaew Klaad and Protection: Sought for protection against danger, harmful influences and unexpected difficulties.

• Wish Granting: Associated with receiving support in personal aspirations, overcoming obstacles and achieving favourable outcomes.

• Metta Maha Niyom: Reflects LP Noi's reputation for kindness, goodwill and harmonious relationships.

• Spiritual Stability: Traditionally valued for encouraging patience, clarity and steadiness during difficult periods.

• Support in Important Undertakings: Associated with favourable circumstances when facing responsibilities, decisions and long-term commitments.

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Modern Application

The Roop Lor LP Noi is particularly meaningful to devotees seeking Baramee, protection and stability in everyday life.

Its traditional blessings are relevant to individuals carrying significant responsibilities, including business owners, professionals and those in leadership positions.

The emphasis on Baramee reflects the importance of maintaining respect, confidence and sound judgement, while its protective associations provide spiritual reassurance during travel and demanding circumstances.

For those facing prolonged difficulties, the artifact's connection to wish granting and the patient cultivation of merit may hold particular personal meaning.

Beyond these traditional beliefs, it also represents a direct connection to the Wat Nong Pho lineage, preserving the relationship between LP Derm's teachings and LP Noi's lifelong practice.

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Physical Details

The artifact is a three-dimensional seated portrait of LP Noi, individually carved from warm golden-brown material with natural variations in colour and surface texture. The front depicts the master seated cross-legged in meditation, with clearly defined facial features, prominent ears and carefully carved monastic robes. The rectangular pedestal bears raised Thai lettering, while the reverse displays the back of the master's head, shoulders and draped robes, preserving the complete sculptural form rather than a flat-backed relief. The photographed example is enclosed in an ornate silver-coloured protective casing with a pointed upper frame, suspension loop and transparent covers on both sides.

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Recommended Pairing

LP Derm Roop Lor: A natural pairing that connects LP Noi's image with his teacher's spiritual lineage, traditionally emphasising Baramee, protection, authority and personal confidence.

LP Derm Mit Mor: Particularly suitable for devotees seeking an additional emphasis on Klaew Klaad, protection and the traditional defensive Wicha of Wat Nong Pho.

Por Sala Tan Lersi: A complementary pairing for those interested in meditation, spiritual discipline, wisdom and the relationship between the two practitioners.

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Personal Notes

What distinguishes this Roop Lor LP Noi is not simply its age or hand-carved construction, but the circumstances surrounding its preparation and subsequent presentation to Por Sala Tan.

The devotee who arranged the exchange maintained a connection with both masters, allowing several artifacts to remain with them for extended periods of chanting.

This particular piece was consecrated by LP Noi alone, before being brought to PST as a gesture of respect.

Although PST had never met LP Noi, he reportedly recognised the spiritual qualities associated with the master's meditation and spoke highly of his Metta and Baramee.

This recollection gives the artifact a distinctive collecting history, linking LP Derm's successor at Wat Nong Pho with Por Sala Tan through a shared respect for spiritual discipline.

For collectors who appreciate artifacts with a personal history rather than simply a production date, this Roop Lor represents an interesting connection between traditional craftsmanship, lineage transmission and prolonged consecration.

Its principal traditional associations remain Baramee, protection and wish granting.

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