Mae Nang Kwak Lang Phra Phuttha 

LP Derm Phuttasaro | Wat Nong Pho, Nakhon Sawan
B.E. 2470–2494 (1927–1951)
3cm
Mainstream Artifact
Samakom Certification Card (GG09-C6EE6)
Encased in gold casing

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Sacred Craftsmanship

The Nang Kwak Lang Phra Phuttha is a classic two-sided talisman associated with LP Derm Phuttasaro of Wat Nong Pho, one of Thailand's most respected masters of traditional Wicha.

Each artifact was individually handmade from carefully prepared sacred materials. Natural variations in texture, colour, carving details and form make every piece unique.

Exact piece to be given

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Personal Experiences Shared by Luksits

Among longstanding collectors of LP Derm's Nang Kwak, the most commonly discussed experiences concern steady customer patronage, favourable business dealings and goodwill from others.

Traditional merchants often regarded Nang Kwak as a companion for daily trading, particularly when establishing a new business, meeting unfamiliar customers or travelling to sell goods.

Collectors of the two-sided Nang Kwak Lang Phra Phuttha also appreciate the additional Buddha image, believing that it complements commercial attraction with Baramee, personal confidence and protection.

The combination is traditionally favoured by those who seek not only good sales but also lasting business relationships, respect and stability.

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Summary

The Nang Kwak Lang Phra Phuttha is a distinctive two-sided hand-carved talisman associated with LP Derm of Wat Nong Pho, traditionally dated to approximately B.E. 2470–2494.

Its significance lies in the combination of Mae Nang Kwak for commercial attraction and a seated Buddha for Baramee and protection.

Individually carved in the traditional Payuhat style, these pieces are valued for their craftsmanship, historical associations and longstanding place within Thai merchant culture.

The dual imagery makes this form particularly appealing to collectors seeking an artifact associated with Metta Maha Niyom, prosperity, authority and protection.

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Historical Background

LP Derm Phuttasaro (B.E. 2403–2494) of Wat Nong Pho, Takhli District, Nakhon Sawan, was among the most revered Thai monks of his generation.

Widely known as the “God of Nakhon Sawan”, he was respected for his knowledge of Buddhist practice, traditional Wicha and the preparation of sacred artifacts.

His reputation extended throughout central Thailand, particularly among rural communities, merchants and travellers who sought his blessings for protection, prosperity and safe journeys.

LP Derm was especially renowned for his Mit Mor ritual knives, hand-carved talismans, Buddha images and protective sacred objects.

Historical accounts also describe his fondness for animals, particularly elephants and horses, which played important roles in transportation and rural life.

During his lifetime, LP Derm maintained close relationships with villagers and disciples, many of whom sought his assistance and blessings before travelling or beginning important undertakings.

The preparation of his hand-carved talismans is commonly associated with the period beginning around B.E. 2470 (1927), when he produced portable sacred objects for disciples living or travelling far from Wat Nong Pho.

These artifacts became particularly appreciated among merchants, traders and rural communities, who regarded them as sources of spiritual reassurance during their daily activities.

LP Derm passed away in B.E. 2494 (1951), aged approximately 91–92, after more than seven decades in the monkhood.

His legacy remains closely associated with traditional Thai sacred craftsmanship and the protective Wicha of Wat Nong Pho.

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Origins of the Materials

The Nang Kwak Lang Phra Phuttha reflects the traditional practice of preparing small, individually carved sacred objects for personal carrying.

Historical accounts also describe his fondness for animals, particularly elephants and horses, which played important roles in transportation and rural life. When the animals passed away, their relics are kept, sometimes receiving them as gifts from disciples or acquiring from others. 

Such artifacts were shaped and detailed by craftsmen using established carving techniques, allowing both devotional images to be incorporated into a single compact form.

The material's smooth surface enabled the craftsman to define facial features, seated postures, decorative borders and the characteristic beckoning gesture of Mae Nang Kwak.

Within traditional Thai sacred craftsmanship, considerable importance was placed on the quality of the carving, the symbolic arrangement of the images and the master's subsequent consecration.

Because these artifacts were individually produced, there was no completely standardised design. Differences in the proportions of Nang Kwak, the Buddha image, decorative details and overall dimensions are therefore encountered among surviving examples.

Age-related changes in colour, surface texture and fine natural lines may also be present.

For collectors, authentication requires careful consideration of carving style, surface characteristics, historical consistency, provenance and comparison with recognised period examples.

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Ritual

The Nang Kwak Lang Phra Phuttha is traditionally associated with LP Derm's established Buddhist chanting and protective Wicha practices.

These hand-carved artifacts were intended to serve as portable devotional objects for disciples, particularly those involved in trading, travelling and rural occupations.

The Nang Kwak image was traditionally associated with attracting customers, favourable attention and prosperity in commercial activities.

The Buddha image on the reverse introduced a complementary emphasis on Baramee, protection and spiritual composure.

Together, these two forms were believed to provide balanced blessings for both material livelihood and personal well-being.

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Blessings and Effects

• Metta Maha Niyom: Traditionally associated with goodwill, popularity and favourable relationships.

• Nang Kwak – Customer Attraction: Believed to encourage customer patronage, commercial opportunities and smoother trading.

• Maha Lap and Prosperity: Associated with financial opportunities, fortunate circumstances and steady business activity.

• Baramee and Authority: The Buddha image represents spiritual merit, confidence, respect and personal standing.

• Klaew Klaad and Protection: Traditionally sought for protection against danger, misfortune and harmful influences.

• Safe Travel: Valued by merchants and travellers seeking protection while moving between locations.

• Business Stability: The combined imagery symbolises both the attraction of opportunities and the preservation of long-term prosperity.

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Modern Application

The Nang Kwak Lang Phra Phuttha remains particularly relevant to collectors and devotees involved in business, sales, trading and customer-facing professions.

The Nang Kwak image reflects the importance of approachability, favourable relationships and commercial opportunities, while the Buddha image represents Baramee, composure and personal authority.

This combination is especially meaningful for business owners who value both attracting customers and maintaining the trust and respect necessary for long-term relationships.

Beyond its traditional blessings, the artifact also represents an important form of historic Thai hand-carved craftsmanship, reflecting the devotional practices and merchant culture of LP Derm's period.

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Physical Details

The artifact has a traditional pointed-arch form, with Mae Nang Kwak carved on one side and a seated Buddha on the reverse. The material exhibits a warm cream-to-yellow appearance with subtle natural variations and fine surface lines. Both images are framed by recessed borders and individually carved details characteristic of traditional small-scale devotional craftsmanship. The photographed example is enclosed in an ornate gold-coloured protective casing, with a suspension loop at the top and transparent covers on both sides. A Thai authentication card is shown alongside the artifact.

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Recommended Pairing

LP Derm Roop Lor: Traditionally associated with Baramee, authority, protection and personal confidence, complementing the commercial attraction symbolism of Nang Kwak.

LP Up Mae Pimpa: A complementary pairing for those seeking greater emphasis on Metta Maha Niyom, customer goodwill, personal attraction and harmonious relationships.

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Personal Notes

The Nang Kwak Lang Phra Phuttha is particularly interesting because it combines two distinct forms of traditional Thai sacred imagery within a single carving.

Unlike conventional Nang Kwak artifacts, which primarily emphasise customer attraction and commercial prosperity, this two-sided form incorporates a seated Buddha representing Baramee, protection and spiritual stability.

Its traditional Payuhat-style carving, historical association with LP Derm and individually worked construction contribute to its significance among collectors of older Thai talismans.

As each example was carved individually, differences in facial features, proportions and surface characteristics are expected. Careful authentication remains especially important for artifacts attributed to this period.

For collectors who appreciate the relationship between traditional craftsmanship, merchant culture and Buddhist devotional practice, the Nang Kwak Lang Phra Phuttha represents a distinctive form within the broader legacy of LP Derm of Wat Nong Pho.

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