MS06

Rian Phra Phuttha Chinnarat

LP Chum · Wat Bang Na Nai · Samut Prakan
B.E. 2467 
Mainstream Artifact 
Samakom Certification Card (GG11-7E53B)

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Sacred Craftsmanship

Each artifact was individually cast and hand-finished, so differences in metal flow, edge form, surface texture, patination and detail are natural characteristics of these early pieces.

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Personal Experiences Shared by Luksits

This is one of those old mainstream amulets that appeals strongly to people who prefer to wear a single piece with Baramee, authority, protection and Metta rather than carrying several specialized amulets.

Among older collectors, the Wat Bang Na Nai Chinnarat developed a reputation for Klaew Klad, Kong Kraphan and Maha Amnaj. It was especially appreciated by people whose work involved responsibility, command, travel or exposure to uncertainty.

Later generations of owners have also associated it with respect from others, greater confidence in difficult situations, smoother dealings with superiors and stronger cooperation in business or official environments.

This combination helps explain why the medal has remained popular among business owners, military personnel, civil servants and senior professionals.

Its character is not aggressive. The traditional image is closer to quiet authority — being listened to, respected and supported while remaining protected from unnecessary conflict.

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Summary

The Phra Phuttha Chinnarat of LP Chum, Wat Bang Na Nai, B.E. 2467 is regarded as the master's first and principal cast medal.

Its importance comes from several factors: the old mixed-metal composition, traditional casting method, distinctive Khom yantras, major consecration, and its close artistic relationship with other important Phra Chinnarat cast medals of the early twentieth century.

The front uses the same basic Phra Chinnarat artistic tradition associated with the celebrated Wat Thong Noppakhun issue of B.E. 2463, while the reverse is distinctive to Wat Bang Na Nai.

For collectors, it represents one of the classic early Bangkok–Samut Prakan cast medals: compact, practical to wear and historically well anchored.

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Historical Background

LP Chum of Wat Bang Na Nai was an old-generation master associated with meditation, sacred yantras and traditional metal consecration.

He is traditionally described as a disciple within the lineage of LP Parn of Wat Khlong Dan, whose school became especially famous for protective Wicha and tiger-related sacred objects.

In B.E. 2467, LP Chum arranged the creation of this Phra Phuttha Chinnarat medal for devotees and temple supporters.

The issue later became particularly well known because the front design belongs to the same artistic family as other celebrated early Phra Chinnarat cast medals.

Collectors often discuss a group of closely related pieces sometimes called the “three legendary twin Chinnarat medals.”

These are generally associated with:

Wat Thong Noppakhun · B.E. 2463
Wat Bang Na Nai · B.E. 2467
Wat Khao Takhrao · later related issue

Their front designs are closely related, while their reverse inscriptions and ritual lineages distinguish each temple.

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Origins of the Materials

The metal used for this issue was not prepared from a single modern industrial alloy.

Local devotees contributed metal bowls, offering trays and household implements, which were collected and melted down for the casting.

This practice carries particular meaning within older Thai temple culture. Materials donated by many households became part of a communal merit-making project, transforming ordinary objects into sacred material.

The resulting metal tends toward a rich mixed bronze or brass character, with considerable variation from piece to piece.

Over more than a century, genuine examples may develop dark brown, golden, reddish and green oxidation according to storage and handling.

The illustrated piece shows this naturally aged character clearly, particularly around the halo, edges and recessed areas of the casting.

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Ritual

The B.E. 2467 consecration is remembered as a substantial regional ceremony involving LP Chum together with several highly respected monks of the period.

Among the masters traditionally recorded as participating were:

LP Thong · Wat Ratchayotha
LP Phueak · Wat King Kaew
LP Bua · Wat Ruak
LP But · Wat Bang Pla Kot
LP Chum · Wat Bang Na Nai

Each master brought his own lineage and meditative practice to the ceremony.

The empowerment centred upon the Phra Phuttha Chinnarat image together with the yantras on the reverse, creating an artifact intended to combine Buddhist refuge, protective Wicha, Metta and commanding Baramee.

The reverse inscription is particularly important.

The Khom syllables Ma–U–A are crowned by an Unalome, symbolically representing the path towards awakening and clarity.

Below is the Na Chaliao Phet, a traditional protective yantra associated with firmness, defence and the ability to withstand adverse forces.

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Blessings and Effects

The traditional reputation of the Wat Bang Na Nai Chinnarat centres upon several complementary qualities.

Maha Amnaj is associated with authority, confidence and the ability to command respect without needing excessive force.
Baramee relates to personal standing, dignity and the support that comes from accumulated merit.
Metta Mahaniyom concerns goodwill, trust, cooperation and favourable treatment from others.
Klaew Klad is traditionally connected with avoidance of accidents and sudden danger.
Kong Kraphan concerns physical protection and resilience.

The Na Chaliao Phet on the reverse further reinforces the protective side of the artifact, while the Phra Chinnarat image itself carries a long-standing association with victory, stability and spiritual protection.

Together, these qualities give the medal its reputation as a particularly balanced all-round piece.

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Modern Application

For modern wearers, this medal is especially suitable for situations where authority and interpersonal goodwill need to work together.

It may be particularly meaningful for:

• business owners and senior managers;
• government and military personnel;
• people involved in negotiation or leadership;
• professionals who regularly deal with clients, staff or superiors;
• those who travel frequently or work in uncertain conditions.

Its Metta aspect supports smoother relationships, while Maha Amnaj and Baramee traditionally reinforce confidence and standing.

For someone wishing to wear only one old mainstream artifact, the balance between protection, authority and social harmony is one of this medal's strongest attractions.

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Physical Details

The front depicts Phra Phuttha Chinnarat seated in Maravijaya posture beneath a flame-like aureole, rendered in the heavy sculptural manner characteristic of early twentieth-century cast medals.

The reverse carries Khom sacred characters, an Unalome and the Na Chaliao Phet yantra.

The medal is cast from a dense mixed-metal alloy, now displaying a deep aged brown patina with warm golden tones and areas of natural green oxidation.

The original suspension loop remains intact.

This example is housed in a gold casing, which complements the old bronze-gold tone of the medal while preserving the original artifact within.

The accompanying Samakom certification identifies it as the B.E. 2467 Phra Phuttha Chinnarat of LP Chum, Wat Bang Na Nai.

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Recommended Pairing

Because this artifact already combines Baramee, Maha Amnaj, Metta and protection, it works extremely well as a principal daily amulet.

A Phra Somdej may be added where stronger Metta, spiritual composure and senior support are desired.

For business and wealth emphasis, Phra Sivali or Phra Sangkatchai provides a natural complement.

Collectors interested in historical continuity may also pair it with the B.E. 2463 Wat Thong Noppakhun Phra Chinnarat, allowing the closely related artistic traditions to be worn or collected together.

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Personal Notes

What I particularly like about this issue is its balance.

Some old protective amulets feel heavily weighted towards Kong Kraphan or Maha Ut, while some Metta pieces are primarily chosen for social or business purposes. The LP Chum Chinnarat sits comfortably between these traditions.

It carries the presence expected from a strong old cast medal, yet its lineage is equally concerned with Metta, authority, stability and respect.

The shared front design with the older Wat Thong Noppakhun Chinnarat also makes it especially interesting historically. Rather than being an isolated issue, it belongs to a recognisable early casting tradition that passed between respected temples and masters.

This example is particularly attractive because the old mixed-metal surface remains highly visible, with natural brown and green patination preserved beneath the gold casing.

For someone looking for a century-old mainstream artifact that remains practical enough for regular wear, the B.E. 2467 Phra Phuttha Chinnarat of LP Chum, Wat Bang Na Nai is a remarkably complete choice.