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Sacred Craftsmanship

This copper Rian of LP Choo Kantaveero, Wat Hin Lek Fai, Tha Tum District, Surin Province, was issued in B.E. 2528 (1985).

It holds particular significance as the first and only official medal batch of LP Choo, produced during his lifetime.

Produced during a Traimas consecration period, this medal represents one of the most recognised commemorative objects associated with LP Choo's lineage.

Each medal was individually struck and prepared according to traditional methods. Natural variations in surface patina, colour, stamping and inscriptions contribute to the individuality of surviving examples.

Exact piece given 

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Personal Experiences Shared by Luksits

Among older collectors in Surin, LP Choo's first-batch medal has long been associated with accounts of protection, good fortune and unexpected assistance during difficult circumstances.

One particularly well-known account concerns LP Choo's own confidence in the protective qualities of this issue.

According to recollections passed down by devotees, LP Choo once remarked that anyone questioning the protective strength of his medal could test it against an M16 rifle. He reportedly added that if the medal were not genuinely effective, there would be no reason to wear it.

This statement has remained part of the medal's local collecting history. It should be understood as an expression of the master's confidence rather than a recommendation to conduct such a dangerous test.

Local collectors have also shared experiences involving fortunate escapes from accidents, unexpected financial opportunities and situations in which they believed LP Choo's blessings had offered protection.

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Summary

The B.E. 2528 Rian represents the first and only official medal issue of LP Choo Kantaveero of Wat Hin Lek Fai, Surin.

With a recorded production of 9,272 pieces, the medal is distinguished by its copper composition, portrait of LP Choo, triangular reverse Yant and association with the Traimas consecration period.

LP Choo was particularly respected for his knowledge of traditional Khmer-influenced Wicha, including Metta Maha Saneh, protection and the renowned Khun Paen Kua Poh tradition.

Among collectors, this medal is valued for its historical connection to the master, its limited production and the longstanding reputation of LP Choo's protective blessings.

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Historical Background

LP Choo Kantaveero was a respected monk associated with Wat Hin Lek Fai in Tha Tum District, Surin Province.

Surin occupies an important position in the history of Thai-Khmer spiritual traditions. The province has long maintained connections with Khmer ritual knowledge, traditional sacred inscriptions and regional practices involving protective and attraction-oriented Wicha.

Within this environment, LP Choo became particularly recognised for his knowledge of Metta Maha Saneh and traditional protective practices.

One of the best-known aspects of his lineage was his association with Khun Paen Kua Poh, a specialised form of Khun Paen connected with attraction and traditional ritual preparations involving elephant-related materials.

Such practices belonged to a distinctive branch of older regional Wicha, where sacred materials, inscriptions and consecration methods were combined according to teachings passed between masters.

LP Choo's reputation extended beyond attraction practices. Devotees also regarded him as a master of protection, particularly in matters involving danger, accidents and unexpected misfortune.

In B.E. 2528, Khun Chinnaporn Suksathit arranged the production of LP Choo's commemorative medal.

The original production target was 10,000 pieces. However, the stamping dies reportedly fractured before the intended quantity could be completed.

Only 9,272 medals were produced.

As no subsequent official medal batch followed, this issue became known among collectors as LP Choo's first and only batch.

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Origins of the Materials

The medal was produced using Nur Tong Daeng, or copper, a traditional material widely employed in Thai commemorative and sacred medal production.

Copper was valued for its durability, suitability for detailed stamping and compatibility with traditional sacred inscriptions.

The front carries LP Choo's portrait, while the reverse displays a triangular Yant surrounded by Khom characters.

The triangular arrangement belongs to a broader tradition of protective sacred geometry found in Thai and Khmer-influenced Wicha.

According to collecting accounts, examples from this issue received additional Karawek Yant inscriptions.

Karawek is traditionally associated with the mythical bird celebrated for its beautiful voice. Within sacred Wicha, its symbolism is connected with persuasive speech, popularity and the ability to attract favourable attention.

The combination of the portrait, triangular Yant and Karawek inscriptions reflects LP Choo's reputation for both protective and Metta-oriented practices.

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Ritual

The B.E. 2528 medal was associated with a Traimas consecration, referring to the traditional three-month Buddhist Rains Retreat.

Traimas consecrations hold particular significance among Thai collectors because they involve an extended period of religious observance and spiritual discipline.

According to accounts surrounding this issue, LP Choo personally blessed the medals, directing his established Wicha towards protection, Metta and auspicious fortune.

The triangular reverse Yant served as a principal sacred inscription, while the additional Karawek Yants were associated with popularity and favourable interpersonal influence.

The completed medals were intended to provide devotees with a portable representation of LP Choo's blessings and spiritual teachings.

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Blessings and Effects

The B.E. 2528 Rian is traditionally associated with several principal blessings:

• Kong Krapan: Protection against physical harm and dangerous situations.

• Klaew Klad: Avoidance of accidents, misfortune and unexpected danger.

• Metta Maha Niyom: Goodwill, popularity and assistance from others.

• Maha Saneh: Personal charm, attraction and favourable social interaction.

• Chok Larp: Good fortune and unexpected opportunities.

• Baramee: Confidence, personal authority and spiritual encouragement.

Among local devotees, protection remains one of the most frequently discussed qualities of this medal.

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Modern Application

LP Choo's first-batch medal is suitable for devotees seeking a traditional protective amulet with additional Metta and good-fortune associations.

Individuals who travel frequently, work in demanding environments or encounter unpredictable situations may appreciate its historical reputation for protection.

The Karawek-related inscriptions also make the medal relevant to those involved in sales, negotiations, customer relations and professions requiring effective communication.

For collectors, its appeal extends beyond spiritual considerations.

As the first and only official medal batch of LP Choo, it represents an important surviving object from his lifetime and a connection to the regional Wicha traditions of Surin.

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Physical Details

The medal is oval-shaped and struck in Nur Tong Daeng (copper), displaying an aged brown patina.

The front features a raised portrait of LP Choo with Thai inscriptions identifying Wat Hin Lek Fai and the master.

The reverse carries a triangular sacred Yant surrounded by Khom characters.

The example photographed is housed in a transparent dark-red protective casing.

Year: B.E. 2528 (1985)
Material: Copper
Issue: First and Only Batch
Recorded Production: 9,272 pieces
Temple: Wat Hin Lek Fai, Surin

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Recommended Pairing

LP Choo's first-batch medal pairs naturally with traditional Metta Maha Saneh and prosperity-oriented amulets.

A Khun Paen associated with attraction and interpersonal influence would complement the medal's protective qualities, particularly for individuals involved in sales, business and customer-facing professions.

Alternatively, pairing it with a Phra Somdej or Phra Kring provides a traditional combination centred on Baramee, protection and personal stability.

For collectors interested in LP Choo's lineage, combining this medal with one of his Khun Paen creations also offers a meaningful connection between two important aspects of his Wicha.