{"product_id":"wat-thong-noppakhun-2463-copy","title":"Wat Thong Noppakhun 2463","description":"\u003cp\u003eMS06\u003c\/p\u003e\n\u003ch1\u003ePhra Phuttha Chinnarat\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eWat Thong Noppakhun · Bangkok\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eB.E. 2463 \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMainstream Artifact\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSamakom Certification Card (GI04-7A16E)\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eSacred Craftsmanship\u003c\/h2\u003e\n\u003cp\u003eEach piece was individually cast and hand-finished. Natural differences in surface texture, metal flow, mould seam, colour and oxidation therefore make every surviving artifact unique.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePersonal Experiences Shared by Luksits\u003c\/h2\u003e\n\u003cp\u003eAmong serious collectors, this is one of those old mainstream pieces whose historical importance can appear greater than its present market position.\u003c\/p\u003e\n\u003cp\u003eThe attraction lies in the combination of \u003cstrong\u003eage, recognisable casting characteristics, strong lineage and an exceptional group of masters associated with the ceremony\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eCollectors who favour older protective amulets often regard this issue as especially strong in \u003cstrong\u003eMaha Ut, Klaew Klad and Kong Kraphan\u003c\/strong\u003e, while others keep it for Baramee, business support and general protection.\u003c\/p\u003e\n\u003cp\u003eThe old story surrounding the ceremony also gave rise to its famous association with the name \u003cstrong\u003e“Klai Puen Thiang” — Far from the Noon Gun\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAccording to the traditional account, while the sacred casting and chanting were being conducted around noon, the ceremonial cannon normally fired from the Sanam Luang area to mark midday repeatedly failed to discharge. Even after the ammunition and gun were changed, the cannon would not fire.\u003c\/p\u003e\n\u003cp\u003eOnly later was the coincidence linked with the amulet consecration taking place at precisely that time.\u003c\/p\u003e\n\u003cp\u003eWhether approached as history, lineage tradition or collector lore, the account became deeply attached to the protective reputation of the batch.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eSummary\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eRian Lo Phra Phuttha Chinnarat of Wat Thong Noppakhun, B.E. 2463\u003c\/strong\u003e is an important early Bangkok–Thonburi cast amulet produced during the lifetime of some of Thailand's most respected masters.\u003c\/p\u003e\n\u003cp\u003eThe project was connected with \u003cstrong\u003ePhra Khru Hem Noppakhun, or LP Phueak of Wat Thong Noppakhun\u003c\/strong\u003e, who reached the age of 84, or seven traditional twelve-year cycles, in B.E. 2463.\u003c\/p\u003e\n\u003cp\u003eThe Phra Phuttha Chinnarat medals were cast using the same metal preparation associated with the important Phra Kring ceremony of the period.\u003c\/p\u003e\n\u003cp\u003eThe front depicts \u003cstrong\u003ePhra Phuttha Chinnarat\u003c\/strong\u003e, while the reverse carries sacred Khom characters and yantric inscriptions.\u003c\/p\u003e\n\u003cp\u003eWhat gives this issue particular historical weight is the extraordinary group of senior monks traditionally recorded as having taken part in the casting, inscription or consecration.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eHistorical Background\u003c\/h2\u003e\n\u003cp\u003eWat Thong Noppakhun, historically known as \u003cstrong\u003eWat Thong Lang\u003c\/strong\u003e, stood within the old Thonburi Buddhist landscape and developed a strong reputation for meditation practice and sacred-object production.\u003c\/p\u003e\n\u003cp\u003eIn B.E. 2463, LP Phueak of Wat Thong Noppakhun reached the age of \u003cstrong\u003e84 years\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eTo commemorate the occasion, sacred objects were prepared for distribution to disciples and supporters.\u003c\/p\u003e\n\u003cp\u003eLP Phueak had previously been involved with important metal-casting traditions associated with \u003cstrong\u003eWat Thong Thammachat\u003c\/strong\u003e, sometimes referred to historically as Wat Thong Bon.\u003c\/p\u003e\n\u003cp\u003eThe front mould used for the Phra Phuttha Chinnarat medal subsequently became influential in other cast issues. Closely related front designs were later used at \u003cstrong\u003eWat Khao Takrao in B.E. 2465\u003c\/strong\u003e and by \u003cstrong\u003eLP Chum of Wat Bang Na Nai in B.E. 2467\u003c\/strong\u003e, although their reverse designs differed.\u003c\/p\u003e\n\u003cp\u003eFor collectors, these closely related issues form an interesting early group of Phra Phuttha Chinnarat cast medals sharing a common artistic ancestry.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eOrigins of the Materials\u003c\/h2\u003e\n\u003cp\u003eThe medals were produced from \u003cstrong\u003eLoha Pasom\u003c\/strong\u003e, or mixed sacred metal, with a characteristic yellow-green to dark brown appearance after prolonged ageing.\u003c\/p\u003e\n\u003cp\u003eTraditional accounts state that sacred metal sheets prepared by numerous masters were combined with older consecrated metal.\u003c\/p\u003e\n\u003cp\u003eThe alloy was associated with the same preparation used for the Phra Kring produced in connection with the Wat Thong Thammachat ceremony.\u003c\/p\u003e\n\u003cp\u003eAn old account describes certain inscribed metal sheets resisting the furnace during the casting process.\u003c\/p\u003e\n\u003cp\u003eLP Suk of Wat Pak Khlong Makham Thao, who was acting as the principal casting master, is said to have used a stick wrapped with Sai Sin to press the metal into the molten mixture, after which it finally dissolved.\u003c\/p\u003e\n\u003cp\u003eSuch accounts became part of the ritual history of the batch and contributed greatly to its reputation among later collectors.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eRitual\u003c\/h2\u003e\n\u003cp\u003eThe ceremony is remembered for bringing together a remarkable generation of masters from Bangkok, Thonburi and the central provinces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP Suk of Wat Pak Khlong Makham Thao\u003c\/strong\u003e is traditionally recorded as the principal master overseeing the sacred metal pour.\u003c\/p\u003e\n\u003cp\u003eAmong the monks associated with the ceremony were \u003cstrong\u003eSomdet Phra Phutthachan Nawam of Wat Anongkharam, LP Thap of Wat Anongkharam, LP Iem of Wat Nang, LP Phueak of Wat Thong Noppakhun, LP Klan of Wat Phra Yat, LP Boon of Wat Klang Bang Kaew, LP Im of Wat Hua Khao, LP Klin of Wat Saphan Sung, LP Pring of Wat Bang Pakok, LP Phueak of Wat King Kaew and LP Ee of Wat Sattahip\u003c\/strong\u003e, together with many other respected masters of the period.\u003c\/p\u003e\n\u003cp\u003eMore than thirty names are traditionally connected with the ceremony.\u003c\/p\u003e\n\u003cp\u003eThe importance of this group lies not merely in quantity. Many of these masters later became foundational names within entirely separate Thai amulet lineages.\u003c\/p\u003e\n\u003cp\u003eThis makes the B.E. 2463 ceremony particularly interesting as a meeting point between several major traditions.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eBlessings and Effects\u003c\/h2\u003e\n\u003cp\u003eThe traditional reputation of this Phra Phuttha Chinnarat issue is especially strong in \u003cstrong\u003eprotection and Maha Ut\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKlaew Klad\u003c\/strong\u003e refers to avoidance of danger, accidents and unexpected harm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKong Kraphan\u003c\/strong\u003e concerns physical resilience and protection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaha Ut\u003c\/strong\u003e is traditionally associated with protection from firearms and weapons, an association strengthened further by the story of the noon cannon failing to fire during the ceremony.\u003c\/p\u003e\n\u003cp\u003eThe participation of masters known for different branches of Wicha also broadened the reputation of the amulet.\u003c\/p\u003e\n\u003cp\u003eLP Boon's lineage is commonly associated with \u003cstrong\u003ewealth and fortune\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eLP Iem and LP Pring contribute a strong traditional association with \u003cstrong\u003eMetta, prosperity and support\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eLP Ee is remembered particularly for \u003cstrong\u003eMetta and attraction traditions\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eLP Suk brings a major reputation for \u003cstrong\u003eBaramee, authority and protection\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eTaken together, the amulet developed the reputation of a well-rounded protective piece rather than one restricted to a single purpose.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eModern Application\u003c\/h2\u003e\n\u003cp\u003eFor a modern wearer, this artifact is particularly suitable for those wanting a strong \u003cstrong\u003eall-round mainstream amulet with genuine historical depth\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIt may be carried for travel, personal safety, leadership responsibilities and situations involving uncertainty or competition.\u003c\/p\u003e\n\u003cp\u003eIts Metta and prosperity associations also make it relevant to \u003cstrong\u003ebusiness owners, sales professionals and people who rely heavily upon relationships and negotiation\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFor collectors, however, the deeper attraction lies in its historical positioning.\u003c\/p\u003e\n\u003cp\u003eInstead of acquiring individual amulets from every master connected with the ceremony — many of which have become expensive, heavily reproduced or difficult to authenticate — this single artifact provides a direct connection with an important shared ritual gathering of that generation.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePhysical Details\u003c\/h2\u003e\n\u003cp\u003eThe front depicts \u003cstrong\u003ePhra Phuttha Chinnarat seated beneath the characteristic flame-like aureole\u003c\/strong\u003e, rendered in the heavy sculptural manner of early cast medals.\u003c\/p\u003e\n\u003cp\u003eThe reverse carries a field of \u003cstrong\u003esacred Khom characters and yantric inscriptions\u003c\/strong\u003e, framed within the shield-shaped outline.\u003c\/p\u003e\n\u003cp\u003eThe metal displays a deep brown-black patina with areas of naturally exposed yellow-bronze tone along raised surfaces.\u003c\/p\u003e\n\u003cp\u003eThe original horizontal suspension loop remains integral to the casting.\u003c\/p\u003e\n\u003cp\u003eIts strong mould definition, age-consistent surface and clearly visible casting character make it particularly suitable as a reference example.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eRecommended Pairing\u003c\/h2\u003e\n\u003cp\u003eBecause this artifact already carries strong protective qualities, it pairs naturally with a \u003cstrong\u003ePhra Somdej\u003c\/strong\u003e for Baramee, Metta and spiritual balance.\u003c\/p\u003e\n\u003cp\u003eFor stronger prosperity emphasis, it can be paired with \u003cstrong\u003ePhra Sangkatchai or Phra Sivali\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eCollectors interested specifically in early metal traditions may instead pair it with a recognised \u003cstrong\u003eold Phra Kring\u003c\/strong\u003e, especially from a closely related early Bangkok ceremony.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePersonal Notes\u003c\/h2\u003e\n\u003cp\u003eFor me, one of the strongest reasons to own this piece is that it provides access to an unusually important group of masters without entering the very high prices now associated with many of their individual amulets.\u003c\/p\u003e\n\u003cp\u003eOriginal pieces directly attributed to masters such as \u003cstrong\u003eLP Suk and LP Boon\u003c\/strong\u003e can command very substantial prices, and the market for their most famous amulets is also complicated by highly convincing reproductions.\u003c\/p\u003e\n\u003cp\u003eThis Wat Thong Noppakhun medal occupies a very different position.\u003c\/p\u003e\n\u003cp\u003eIts mould, casting method, alloy character and ageing are comparatively straightforward to study, while the historical record places it within a ceremony connected with many of the same major masters.\u003c\/p\u003e\n\u003cp\u003eThat makes it particularly interesting for a collector who values \u003cstrong\u003ehistorical authenticity over hype\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe ceremonial story, the old double-mould casting, the shared sacred metal tradition and the remarkable concentration of masters all give this amulet a depth that is difficult to reproduce in modern releases.\u003c\/p\u003e\n\u003cp\u003eMore than a century later, the \u003cstrong\u003ePhra Phuttha Chinnarat B.E. 2463 of Wat Thong Noppakhun\u003c\/strong\u003e remains one of the more compelling old Bangkok cast medals for anyone seeking a combination of \u003cstrong\u003eprotection, lineage, history and collectability\u003c\/strong\u003e.\u003c\/p\u003e","brand":"OOBThaiAmulets","offers":[{"title":"Default Title","offer_id":48302356758665,"sku":null,"price":2850.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/1831\/0793\/files\/Untitled-21_5feadf23-a749-4d45-9458-cb9398b76b52.jpg?v=1762402921","url":"https:\/\/oobamulets.com\/products\/wat-thong-noppakhun-2463-copy","provider":"OOBThaiAmulets","version":"1.0","type":"link"}