{"product_id":"por-sala-tan-copy-77","title":"Por Sala Tan","description":"\u003cp\u003e\u003cspan\u003ePST07\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003e\u003cspan\u003eLersi with Jindamani Mala\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePor Sala Tan\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003e1.5 Inches \u003cbr\u003eMainstream Artifact\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSacred Craftsmanship\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eEach artifact was individually carved and assembled from natural wood, relic materials and old ritual components. Variations in the grain of the Mai Payoom, carving, relics, mala beads, Sai Sin, yantra and takrut therefore make every surviving example individually distinctive.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePersonal Experiences Shared by Luksits\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eAmong luksits who worked with Lersi pieces of this nature, the recurring discussion was often not about sudden wealth or dramatic material results.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt was about \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003edirection\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome practitioners described periods when their understanding of Wicha appeared to stop progressing. They continued studying and practising, yet felt that something was missing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter keeping a Lersi artifact close during meditation and practice, some spoke of suddenly understanding something they had previously struggled with — a ritual sequence becoming clearer, an old teaching making sense, or an instinctive understanding of how a particular practice should be approached.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOthers described a quieter form of guidance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen facing important decisions, they would sit calmly before the Lersi rather than immediately acting. After meditation, the answer sometimes appeared considerably clearer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese experiences are why many of Por Sala Tan's luksits regard Lersi artifacts not simply as protective amulets, but as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eobjects connected with teachers, knowledge and the continuation of Wicha\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Jindamani mala makes this particular example especially meaningful, because it was itself a working ritual object previously handled and used by a Lersi.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSummary\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis is one of approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e50 Lersi figures\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e prepared under Por Sala Tan as part of a prolonged three-year project.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCarved from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMai Payoom\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the batch incorporated relic materials connected with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eeight deceased Lersis\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and passed through \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eeight separate cave ceremonies\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis example belongs to the much smaller group carrying a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJindamani herbal mala formerly used by a Lersi\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with fewer than five pieces said to have received such a mala.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts traditional emphasis is therefore strongly centred upon \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBaramee, guidance, protection, meditation, intuitive awareness and progression in Wicha\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRather than representing one isolated blessing, it brings together the physical traces of earlier practitioners, Por Sala Tan's own ritual preparation and repeated cave consecrations into a single lineage artifact.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eHistorical Background\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe Lersi occupies an unusual position within Thai and wider Southeast Asian sacred traditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDerived from the older concept of the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eRishi or hermit-sage\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the Lersi represents the practitioner who withdraws from ordinary distractions in pursuit of meditation, specialised knowledge and disciplined spiritual practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin Thai traditions, Lersi are particularly associated with teachers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThey appear in traditions concerning herbal knowledge, healing, sacred inscription, meditation, astrology, ritual arts and numerous branches of Wicha. For this reason, respect towards the Lersi is closely connected with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eWai Kru — acknowledgement and gratitude towards one's teachers and lineage\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan's own practices frequently brought him into contact with forest practitioners, Lersi and other holders of regional Wicha.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eConsequently, relics and ritual objects connected with such practitioners were not regarded merely as unusual materials.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThey represented \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003econtinuity\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn old mala, a piece of Sai Sin, hair, cremated material or an object formerly used in practice could preserve a tangible connection between teacher, student and subsequent generations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis understanding forms the foundation of this particular Lersi.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eOrigins of the Materials\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe principal body is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMai Payoom\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, chosen as the structural foundation of the artifact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin the batch were incorporated relics associated with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eeight deceased Lersis\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, including cremated remains and hair preserved after their passing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRather than concentrating the identity of the artifact upon a single relic source, Por Sala Tan brought these materials together as a representation of a broader Lersi lineage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe most distinctive material on this particular example is the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJindamani mala\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe beads were prepared from Jindamani herbal material and had previously formed part of a Lersi's own ritual equipment. Having been handled and used during practice, such an object was regarded within the lineage as considerably different from newly prepared material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt already possessed a history of use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe figure also carries a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehandwritten takrut\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, Sai Sin and visible yantra, providing additional layers to the completed artifact.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRitual\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe consecration of this batch was deliberately prolonged.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRather than completing the figures through a single ceremony, Por Sala Tan carried them through approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ethree years of preparation\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, involving \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eeight cave ceremonies at different locations\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe use of caves is particularly appropriate to Lersi practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCaves naturally provide seclusion from ordinary activity and have long served as places for meditation, retreat and disciplined spiritual practice. Their enclosed environment also carries strong symbolic meaning: withdrawing from the external world before returning with greater understanding.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt each stage, the figures underwent further chanting and ritual preparation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe process was therefore cumulative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne ceremony did not replace the previous ceremony. Each became another layer in the object's ritual history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe takrut and yantra provided direction to the Wicha, while the Lersi relics established the connection with the earlier practitioners represented within the batch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor the few examples carrying an original Jindamani mala, an additional connection was created through an object that had already participated in the spiritual practice of a Lersi during his lifetime.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eBlessings and Effects\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe traditional qualities associated with this Lersi concentrate strongly upon \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBaramee and spiritual development\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is approached for clearer judgement when circumstances become confusing, greater patience before important decisions and the ability to recognise a more appropriate direction rather than reacting immediately.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor practitioners of Wicha, the Lersi is particularly associated with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKru Baramee — the blessing and authority of the teacher\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. It may therefore be kept during study, meditation, ritual work or periods when one's practice appears to have reached an obstacle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Jindamani mala adds a strong traditional association with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eprotection and preservation of Baramee\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOther qualities traditionally associated with the piece include protection against disruptive influences, greater concentration during meditation, intuitive warnings, clearer dreams and sensitivity towards circumstances that deserve greater caution.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eModern Application\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eOne does not need to be a practising Lersi to understand the principle represented by this artifact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eModern life frequently rewards immediate reaction. Decisions are made quickly, information arrives continuously and people are often pressured to act before they have properly considered their direction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Lersi represents almost the opposite approach.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eBecome still first. Understand clearly. Then act.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor someone studying Wicha, the artifact can be kept near the place of practice or meditation as an acknowledgement of the teachers who came before.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor business owners and professionals, its relevance is more concerned with judgement, patience and recognising the correct direction before committing resources.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor collectors, the combination of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMai Payoom, eight Lersi relic sources, a three-year ritual period and eight cave ceremonies\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e already distinguishes the batch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe addition of an original Jindamani mala makes this particular example considerably more specialised within that group.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePhysical Details\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eA seated Lersi individually carved from aged \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMai Payoom\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, retaining the natural grain and irregularities of the wood. The figure carries an old \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJindamani herbal mala\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e around the neck together with Sai Sin, while a rolled handwritten takrut is attached across the body. The reverse retains visible handwritten yantra upon the wooden surface. Relic materials associated with eight deceased Lersis were incorporated into the batch. This example belongs to the very small number said to have received an original Lersi-used Jindamani mala and is preserved within a clear protective casing.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRecommended Pairing\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis Lersi functions naturally as a principal \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKru and Baramee piece\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and does not require another artifact to complete its traditional purpose.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor practitioners concentrating upon meditation or Wicha, it can be paired with another Lersi artifact connected with a specific branch of practice while allowing this piece to remain the central representation of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKru Baramee and lineage guidance\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor business use, pairing with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMetta Maha Niyom\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e can add a softer interpersonal quality, particularly for those dealing regularly with customers, colleagues or negotiations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor protection, it may be paired with a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSuer, Wua Thanu or other protective Kreung Rang\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, while the Lersi remains focused upon judgement, guidance and awareness.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePersonal Notes\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eWhat distinguishes this piece for me is not simply the number of materials placed inside it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is the amount of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etime and continuity\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e represented by those materials.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Mai Payoom was carved into the image of a teacher.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelics from eight departed Lersis connected the figure with practitioners who came before.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe batch then travelled through eight cave ceremonies over approximately three years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnd on this particular example sits something even more personal — a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJindamani mala that had already accompanied a Lersi during his own practice\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt therefore feels less like an artifact created at one particular moment and more like something that accumulated its history gradually.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTeacher to practitioner.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePractitioner to relic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelic to artifact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtifact to the next luksit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThat continuity is perhaps one of the most appropriate meanings a Lersi artifact can carry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWicha survives because knowledge is passed on. The teacher may eventually leave, but what was taught does not necessarily leave with him.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"OOBThaiAmulets","offers":[{"title":"Default Title","offer_id":48459124048009,"sku":null,"price":425.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/1831\/0793\/files\/B_13_f2336e7c-9c11-4e4f-989f-e125dd48cf46.jpg?v=1790648143","url":"https:\/\/oobamulets.com\/products\/por-sala-tan-copy-77","provider":"OOBThaiAmulets","version":"1.0","type":"link"}