{"product_id":"por-sala-tan-copy-159","title":"Por Sala Tan","description":"\u003cp\u003ePST02\u003c\/p\u003e\n\u003ch1\u003e\u003cspan\u003eYin Po\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePor Sala Tan\u003cbr\u003e2 Inches\u003cbr\u003eBarang Artifact\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSacred Craftsmanship\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eYin Po\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e belongs to a small and unusual group of Saneh artifacts prepared by Por Sala Tan from powerful Prai materials, yet intended to remain comparatively gentle and straightforward in use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach artifact of this nature was individually handmade from prepared sacred and relic materials. Natural variations in carving, surface, colour, Takrut placement and ritual substances are part of the original construction, making each surviving example individually distinct.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePersonal Experiences Shared by Luksits\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eAmong followers familiar with Por Sala Tan's stronger materials, Yin Po developed a reputation for an unusual combination: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003estrong material, but gentle usage\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis distinction is important.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGentle does not mean that followers regarded the piece as weak or less effective. Rather, they described its Saneh as easier to live with — an influence associated with people becoming more receptive, conversations opening more naturally and the bearer attracting attention without the restless or demanding character sometimes attributed to heavier Prai artifacts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThose working in social environments were particularly drawn to this type of wicha. Its qualities were considered relevant to people who regularly meet clients, attend events, entertain, host, negotiate or depend upon personal chemistry in their work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe piece also became desirable for romantic Saneh, where the intention was to increase personal presence and attraction rather than create an overwhelmingly aggressive influence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtifacts made from material of this quality were \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eseldom released widely to the public\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccording to accounts within Por Sala Tan's circle, the relatively small number that entered private hands often remained there. Devotees and followers who had confidence in their efficacy were reluctant to release them, making examples increasingly difficult to encounter outside established collections.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSummary\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eYin Po\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a specialised Por Sala Tan artifact centred almost entirely upon \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSaneh, attraction, social likability and interpersonal influence\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts importance lies in the unusual character attributed to its Prai source.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlthough connected with a young woman who died suddenly, Por Sala Tan regarded the spirit as comparatively free from the heavier resentment and karmic complications he associated with more difficult Prai cases. He therefore selected the material for a form of Saneh intended to be \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epowerful in composition yet comparatively gentle in everyday use\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFive drops of Prai Naman, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eWahn Kai Deang, Paneang and multiple Saneh Maha Niyom Takruts\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e were incorporated into the reverse to reinforce this purpose.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is this combination — \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003estrong Prai material without an unnecessarily harsh character\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — that made Yin Po unusual among his Saneh works.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eHistorical Background\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eWithin Thai occult traditions, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePii Tai Hong\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e generally refers to a person whose death occurred suddenly, violently or before the natural completion of life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSuch deaths occupy an important place in traditional spirit beliefs because an abrupt ending is sometimes understood to leave particularly strong emotional or spiritual residues.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor practitioners working with Prai traditions, however, the manner of death alone does not determine how a spirit should be approached.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTemperament, circumstances, attachment and what the practitioner understands about the individual spirit are also important.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan was particularly careful about this distinction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe did not regard every Prai source as interchangeable material. Some were considered suitable for protection, some for warnings or fortune, while others possessed qualities more naturally suited to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMetta or Saneh\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe young woman associated with Yin Po was placed within the latter category.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHer perceived character was not centred upon aggression. Instead, Por Sala Tan identified a receptive \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eYin orientation\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which became the conceptual foundation for the name \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eYin Po\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and the wicha subsequently built around the relic.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eOrigins of the Materials\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe principal relic material originated from the young \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePii Tai Hong woman\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e associated with the artifact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan selected it specifically because of what he regarded as its naturally attractive and receptive character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe rear assembly greatly expands upon that foundation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA small sealed vessel contains \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePrai Naman\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, of which five drops were incorporated into the ritual preparation. In Por Sala Tan's practice, such oil provided a material connection to the Prai aspect of the work while also serving as a carrier for Saneh substances.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eWahn Kai Deang\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, a red herbal material associated with attraction preparations, was included to strengthen allure and emotional responsiveness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePaneang fragment\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e was added as another traditional Saneh component, reinforcing the drawing and binding character of the piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAround these materials are several individually prepared \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTakruts\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, principally directed towards \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSaneh Maha Niyom\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe result is a layered construction in which the relic provides the spiritual foundation while the additional materials define and reinforce its purpose.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRitual\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan's preparation of Yin Po centred upon establishing a clear relationship between the Prai source and the intended Saneh function.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe spirit was not approached as something to be driven through anger or suffering. Instead, the work was based upon the receptive character Por Sala Tan believed was already present.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe carved male-and-female imagery established the symbolic direction of attraction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efive drops of Prai Naman\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e were then incorporated together with Wahn Kai Deang and Paneang, while the surrounding Takruts were prepared for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSaneh Maha Niyom, charm, favourable attention and persuasive speech\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThrough chanting and consecration, these separate components were brought together as one working system.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe objective was not simply to make a stronger Prai artifact by continually adding aggressive materials.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan instead sought \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecompatibility between the original relic, the spirit's character and the wicha being requested of it\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThat balance explains why the finished Yin Po could be regarded as strong while still being described by followers as gentle.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eBlessings and Effects\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eYin Po is principally a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSaneh artifact\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts traditional qualities centre upon making the bearer more noticeable, approachable and emotionally attractive to those around them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is particularly associated with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSaneh Maha Niyom\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — attraction combined with popularity and favourable human response.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Takruts and Saneh materials are traditionally approached for smoother conversation and persuasive speech, helping others become more willing to listen and engage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn romantic situations, the emphasis is upon \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epersonal magnetism, chemistry and increased attention\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn professional settings, the same qualities may be directed towards client relationships, hospitality, entertainment, sales, networking and other situations where personal presence can influence how an interaction develops.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts reputed gentleness should not be confused with lack of strength. Within Por Sala Tan's tradition, the significance of Yin Po is precisely that \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003estrong material does not necessarily require harsh expression\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eModern Application\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eYin Po is particularly suited to environments where success depends upon being \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eseen, remembered and well received\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThose working in sales, entertainment, nightlife, hospitality, events or other client-facing professions may approach its Saneh Maha Niyom qualities for greater personal warmth and social presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt can likewise be carried for romantic purposes where attraction is the primary intention.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor collectors who are interested in Por Sala Tan's Prai work but prefer an artifact with a less demanding traditional character, Yin Po occupies an interesting position.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt remains unmistakably a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePrai-based Saneh piece\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, yet its construction was intended around cooperation and compatible energy rather than instability.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRespectful conduct remains appropriate. The absence of what Por Sala Tan regarded as heavy karmic entanglement should not be interpreted as permission to use Saneh irresponsibly or disregard another person's autonomy.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePhysical Details\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe front depicts an intimately positioned male and female couple, hand-carved into the original relic material and finished with warm reddish-brown ritual colouring. The reverse contains a prepared sacred base holding a small sealed bottle associated with the Prai Naman and additional ritual substances. Multiple brass Takruts are arranged around the central vessel, including paired vertical groups and a horizontal lower Takrut. Natural differences in carving, relic texture, staining, ritual material and ageing are consistent with the handmade character of the piece. It is presently protected within a fitted clear casing.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRecommended Pairing\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eFor regular use, Yin Po pairs naturally with a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBuddha image or Phra Somdej\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, providing a foundation of Baramee and merit alongside the specialised Prai-based Saneh work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor occupations involving customers and commercial relationships, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Sivali\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e can complement Yin Po through traditional associations with livelihood, abundance and favourable opportunities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt may also be paired with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eYin Tong\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e when the intended emphasis is strongly romantic, allowing the paired symbolism of Yin Tong to complement Yin Po's attraction qualities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor those following Por Sala Tan's wicha more broadly, a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLersi artifact\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e provides a particularly balanced combination: Yin Po for Saneh and interpersonal magnetism, and Lersi for wisdom, restraint, guidance and discernment.\u003c\/span\u003e\u003c\/p\u003e","brand":"OOBThaiAmulets","offers":[{"title":"Default Title","offer_id":48572067774601,"sku":null,"price":317.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/1831\/0793\/files\/Untitled-321.jpg?v=1750860829","url":"https:\/\/oobamulets.com\/products\/por-sala-tan-copy-159","provider":"OOBThaiAmulets","version":"1.0","type":"link"}