{"product_id":"por-sala-tan-copy-156","title":"Por Sala Tan","description":"\u003cp\u003ePST02\u003c\/p\u003e\n\u003ch1\u003e\u003cspan\u003eYoni \u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePor Sala Tan\u003cbr\u003e2.5 Inches\u003cbr\u003eBarang Artifact\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSacred Craftsmanship\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eYoni\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is one of the more unusual relic-based sacred objects associated with Por Sala Tan. Its principal body was carved from what was described within the lineage as a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003erelic-grade Yoni bone more than a century old\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, originally excavated from the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIsan region of northeastern Thailand\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach element was positioned by hand according to Por Sala Tan's intended arrangement. Natural ageing, mineral staining, burial marks, relic texture, ritual powders and variations in the embedded materials form part of the character of the original piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePersonal Experiences Shared by Luksits\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe most important experience associated with this Yoni comes from the luksit who originally possessed the relic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBefore bringing it to Por Sala Tan, he had spent \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emore than a year attempting to awaken its Saneh qualities\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e through his own ritual methods. Despite repeated efforts, he felt virtually no response from the material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis was particularly puzzling because he believed the relic itself was far from ordinary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe situation changed when Por Sala Tan worked on it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter examining the relic and installing the new ritual components, Por Sala Tan began chanting. According to the account preserved with the piece, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ewithin approximately five minutes the character of the object appeared to change noticeably\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe luksit described experiencing a sensation resembling a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebuzzing heat\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, while others present described a much stronger sense of presence or pull surrounding the relic.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor the luksit, the significance was immediate. Something he had attempted unsuccessfully for more than a year had apparently responded within minutes under Por Sala Tan's ritual intervention.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe subsequently carried and used the Yoni for a period of time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts history then took another unexpected turn.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring one of Por Sala Tan's \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eWai Kru ceremonies\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the luksit placed the Yoni into the communal blessing basket so that it could participate in the ceremony with other sacred objects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfterwards, he forgot to retrieve it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan recognised the piece and, rather than allowing it to become misplaced, transferred it to his own altar. There it remained for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emore than fifteen years\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, repeatedly exposed to Por Sala Tan's chanting, ceremonies and altar practice until the master's passing.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSummary\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eYoni\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e brings together three distinct stages of sacred history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe first is its origin as an old relic excavated in Isan and believed to be \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emore than a century old\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe second is its reactivation by Por Sala Tan, who recognised that the material was not spiritually empty but dormant after its prolonged burial. He prepared the reverse with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePaneang relics, Yin Tong, copper and lead Takrut, sacred powders and ritual waxes\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, then performed the chanting associated with its awakening.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe third is its extraordinary period of altar residence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter being accidentally left behind during a Wai Kru ceremony, the Yoni remained upon \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePor Sala Tan's own altar for more than fifteen years\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, receiving repeated exposure to ceremonies and chanting until his passing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts principal traditional direction is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSaneh — attraction, magnetism, personal presence and favourable interpersonal response\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eHistorical Background\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eYoni imagery belongs to a much older symbolic tradition than the modern Thai amulet market.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcross South and Southeast Asian traditions, the Yoni has represented \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efeminine generative power, fertility, creation and the receptive principle\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Within later folk and esoteric practices, this symbolism could also become closely connected with attraction, sexuality and Saneh.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan's treatment of this particular artifact, however, was determined as much by the history of its material as by its physical form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe relic had reportedly remained underground for more than a century before being excavated in Isan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts subsequent owner recognised unusual potential in the object but was unable to obtain the response he expected despite prolonged ritual work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan interpreted this not as evidence that the material lacked spiritual significance, but as a consequence of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003elong dormancy\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn his understanding, a sacred relic could retain its underlying character while becoming inactive after prolonged isolation. Such an object required the appropriate wicha to reopen, stabilise and redirect what remained within it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis became the foundation of his work upon the Yoni.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eOrigins of the Materials\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe principal body is an old \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eYoni relic excavated from the Isan region\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with its age traditionally given as more than one hundred years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts prolonged burial is important to the history of the piece. The surface retains the irregular colouration, ageing and weathering expected of material that had spent a considerable period underground.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan supplemented this original relic with several materials.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMost significant were the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enew Paneang relics\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e introduced into the rear chamber. These were intended to provide the necessary ignition and connection for the dormant original material.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA small \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebrass Yin Tong\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e was added at the centre. The paired male-and-female symbolism of Yin Tong naturally complemented the Yoni's Saneh orientation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSeveral \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003elead and copper Takrut\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e were positioned around the central figure, while sacred powders and ritual waxes filled and stabilised the remaining chamber.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe completed artifact therefore retains its century-old relic as its foundation while incorporating later ritual materials selected personally by Por Sala Tan.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRitual\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan's intervention was deliberately direct.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe first identified the original problem as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003edormancy caused by prolonged burial\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, rather than absence of spiritual potential.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe reverse was then prepared to receive the new ritual components.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePaneang relics were introduced to awaken and reconnect the older material. The brass Yin Tong strengthened the Saneh direction, while the copper and lead Takrut provided individually prepared wicha around the central chamber.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSacred powders and waxes were then used to anchor the entire arrangement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOnce the physical preparation was complete, Por Sala Tan began chanting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccording to the owner, the response came in approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efive minutes\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — exceptionally quickly when compared with his own unsuccessful efforts during the preceding year.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe later history of the artifact effectively extended this ritual process far beyond its initial activation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter being left in the Wai Kru blessing basket, the Yoni was placed upon Por Sala Tan's personal altar, where it remained for more than fifteen years. During this period it was present through repeated chanting, offerings, Wai Kru observances and other ceremonies conducted around the altar.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eBlessings and Effects\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe principal traditional quality of this Yoni is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSaneh\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts purpose is centred upon personal attraction and the ability to create a stronger impression upon people encountered by the bearer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Yoni and Yin Tong combination particularly emphasises \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003einterpersonal magnetism\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, including romantic attraction, warmth between people and increased noticeability in social circumstances.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts application can also extend into business.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor those whose livelihood depends upon customers, negotiation or personal relationships, Saneh may be understood as supporting \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003erapport, favourable attention and the ability to establish connections more easily\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Paneang relics and other ritual materials strengthen the attraction-oriented direction established by Por Sala Tan, while the Takrut provide the wicha through which the different components were ritually organised.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe artifact is therefore best understood as a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003especialised Saneh piece\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, rather than a general-purpose protective amulet.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eModern Application\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe Yoni is particularly relevant to individuals whose circumstances depend heavily upon \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epersonal interaction and presence\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt may traditionally be carried for romance and attraction, but its application is not limited to intimate relationships.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThose involved in sales, hospitality, entertainment, negotiation or other client-facing occupations may approach the piece through its broader Saneh qualities — becoming more noticeable, encouraging warmer responses and improving interpersonal rapport.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts long altar history also gives it significance beyond practical use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor collectors of Por Sala Tan's work, this is an artifact whose provenance records a direct sequence from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eancient buried relic, to a luksit's unsuccessful attempts at activation, to Por Sala Tan's personal intervention, and finally to more than fifteen years upon his own altar\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThat history makes the object as much a piece connected with Por Sala Tan himself as it is a traditional Yoni talisman.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePhysical Details\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis is a substantial oval \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eYoni relic\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, traditionally dated to more than a century old and originating from an excavation in Isan. The front retains the raised Yoni form surrounded by the naturally aged relic surface. The reverse contains Por Sala Tan's prepared ritual chamber, incorporating a small brass Yin Tong, multiple lead and copper Takrut, Paneang relic material and sacred powders and waxes. Ageing, staining, surface irregularities and burial-related marks remain visible throughout the original material. The artifact is presently preserved within a fitted clear protective casing.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRecommended Pairing\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eBecause this Yoni is strongly directed towards \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSaneh\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, it can be paired with a Buddha image to provide a complementary foundation of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBaramee and merit\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Somdej\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is particularly suitable when the owner wishes to balance the attraction-oriented character of the Yoni with a more traditional Buddhist sacred object.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor business use, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Sivali\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e offers another complementary pairing. The Yoni supports personal magnetism and favourable interaction, while Phra Sivali is traditionally associated with livelihood, abundance and favourable opportunities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor collectors following Por Sala Tan's own Barang tradition, the Yoni may also be kept as a specialised standalone piece. Its combination of an old Isan relic, Por Sala Tan's direct reactivation and its \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emore than fifteen years of residence upon his altar\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e already gives it a particularly complete ritual history.\u003c\/span\u003e\u003c\/p\u003e","brand":"OOBThaiAmulets","offers":[{"title":"Default Title","offer_id":48572053684361,"sku":null,"price":277.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/1831\/0793\/files\/G1_6.jpg?v=1754661071","url":"https:\/\/oobamulets.com\/products\/por-sala-tan-copy-156","provider":"OOBThaiAmulets","version":"1.0","type":"link"}