{"product_id":"por-sala-tan-copy-146","title":"Por Sala Tan","description":"\u003cp\u003e\u003cspan\u003ePST02\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003e\u003cspan\u003eSalika Lin Thong \u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePor Sala Tan\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003e2.5 Inches\u003cbr\u003eMainstream Artifact\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSacred Craftsmanship\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSalika\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e by Por Sala Tan was individually carved from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKao Kwai\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the horn of an old male water buffalo that belonged to a fellow villager from the same village where Por Sala Tan lived.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach Salika was individually carved from natural Kao Kwai and assembled by hand. Differences in horn grain, colour, carving, cord placement and surface character are therefore natural, making every surviving piece individually distinctive.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePersonal Experiences Shared by Luksits\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eFeedback from owners has centred overwhelmingly upon \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecommunication\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLuksits who carried these Salika described conversations as becoming easier, particularly in situations where the other person was initially resistant, unhappy or difficult to manage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThose working in sales found this especially useful.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome owners reported that they were better able to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eexplain proposals, manage customer expectations and close sales deals\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The effect they described was not that another person suddenly became submissive, but rather that communication seemed to encounter less resistance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDifficult customers were another recurring theme.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen confronted by an unhappy client or an unwelcome situation, owners described finding the right words more readily and being able to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eappease the customer before the disagreement became more serious\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOthers associated the Salika with people being more willing to listen until they had finished speaking.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor people whose livelihood depended upon conversation, negotiation and maintaining relationships, this made the artifact particularly practical. Rather than being carried only for abstract ideas of charm, it became a working piece for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003espeech, persuasion and interpersonal goodwill\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSummary\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis Salika combines a simple village provenance with one of the most recognisable forms of Thai speech-related wicha.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts body was carved from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKao Kwai belonging to an old male water buffalo from Por Sala Tan's own village\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The animal had been known as strong yet friendly towards people and died naturally from old age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan subsequently used portions of its horn and remains to create sacred objects for villagers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Salika was carved from the horn, accompanied by a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMetta Maha Niyom Takrut\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and bound with sacred ceremonial cord to concentrate and retain the consecrated power.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts traditional character centres upon \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eeloquence, persuasive communication, Metta Maha Niyom, Maha Saneh, customer relations, negotiation and commercial success\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe story of birds gathering and chirping above the roof while Por Sala Tan was preparing the Salika adds an especially fitting piece of village oral history to an artifact whose symbolism is itself centred upon the captivating voice of a bird.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eHistorical Background\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan\u003eSalika Lin Thong\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSalika\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, sometimes rendered Sarika, occupies an important position within Thai sacred traditions concerning speech and personal attraction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne of the best-known concepts is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSalika Lin Thong\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — the “golden-tongued Salika”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe symbolism is straightforward but powerful: just as a beautiful bird can make people stop and listen to its call, the practitioner seeks speech that is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epleasant, convincing and difficult to ignore\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor this reason, Salika wicha became closely associated with people whose success depended upon words.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMerchants wanted customers to listen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNegotiators wanted opposing parties to remain receptive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTeachers and leaders wanted their words to carry weight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThose seeking romance wanted conversation to feel natural rather than forced.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Salika tradition therefore overlaps with both \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMetta Maha Niyom\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMaha Saneh\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, but its distinctive emphasis is communication. It is not merely about being noticed; it is about what happens \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eafter one begins to speak\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan's Kao Kwai Salika follows this traditional principle closely.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eOrigins of the Materials\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe provenance of the Kao Kwai is particularly personal because it did not originate from a distant ritual supplier.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe buffalo lived within \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePor Sala Tan's own village\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt belonged to another villager and was familiar to the local community. During its life it was remembered as a powerful male animal, yet one that remained friendly and accustomed to people.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEventually, age overtook its physical strength and the buffalo died naturally.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan subsequently used parts of its \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehorn and remaining material\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e for sacred artifacts intended for villagers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin traditional material symbolism, Kao Kwai carries associations with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003estrength, endurance, agricultural livelihood and the close relationship between village life and the water buffalo\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn this particular case, another quality was remembered: temperament.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe animal was strong without being aggressive and approachable despite its physical power. This makes its history particularly suitable for a Salika concerned with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003einfluence through goodwill rather than intimidation\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe accompanying Takrut was prepared for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMetta Maha Niyom\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, directing the artifact further towards favourable interaction, popularity and receptiveness from others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe old sacred cord provides the final visible component, physically binding the Salika and its accompanying ritual element together.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRitual\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eAfter the Kao Kwai had been selected and prepared, Por Sala Tan carved the horn into the Salika form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe carving was then combined with the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMetta Maha Niyom Takrut\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSacred cord was wound around the construction. In the traditional understanding of the piece, this was not merely a convenient way of attaching the Takrut. The binding formed part of the ritual arrangement, intended to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehold and concentrate the wicha within the artifact\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan then carried out the necessary chanting and consecration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt was during this period that villagers recalled the unusual behaviour of birds around the building.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccording to their account, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enumerous birds flew above the roof and chirped loudly while the Salika pieces were being prepared\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor villagers familiar with the symbolism of Salika, the occurrence was memorable. The artifact being consecrated below concerned the power of the bird's voice; above, birds had unexpectedly gathered and filled the surroundings with their calls.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe event subsequently became inseparable from the history told about the batch.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eBlessings and Effects\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe principal quality is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSalika Lin Thong — persuasive and pleasant speech\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Traditionally, the owner seeks to communicate in a manner that encourages people to listen rather than immediately resist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMetta Maha Niyom\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e supports goodwill and favourable treatment. This is particularly useful where communication depends upon establishing trust or reducing tension.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMaha Saneh\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e adds personal charm and attraction. In this context, Saneh need not be limited to romance; it may also describe the ability to leave a favourable personal impression.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor commerce, the Salika is traditionally associated with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKha Khai Dee\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, helping conversation progress towards successful buying, selling and agreement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is also particularly suited to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enegotiation and conflict management\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Rather than confronting an angry customer with greater aggression, the traditional ideal is to find words capable of calming the situation and bringing the discussion back towards agreement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts principal traditional qualities therefore centre upon \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eeloquence, persuasive speech, customer relations, negotiation, popularity, Metta, Saneh and commercial opportunity\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eModern Application\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis is a particularly practical artifact for anyone whose work depends heavily upon speaking.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSalespeople\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e may carry it when presenting products, explaining value or closing agreements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eBusiness owners\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e may approach it for better communication with customers, employees and suppliers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThose involved in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enegotiation, management or client servicing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e may find its traditional character especially relevant when expectations need to be managed carefully.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is also appropriate for people working in environments where complaints are unavoidable. The experiences reported by owners repeatedly concern the ability to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esoften difficult conversations and appease unhappy customers\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e before matters escalate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOutside business, the same symbolism applies to everyday relationships.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eClearer communication between friends, family members or partners may sometimes be more valuable than simple attraction. In this respect, Salika represents a form of Saneh expressed primarily through \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003espeech, understanding and interpersonal warmth\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePhysical Details\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe artifact is a slender \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSalika carving fashioned from dark Kao Kwai\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, retaining the natural character and tonal variation of aged horn.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFine incised markings and sacred characters can be seen along the dark surface. A small red-filled opening is also visible towards the upper portion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA long \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMetta Maha Niyom Takrut\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e runs alongside the carved horn.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBoth components are held together by multiple turns of aged sacred cord, with substantial binding at the upper and lower sections. The natural ageing and irregularity of the fibres remain clearly visible.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe piece is presently housed within a fitted clear protective casing, preserving the original horn, Takrut and sacred bindings as a single assembly.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRecommended Pairing\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eFor someone working primarily in sales or commerce, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNang Kwak\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is an especially natural pairing. Nang Kwak traditionally calls customers and opportunities, while Salika supports the conversation once the customer arrives.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePhra Sivali\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e complements the piece where the broader objective is livelihood, abundance and favourable support from others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor leadership and negotiation, a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLersi\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e can provide a useful balance of wisdom, judgement and authority alongside Salika's persuasive character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Somdej\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e may also be worn with it for Buddhist Baramee and composure, particularly for owners who regularly deal with emotionally difficult or high-pressure situations.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePersonal Notes\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThere is something particularly appropriate about the history of this Salika.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts material did not come from an anonymous source.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Kao Kwai belonged to an animal the villagers themselves had known — a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003estrong male water buffalo remembered for being friendly towards people throughout its life\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt eventually died naturally from old age, after which Por Sala Tan transformed part of its horn into an artifact concerned not with force, but with the ability to influence others through communication and goodwill.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThen came the story remembered by the villagers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile Por Sala Tan was creating and consecrating the Salika, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebirds gathered above the roof and chirped loudly\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor an artifact based upon the ancient symbolism of a bird whose voice causes others to stop and listen, it was an unusually fitting occurrence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePerhaps most importantly, later feedback from owners followed the same theme.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThey did not simply speak about abstract charm. They spoke about \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecustomers becoming easier to communicate with, expectations becoming easier to manage, difficult situations being calmed and sales becoming easier to close\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThat is the character of this particular Salika: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003estrength inherited from Kao Kwai, goodwill through Metta Maha Niyom, and influence expressed through the spoken word.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"OOBThaiAmulets","offers":[{"title":"Default Title","offer_id":48572430024841,"sku":null,"price":217.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/1831\/0793\/files\/B_9_ad9febf8-cde4-4f2e-9d99-8e7a9dfae946.jpg?v=1791183303","url":"https:\/\/oobamulets.com\/products\/por-sala-tan-copy-146","provider":"OOBThaiAmulets","version":"1.0","type":"link"}