{"product_id":"por-sala-tan-copy-133","title":"Por Sala Tan","description":"\u003cp\u003ePST02\u003c\/p\u003e\n\u003ch1\u003e\u003cspan\u003eMae Per Saneh \u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePor Sala Tan\u003cbr\u003e2.5 Inches\u003cbr\u003eBarang Artifact\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSacred Craftsmanship\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMae Per Saneh\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a highly specialised Barang piece created by Por Sala Tan exclusively for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSeneh — attraction, personal magnetism and emotional influence\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach Mae Per was individually carved and assembled by hand from prepared sacred and natural materials. Differences in carving, relic colour, surface texture, ritual deposits and overall form are therefore inherent to the workmanship, making every surviving example individually distinct.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePersonal Experiences Shared by Luksits\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eAmong Por Sala Tan's luksits, this Mae Per is regarded as a particularly direct form of Seneh work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOwners tend to describe its character not in terms of authority or commanding others, but through changes in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eattention and interpersonal response\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. They may notice people becoming more receptive to conversation, maintaining eye contact for longer, remembering them more readily or showing a greater willingness to remain close.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor those using the piece in romantic circumstances, the emphasis is traditionally placed upon strengthening attraction where an existing connection or opportunity is already present.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan's followers also maintain that a piece of this nature should be supported by the owner's own \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBaramee\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Merit-making, responsible conduct and Buddhist practice are consequently regarded as important complements rather than something separate from the Barang itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is especially relevant to Mae Per because its traditional function concerns attraction and human relationships. The owner is still responsible for how that influence is approached and how other people are treated.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSummary\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMae Per Saneh\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a compact spirit vessel carved from a hip relic selected by Por Sala Tan following a completed liberation rite.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts construction is unusually explicit in its purpose. The embracing figures on the front represent physical and emotional attraction, while the ritual chamber behind them contains the Mae Per effigy and accompanying sacred materials that form the spiritual centre of the piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is not primarily a Baramee, wealth or general protection object.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts purpose is concentrated upon \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSeneh — attraction, charm, personal magnetism and the strengthening of interpersonal interest\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin Por Sala Tan's practice, however, Seneh is not considered entirely independent of the bearer. Personal Baramee, merit and conduct remain important foundations for working with such an object.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eHistorical Background\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe history given for this piece begins with a village woman remembered for an exceptionally passionate and troubled personal life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccording to the account preserved around the object, her relationships repeatedly caused conflict within the local community. Matters eventually culminated in an encounter involving an elderly village chief. During the encounter, the man suffered a fatal heart attack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe woman was subsequently overwhelmed by guilt and shame. Unable to reconcile herself with what had happened, she later took her own life nearby.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin the spiritual interpretation surrounding the relic, her death left behind an unusually concentrated association with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003edesire, attachment, guilt and unresolved emotion\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan was subsequently called to conduct rites for the deceased.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe spirit was described as unrestful but responsive to the ceremony. The liberation work was reportedly completed within approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eone hour\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, which Por Sala Tan's tradition interpreted as the spirit accepting the merit and conditions being offered.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOnly after this process was completed were relic materials retained for subsequent ritual work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Mae Per was therefore not understood simply as an object made from human remains. Its significance depended upon the preceding rites intended to address the deceased, transfer merit and establish the conditions under which the remaining material could become part of a structured sacred object.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eOrigins of the Materials\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eFollowing the liberation ceremony, Por Sala Tan selected the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehip section of the remaining relic\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e for the construction of this Mae Per.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin his working tradition, the location of a relic could influence the type of object for which it was considered appropriate. The hip was chosen here because of its symbolic relationship with the physical body, sensuality, attraction and grounded desire.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe material was subsequently carved into the embracing figures visible on the front.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt the reverse, Por Sala Tan prepared a recessed ritual area containing the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMae Per effigy\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e together with additional ritual substances and sacred components.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese materials were not treated merely as decoration. Each formed part of the completed spiritual architecture of the piece, with the carved relic providing the principal vessel and the rear chamber providing its ritual anchor.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRitual\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eBefore the Mae Per was created, Por Sala Tan first performed rites intended to address the circumstances surrounding the deceased.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccording to the lineage account, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emerit was transferred and unresolved karmic ties were addressed before the spirit was invited into further ritual work\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe process was understood as agreement rather than coercion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis distinction is important within Por Sala Tan's Barang practice. The intention was not to seize an unrestful spirit immediately after death and force it into service. The liberation rite came first, followed by the preparation of the relic and establishment of a defined spiritual function.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe rear chamber was then prepared around the Mae Per effigy and associated ritual materials.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring consecration, the function of the completed object was directed specifically towards \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSeneh\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The spiritual presence was given a defined role rather than being treated as an uncontrolled wandering entity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor practitioners within this tradition, merit-making remains an important part of maintaining the relationship surrounding such an object.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eBlessings and Effects\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe principal traditional quality of this Mae Per is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSeneh\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is associated with strengthening personal attraction, increasing one's social presence and encouraging greater emotional receptiveness from those with whom the bearer interacts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts traditional applications therefore include \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eromantic attraction, charm in speech, personal magnetism, social engagement and favourable interpersonal attention\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe embracing figures provide a direct visual expression of this purpose.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRather than being regarded as an object for domination, its influence is traditionally described by followers as strengthening attraction and making the bearer's existing presence more noticeable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan's tradition further maintains that \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBaramee supports Seneh\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. A person with established merit, responsible conduct and spiritual practice is believed to provide a stronger foundation for the workings of such a piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese effects belong to traditional spiritual belief and should not be understood as guaranteed influence over another person's feelings or choices.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eModern Application\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe Mae Per is particularly suited to situations where \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epersonal presence and interpersonal connection\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e are important.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis may include dating and relationships, but its application is not limited to romance. Those working in sales, hospitality, entertainment, negotiation or other client-facing environments may carry Seneh objects because their livelihood depends heavily upon rapport and personal interaction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe piece may also be kept respectfully at an altar rather than worn.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBecause this is a specialised Barang object connected with a deceased spirit, traditional practice places importance upon respectful treatment and merit-making rather than viewing it merely as an instrument for obtaining attraction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts purpose is therefore best understood as enhancing the bearer's Seneh while the bearer remains responsible for his or her own behaviour and relationships.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePhysical Details\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe Mae Per measures approximately \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etwo inches\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and is carved from a hip relic. The front presents an intimate embracing couple, with the two figures occupying almost the entire surface of the relic. The reverse contains a recessed ritual chamber centred upon a small Mae Per effigy, accompanied by additional sacred substances and ritual components installed by Por Sala Tan. Natural differences in colour, grain, ageing, carving marks and surface texture are inherent to the original relic material. The piece is presently protected within a clear casing for preservation and carrying.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRecommended Pairing\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan's tradition regards \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBaramee as an important foundation for Seneh\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, making Buddhist and merit-oriented sacred objects particularly appropriate companions for this Mae Per.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBuddha image\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e may be carried alongside it to emphasise merit, mindfulness and spiritual stability. Sacred objects associated with respected monks or established Buddhist lineages may similarly provide a Baramee-centred counterpart to the Mae Per's highly specialised attraction function.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe principle behind such a pairing is balance: the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMae Per remains focused upon Seneh\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, while the Buddhist piece represents merit, discipline and Baramee.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor practitioners following Por Sala Tan's approach, regular merit-making and dedication of merit can be considered as important as the physical pairing itself.\u003c\/span\u003e\u003c\/p\u003e","brand":"OOBThaiAmulets","offers":[{"title":"Default Title","offer_id":48480980762761,"sku":null,"price":277.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/1831\/0793\/files\/G1_3.jpg?v=1771580533","url":"https:\/\/oobamulets.com\/products\/por-sala-tan-copy-133","provider":"OOBThaiAmulets","version":"1.0","type":"link"}