{"product_id":"por-sala-tan-960","title":"Por Sala Tan","description":"\u003cp\u003ePST05\u003c\/p\u003e\n\u003ch1\u003eYoni\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003ePor Sala Tan \u003c\/strong\u003e\u003cbr\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eBarang Artifact\u003cbr\u003e1.5 inches\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eSacred Craftsmanship\u003c\/h2\u003e\n\u003cp\u003eEach piece was individually selected, carved and assembled by hand. Natural variations in the relic, carving, wax, takruts and placement of the ritual materials make every example unique.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePersonal Experiences Shared by Luksits\u003c\/h2\u003e\n\u003cp\u003eOlder luksits who encountered Por Sala Tan’s stronger Yoni and Saneh works commonly associated them with \u003cstrong\u003eopposite attraction, personal charisma and increased receptiveness from others\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eOne collector began keeping the Yoni Prai after going through a difficult relationship and becoming increasingly withdrawn from social life. Rather than asking specifically for another partner, she prayed for \u003cstrong\u003eself-respect, emotional recovery and the opportunity to meet sincere people\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eOver the following months, she noticed a gradual change. She became more willing to accept invitations, reconnected with old friends and found herself increasingly comfortable speaking with new people. Social interactions that had previously felt difficult began to come more naturally.\u003c\/p\u003e\n\u003cp\u003eEventually, she entered a new relationship with someone whom she described as respectful, patient and sincere. Looking back, she regarded the experience as \u003cstrong\u003eMetta and Saneh gradually returning to her life\u003c\/strong\u003e — not simply as attraction from the opposite sex, but as greater warmth, openness and positive connections with those around her.\u003c\/p\u003e\n\u003cp\u003eFrom a practical perspective, the amulet may also have served as a personal reminder of the qualities she wished to rebuild within herself, encouraging greater confidence and openness as she returned to social life.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eSummary\u003c\/h2\u003e\n\u003cp\u003eThis Yoni is a highly specialised \u003cstrong\u003eSaneh and Prai artifact\u003c\/strong\u003e created by Por Sala Tan from an old pelvic relic.\u003c\/p\u003e\n\u003cp\u003eThe front was personally carved into the form of a Yoni, while the reverse was prepared with \u003cstrong\u003eBurmese wax, Tidjai, takruts, corpse cloth and Nam Man Prai\u003c\/strong\u003e. A Prai previously kept by Por Sala Tan was subsequently invited into the artifact once he considered the relic suitable.\u003c\/p\u003e\n\u003cp\u003eIts traditional emphasis is principally upon \u003cstrong\u003eMaha Saneh, Metta Maha Niyom, opposite attraction, charisma and relationships\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eUnlike pieces made as part of a predetermined production, artifacts of this nature depended upon Por Sala Tan obtaining the right material. Suitable relics could take considerable time to acquire, and he would only proceed when he felt that the material and intended wicha were compatible.\u003c\/p\u003e\n\u003cp\u003eFor this reason, such pieces were naturally limited.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eHistorical Background\u003c\/h2\u003e\n\u003cp\u003ePor Sala Tan’s Barang practice was shaped by decades of travelling, meditation and exchanges of wicha with practitioners from different traditions along the northern Thai and Burmese border regions.\u003c\/p\u003e\n\u003cp\u003eOne characteristic of his work was his approach towards unusual ritual materials.\u003c\/p\u003e\n\u003cp\u003eHe did not regard every relic as suitable for every purpose. Instead, he would assess its history, character and the nature of the material before deciding whether it should become a Yoni, Yin Tong, Mae Per, Guman Thong or another type of artifact.\u003c\/p\u003e\n\u003cp\u003eThe pelvic relic used for this group was said to have belonged to a woman who had been a \u003cstrong\u003epopular hostess in her younger years\u003c\/strong\u003e. Her strong social attraction became part of the reasoning behind using selected portions of the relic for Saneh-oriented work.\u003c\/p\u003e\n\u003cp\u003ePor Sala Tan eventually determined that this particular section was suitable for a Yoni artifact.\u003c\/p\u003e\n\u003cp\u003eAt the same time, he had been keeping a Prai while waiting for an appropriate vessel. Only after the relic had been selected and prepared was the spirit invited into it.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eOrigins of the Materials\u003c\/h2\u003e\n\u003cp\u003eThe central material is an old \u003cstrong\u003epelvic relic\u003c\/strong\u003e, selected by Por Sala Tan and personally carved into the form of the Yoni. Within this particular wicha, the Yoni represents feminine attraction, intimacy and the drawing together of male and female energies.\u003c\/p\u003e\n\u003cp\u003eThe reverse contains a thick preparation of \u003cstrong\u003eBurmese wax blended with Tidjai\u003c\/strong\u003e. Por Sala Tan incorporated several takruts into this layer to reinforce and direct the Saneh wicha.\u003c\/p\u003e\n\u003cp\u003eA piece of \u003cstrong\u003ecorpse cloth\u003c\/strong\u003e was also included, strengthening the connection with the Prai tradition.\u003c\/p\u003e\n\u003cp\u003eNam Man Prai formed another important component of the preparation and was incorporated with the materials at the reverse.\u003c\/p\u003e\n\u003cp\u003eThe final element was the Prai itself. Por Sala Tan had kept the spirit until a suitable material appeared, rather than immediately housing it in an unrelated artifact. The pelvic relic was eventually chosen as its vessel.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eRitual\u003c\/h2\u003e\n\u003cp\u003eThe making began with Por Sala Tan’s selection of the relic.\u003c\/p\u003e\n\u003cp\u003eOnce he considered the material suitable, the \u003cstrong\u003eYoni was carved directly by hand into the pelvic relic\u003c\/strong\u003e. The carving established the principal form and intention of the artifact.\u003c\/p\u003e\n\u003cp\u003eThe reverse was then prepared with Burmese wax mixed with Tidjai. Takruts, corpse cloth and Nam Man Prai were incorporated as supporting materials for the Saneh and Prai wicha.\u003c\/p\u003e\n\u003cp\u003eOnly after the physical artifact had been properly prepared did Por Sala Tan perform the spirit work.\u003c\/p\u003e\n\u003cp\u003eThe Prai he had previously kept was invited into the Yoni and bound to the artifact through his own ritual method.\u003c\/p\u003e\n\u003cp\u003eThe process reflects an important principle found throughout Por Sala Tan’s older Barang work: \u003cstrong\u003ethe material, intended wicha and spiritual presence had to be compatible before the artifact was completed.\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eBlessings and Effects\u003c\/h2\u003e\n\u003cp\u003eThe traditional blessings of this Yoni centre strongly upon \u003cstrong\u003eSaneh and interpersonal attraction\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaha Saneh\u003c\/strong\u003e supports personal magnetism, charm and attraction, particularly in matters involving the opposite sex.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMetta Maha Niyom\u003c\/strong\u003e is associated with goodwill, favourable treatment and making others more comfortable and receptive around the keeper.\u003c\/p\u003e\n\u003cp\u003eThe Yoni itself carries a strong association with \u003cstrong\u003elove, intimacy and relationships\u003c\/strong\u003e, while the bound Prai is traditionally regarded as an assisting presence behind the work.\u003c\/p\u003e\n\u003cp\u003eCollectors may therefore keep the piece for attraction, improving personal charisma, developing romantic opportunities and encouraging greater closeness between partners.\u003c\/p\u003e\n\u003cp\u003eIts Saneh qualities can also extend beyond romance into situations where personal chemistry and favourable interaction are important.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eModern Application\u003c\/h2\u003e\n\u003cp\u003eIn modern life, this Yoni is most naturally suited to \u003cstrong\u003elove, relationships and personal interaction\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIt may traditionally be carried when meeting someone important, developing a relationship or hoping to improve warmth and communication between partners.\u003c\/p\u003e\n\u003cp\u003eIts Metta and charisma aspects can also be relevant to people working in \u003cstrong\u003esales, hospitality, entertainment, customer relations or networking\u003c\/strong\u003e, where being approachable and leaving a favourable impression can be valuable.\u003c\/p\u003e\n\u003cp\u003eThe emphasis of the piece, however, remains firmly rooted in \u003cstrong\u003eSaneh, opposite attraction and relationship wicha\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePhysical Details\u003c\/h2\u003e\n\u003cp\u003eThis is an individually handmade \u003cstrong\u003eBarang Yoni by Por Sala Tan of Fang\u003c\/strong\u003e, carved directly from a prepared section of pelvic relic. The natural relic forms the complete body of the artifact, with the Yoni carved prominently into its front surface.\u003c\/p\u003e\n\u003cp\u003eThe reverse is heavily prepared with \u003cstrong\u003eBurmese wax mixed with Tidjai\u003c\/strong\u003e, together with embedded takruts, corpse cloth and Nam Man Prai. A Prai kept by Por Sala Tan was subsequently invited into the artifact after he determined that this particular relic was suitable for the work.\u003c\/p\u003e\n\u003cp\u003eThe irregular carving, aged surface and uneven placement of the ritual materials are characteristic of an individually handmade Barang artifact rather than a standard moulded production. As Por Sala Tan selected and worked each suitable relic separately, every surviving example naturally differs in form and construction.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eRecommended Pairing\u003c\/h2\u003e\n\u003cp\u003eAs the Yoni already carries a concentrated \u003cstrong\u003eMaha Saneh and Prai orientation\u003c\/strong\u003e, it is best complemented by a different quality rather than another heavily attraction-focused piece.\u003c\/p\u003e\n\u003cp\u003eFor business use, a \u003cstrong\u003eMaha Lap or wealth-oriented amulet\u003c\/strong\u003e can complement the Yoni particularly well — combining interpersonal attraction and receptiveness with opportunity, financial movement and commercial progress.\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePersonal Notes\u003c\/h2\u003e\n\u003cp\u003ePieces of this nature are becoming increasingly difficult to encounter because Por Sala Tan did not create them as a regular or scheduled batch. Their making depended largely upon whether the appropriate relics and ritual materials became available to him.\u003c\/p\u003e\n\u003cp\u003eWhat I find particularly significant about this Yoni is the way Por Sala Tan selected the material. He did not simply obtain a relic and immediately turn it into an artifact. He would first consider its background and character before deciding which wicha was most suitable.\u003c\/p\u003e\n\u003cp\u003eIn this case, the pelvic relic belonged to a woman remembered for having been a very popular hostess during her younger years. Por Sala Tan eventually selected the relic for a Yoni and matched it with a \u003cstrong\u003ePrai that he had already been keeping while waiting for an appropriate vessel\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis relationship between the \u003cstrong\u003ehistory of the relic, the Yoni form, the Saneh materials and the selected Prai\u003c\/strong\u003e is what makes the piece especially interesting to me.\u003c\/p\u003e\n\u003cp\u003eIt is also a very characteristic example of Por Sala Tan's older Barang work — individually made when the right materials came together rather than produced simply because there was demand for another batch.\u003c\/p\u003e","brand":"OOBThaiAmulets","offers":[{"title":"Default Title","offer_id":48020065091721,"sku":null,"price":277.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/1831\/0793\/files\/yoniGadukpelvis_Burmesewax_Takrut_corspecloth_yonispiritUntitled-276.jpg?v=1787729658","url":"https:\/\/oobamulets.com\/products\/por-sala-tan-960","provider":"OOBThaiAmulets","version":"1.0","type":"link"}