{"product_id":"por-sala-tan-932","title":"Por Sala Tan","description":"\u003cp\u003ePST04\u003c\/p\u003e\n\u003ch1\u003ePhra Lersi Narod – Dancing Form of the Great Teacher\u003c\/h1\u003e\n\u003ch3\u003e\n\u003cstrong\u003ePor Sala Tan\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e3\" height\u003c\/em\u003e\n\u003c\/h3\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eThis is a completely individual, one-off sacred creation. From the inherited Nga Chang relic and its hand-carved form to Por Sala Tan's final application of Burmese sacred wax and takruts, every element was prepared by hand. Its natural texture, colour, carving and ritual finishing belong uniquely to this piece.\u003c\/em\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePersonal Experiences Shared by Luksits\u003c\/h2\u003e\n\u003cp\u003eThe provenance of this Phra Lersi Narod is unusually personal.\u003c\/p\u003e\n\u003cp\u003eIts former keeper was a \u003cstrong\u003eclose layman disciple of Por Sala Tan\u003c\/strong\u003e, deeply devoted to traditional Thai arts, dance, music and ancient history. These interests formed an important part of his life, and he maintained a particular respect for the old traditions surrounding teachers, craftsmen and performers.\u003c\/p\u003e\n\u003cp\u003eThe piece of \u003cstrong\u003eNga Chang relic\u003c\/strong\u003e used for this amulet had originally been inherited from his father. Rather than keeping the material untouched, he wanted to transform this family relic into a sacred image that reflected his own lifelong connection with history and the arts.\u003c\/p\u003e\n\u003cp\u003eHe therefore commissioned a professional craftsman to carve the material into \u003cstrong\u003ePhra Lersi Narod in an unusual dancing posture\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAfter the carving was completed, he personally brought it to Por Sala Tan for blessing and further ritual preparation.\u003c\/p\u003e\n\u003cp\u003ePor Sala Tan subsequently added \u003cstrong\u003eBurmese sacred wax and several takruts\u003c\/strong\u003e, directing the piece towards Metta Maha Niyom, personal charm, opening the minds of others, clarity, eloquence and popularity.\u003c\/p\u003e\n\u003cp\u003eThe disciple kept this unique Lersi personally for many years.\u003c\/p\u003e\n\u003cp\u003eAfter numerous meetings and conversations with him, the piece was eventually \u003cstrong\u003epassed from the disciple's personal collection to the present collection\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIt is therefore not simply a commissioned carving. Its history connects three stages: \u003cstrong\u003ea relic inherited from father to son, the son's devotion to traditional arts, and Por Sala Tan's final blessing and wicha\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eSummary\u003c\/h2\u003e\n\u003cp\u003eThis \u003cstrong\u003ePhra Lersi Narod\u003c\/strong\u003e is a unique, one-off sacred object associated with Por Sala Tan.\u003c\/p\u003e\n\u003cp\u003eThe figure was carved from an old piece of \u003cstrong\u003eNga Chang relic inherited by one of Por Sala Tan's close layman disciples from his father\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eBecause the disciple possessed a strong personal interest in traditional Thai dance, music, arts and ancient history, he chose to have the inherited material professionally carved into an unusual representation of \u003cstrong\u003ePhra Lersi Narod in a dancing posture\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eOnce the carving was completed, it was taken directly to Por Sala Tan.\u003c\/p\u003e\n\u003cp\u003ePor Sala Tan blessed the image, applied \u003cstrong\u003eBurmese sacred wax\u003c\/strong\u003e to the reverse and incorporated multiple takruts for \u003cstrong\u003eMetta Maha Niyom, Saneh, clarity, opening the minds of others, eloquence and popularity\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe result is an especially personal representation of the great Lersi teacher — connecting \u003cstrong\u003efamily inheritance, artistic devotion, craftsmanship and Por Sala Tan's wicha\u003c\/strong\u003e within a single piece.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePhra Lersi Narod – The Great Teacher\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePhra Lersi Narod\u003c\/strong\u003e is revered within Thai Lersi traditions as one of the important \u003cem\u003eKroo\u003c\/em\u003e, or sacred teachers.\u003c\/p\u003e\n\u003cp\u003eThe wider Lersi tradition represents the transmission of \u003cstrong\u003eknowledge, discipline, healing, sacred sciences, craftsmanship and spiritual practice\u003c\/strong\u003e from teacher to disciple.\u003c\/p\u003e\n\u003cp\u003eLersi Narod carries a particularly appropriate relationship with \u003cstrong\u003emusic, performance, knowledge and refined expression\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFor this reason, his image has special significance for musicians, dancers, performers, teachers, craftsmen and those whose livelihood depends upon creativity or communication.\u003c\/p\u003e\n\u003cp\u003eThe Lersi is therefore more than a symbol of acquiring knowledge.\u003c\/p\u003e\n\u003cp\u003eHe represents the ability to \u003cstrong\u003ereceive knowledge from one's teachers, develop it through disciplined practice and eventually express it through one's own work\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eThe Dancing Form – Pang Rai Ram Boek Sin\u003c\/h2\u003e\n\u003cp\u003eThe dancing posture gives this particular image an unusual character.\u003c\/p\u003e\n\u003cp\u003eA suitable descriptive name for the piece is:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePhra Lersi Narod, Pang Rai Ram Boek Sin\u003cbr\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e“Lersi Narod in the Dancing Form that Opens the Arts.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe name reflects the personal intentions behind its creation rather than claiming an established historical iconographic posture.\u003c\/p\u003e\n\u003cp\u003eHere, the movement of the Lersi represents \u003cstrong\u003eknowledge becoming expression\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eWisdom becomes speech.\u003cbr\u003eDiscipline becomes performance.\u003cbr\u003eKnowledge becomes craftsmanship.\u003cbr\u003eTradition becomes something that can be passed to another generation.\u003c\/p\u003e\n\u003cp\u003eThis symbolism is especially appropriate because the original keeper himself possessed a deep interest in \u003cstrong\u003etraditional Thai dance, music, history and the arts\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eNga Chang – An Inherited Family Relic\u003c\/h2\u003e\n\u003cp\u003eThe material used for the carving was particularly meaningful to its original keeper.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eNga Chang relic had been inherited from his father\u003c\/strong\u003e and remained within the family before being transformed into the present Lersi.\u003c\/p\u003e\n\u003cp\u003eWithin traditional sacred-object culture, Nga Chang is associated with the qualities symbolised by the elephant: \u003cstrong\u003eBaramee, dignity, strength, stability, memory and authority\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIn this particular piece, however, its family provenance is equally significant.\u003c\/p\u003e\n\u003cp\u003eA material inherited from one generation was transformed into the image of a \u003cstrong\u003eKroo — a teacher responsible for transmitting knowledge from one generation to another\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis creates a particularly fitting relationship between material and image: \u003cstrong\u003einheritance represented through the sacred teacher\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eProfessional Hand-Carving\u003c\/h2\u003e\n\u003cp\u003eBecause the Nga Chang carried considerable personal importance, the disciple entrusted the material to a \u003cstrong\u003eprofessional craftsman\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe figure was carved as a standing Lersi captured in a dynamic dancing posture. The body turns naturally through the composition, while the elaborate clothing and surrounding decorative elements give the figure a strong resemblance to traditional Thai performing-art imagery.\u003c\/p\u003e\n\u003cp\u003eThe naturally warm cream and brown tones of the Nga Chang remain visible throughout the carving.\u003c\/p\u003e\n\u003cp\u003eThis was not produced as part of a standard batch.\u003c\/p\u003e\n\u003cp\u003eIt was created as \u003cstrong\u003eone individual object from the disciple's own inherited material\u003c\/strong\u003e, making its form and provenance impossible to duplicate exactly.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePor Sala Tan's Blessing \u0026amp; Wicha\u003c\/h2\u003e\n\u003cp\u003eAfter the carving was completed, the disciple brought the finished Lersi directly to \u003cstrong\u003ePor Sala Tan\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003ePor Sala Tan then carried out the sacred preparation that transformed the carved image into the completed ritual piece.\u003c\/p\u003e\n\u003cp\u003eThe reverse was prepared with \u003cstrong\u003edark Burmese sacred wax\u003c\/strong\u003e, into which multiple takruts were incorporated.\u003c\/p\u003e\n\u003cp\u003eThe wicha was directed towards several complementary qualities:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMetta Maha Niyom\u003c\/strong\u003e — goodwill, acceptance and favourable response from others.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaha Saneh\u003c\/strong\u003e — personal magnetism and an engaging presence.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOpening Minds\u003c\/strong\u003e — encouraging others to listen, understand and remain receptive.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClarity\u003c\/strong\u003e — supporting clear thought and appropriate expression.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeech \u0026amp; Eloquence\u003c\/strong\u003e — helping words carry naturally and effectively.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePopularity\u003c\/strong\u003e — particularly relevant to performers, teachers, salespeople and those whose work depends upon public response.\u003c\/p\u003e\n\u003cp\u003eThese qualities fit naturally with the character of Lersi Narod as a teacher associated with knowledge and artistic expression.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eThe Takruts\u003c\/h2\u003e\n\u003cp\u003eThe reverse of the artifact carries an extensive arrangement of \u003cstrong\u003etakruts individually positioned within Por Sala Tan's sacred preparation\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eRather than concentrating upon one single blessing, their purpose was to build a balanced character around \u003cstrong\u003ecommunication and favourable human interaction\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eMetta encourages goodwill.\u003c\/p\u003e\n\u003cp\u003eSaneh strengthens personal presence.\u003c\/p\u003e\n\u003cp\u003eEloquence supports communication.\u003c\/p\u003e\n\u003cp\u003eClarity helps the keeper understand when and how to speak.\u003c\/p\u003e\n\u003cp\u003eOpening the minds of others supports situations where an idea, performance, teaching or proposal must first be received before it can be appreciated.\u003c\/p\u003e\n\u003cp\u003eTogether, these qualities make the piece especially relevant to anyone whose success depends upon the relationship between \u003cstrong\u003eskill and audience\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eArts, Music \u0026amp; Performance\u003c\/h2\u003e\n\u003cp\u003eThe artistic character of this Lersi is central to understanding the piece.\u003c\/p\u003e\n\u003cp\u003eFor dancers and performers, it represents \u003cstrong\u003econfidence, expression and respect towards the lineage of teachers behind their art\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFor musicians, it represents disciplined practice, creativity and the ability to communicate emotion through performance.\u003c\/p\u003e\n\u003cp\u003eFor craftsmen and artists, it represents patience, inspiration and continual development of skill.\u003c\/p\u003e\n\u003cp\u003eFor teachers and students, the Lersi represents the traditional relationship between \u003cstrong\u003eKroo and Luksit — teacher and disciple\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe piece may therefore be understood as an especially appropriate sacred companion for anyone whose path involves \u003cstrong\u003elearning, creating, teaching or performing\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eSpeech, Eloquence \u0026amp; Opening Minds\u003c\/h2\u003e\n\u003cp\u003ePor Sala Tan's addition of wicha connected with speech and opening minds expands the application beyond traditional performers.\u003c\/p\u003e\n\u003cp\u003eThe same qualities are relevant to \u003cstrong\u003eteachers, negotiators, business owners, salespeople, presenters and public-facing professionals\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eClear communication involves more than speaking persuasively.\u003c\/p\u003e\n\u003cp\u003eIt also requires recognising one's audience, selecting appropriate words and creating sufficient goodwill for the other person to listen.\u003c\/p\u003e\n\u003cp\u003eThis combination of \u003cstrong\u003eclarity, Metta and eloquence\u003c\/strong\u003e is an important aspect of the finished piece.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eTraditional Blessings\u003c\/h2\u003e\n\u003cp\u003eThe principal traditional qualities associated with this Phra Lersi Narod are \u003cstrong\u003ewisdom and artistic development\u003c\/strong\u003e, reflecting the Lersi's position as a sacred teacher.\u003c\/p\u003e\n\u003cp\u003eIts Por Sala Tan preparation adds \u003cstrong\u003eMetta Maha Niyom and Saneh\u003c\/strong\u003e, supporting goodwill, social acceptance and personal magnetism.\u003c\/p\u003e\n\u003cp\u003eFor communication, the piece is associated with \u003cstrong\u003eclear speech, eloquence and opening the minds of others\u003c\/strong\u003e, particularly where understanding and favourable response are important.\u003c\/p\u003e\n\u003cp\u003eArtists and performers may associate it with \u003cstrong\u003ecreativity, confidence and audience appreciation\u003c\/strong\u003e, while students and teachers may value its connection with learning, concentration and respect for the Kroo lineage.\u003c\/p\u003e\n\u003cp\u003eThe Nga Chang contributes the symbolism of \u003cstrong\u003eBaramee, stability and dignity\u003c\/strong\u003e, bringing a grounded quality to the more expressive aspects of the piece.\u003c\/p\u003e\n\u003cp\u003eTogether, the artifact centres upon \u003cstrong\u003ewisdom, artistic expression, communication, Metta, clarity, popularity and the transmission of knowledge\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eModern Application\u003c\/h2\u003e\n\u003cp\u003eThis is particularly suitable for people working within the \u003cstrong\u003earts and creative professions\u003c\/strong\u003e — dancers, musicians, actors, craftsmen, designers, writers and performers.\u003c\/p\u003e\n\u003cp\u003eIt is equally relevant to people whose profession depends heavily upon communication, including \u003cstrong\u003eteachers, lecturers, salespeople, negotiators and presenters\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eBefore an important performance, meeting or creative session, the Lersi may serve as a focus for remembering one's teachers and approaching the task with preparation and composure.\u003c\/p\u003e\n\u003cp\u003eIts symbolism is especially meaningful when talent alone is insufficient and the individual must also communicate that talent effectively to others.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePhysical Details\u003c\/h2\u003e\n\u003cp\u003eThe front presents \u003cstrong\u003ePhra Lersi Narod in a distinctive dancing posture\u003c\/strong\u003e, professionally carved from the original Nga Chang relic.\u003c\/p\u003e\n\u003cp\u003eThe figure is shown with an expressive face and elaborate headdress, surrounded by flowing decorative elements that reinforce the sense of movement. Detailed clothing and ornamentation give the composition a strong traditional Thai artistic character.\u003c\/p\u003e\n\u003cp\u003eThe reverse contrasts sharply with the refined carving of the front.\u003c\/p\u003e\n\u003cp\u003eIt is covered with \u003cstrong\u003ePor Sala Tan's dark Burmese sacred wax\u003c\/strong\u003e, creating the ritual foundation of the piece. Multiple takruts are embedded around the reverse, while a larger central ritual component is secured with red sacred cord.\u003c\/p\u003e\n\u003cp\u003eThe contrast between the finely carved front and heavily prepared ritual reverse clearly records the object's two stages of creation: \u003cstrong\u003ethe disciple's artistic commission and Por Sala Tan's subsequent wicha\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eRecommended Pairings\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003ePhra Chaiwat\u003c\/strong\u003e — adds a broader foundation of protection, success and general auspiciousness.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eA One-Off Personal Creation\u003c\/h2\u003e\n\u003cp\u003eThis Phra Lersi Narod was never conceived as a commercial batch.\u003c\/p\u003e\n\u003cp\u003eIts story began with a \u003cstrong\u003eNga Chang relic inherited by a son from his father\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThat son, a close disciple of Por Sala Tan and a devotee of traditional Thai arts, music, dance and history, chose to transform his inherited material into the image of the sacred teacher who best represented those interests.\u003c\/p\u003e\n\u003cp\u003eA professional craftsman gave the material its unusual dancing form.\u003c\/p\u003e\n\u003cp\u003ePor Sala Tan then completed its spiritual preparation with \u003cstrong\u003eBurmese sacred wax and takruts for Metta Maha Niyom, Saneh, opening minds, clarity, eloquence and popularity\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe disciple subsequently kept the piece within his personal collection. Only after many meetings was it eventually passed on.\u003c\/p\u003e\n\u003cp\u003eIts importance therefore comes not from quantity or batch rarity, but from its \u003cstrong\u003eindividual provenance\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere is only one example carrying this exact combination of inherited Nga Chang, dancing Lersi Narod imagery, personal artistic intention and Por Sala Tan's ritual preparation — making it a particularly distinctive piece for collectors of \u003cstrong\u003ePor Sala Tan and traditional Lersi wicha\u003c\/strong\u003e.\u003c\/p\u003e","brand":"OOBThaiAmulets","offers":[{"title":"Default Title","offer_id":47964022014089,"sku":null,"price":1077.0,"currency_code":"SGD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/1831\/0793\/files\/Untitled-85_c38c5337-4e73-4280-b881-481b79fc2bdb.jpg?v=1786938404","url":"https:\/\/oobamulets.com\/products\/por-sala-tan-932","provider":"OOBThaiAmulets","version":"1.0","type":"link"}