{"product_id":"por-sala-tan-1100","title":"Por Sala Tan","description":"\u003cp\u003e\u003cspan\u003ePST07\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003e\u003cspan\u003eSi Peng Prai \u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePor Sala Tan\u003cbr\u003e1.5 Inches \u003cbr\u003eBarang Artifact\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eIndividual Craftsmanship\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eEach piece was assembled manually from surviving ritual materials, so differences in the relic, hair, cloth, Sai Sin and internal arrangement form part of the individual character of the artifact.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePersonal Experiences Shared by Luksits\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eAmong Por Sala Tan's luksits, this type of Si Peng was regarded differently from his more herbal-based Metta preparations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBecause the principal materials were connected to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eone Prai\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, followers regarded it as a more concentrated form of Saneh work, particularly where \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epersonal attraction, attention and interaction\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e were concerned.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Si Peng could traditionally be used in a small amount when required, particularly before meeting people, speaking with customers or entering situations where the keeper wished to strengthen \u003cstrong\u003epersonal presence and favourable attention.\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome luksits preferred not to disturb the preparation at all. Instead, they kept or carried the complete artifact, regarding the combination of the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esingle-Prai Si Peng, Yin Tong, Sai Sin and charm takrut\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e as a complete Saneh object in itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSummary\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis Si Peng is unusual because its construction centres upon the materials of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eone particular Prai\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccording to the account preserved with the artifact, the woman had passed away but remained strongly attached to the living world. Even after the funeral ceremony, her presence was said to linger.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan was subsequently involved in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eappeasing the spirit\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter the rites, surviving materials connected with the funeral and cremation were incorporated into this Si Peng rather than being assembled from unrelated sources.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe preparation includes \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNam Man Prai, unburnt coffin cloth, the woman's hair, relic material carved into Yin Tong, Sai Sin from the ceremony and a Saneh takrut\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor this reason, it is best understood as a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esingle-Prai concentrated Si Peng\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with its principal materials maintaining one continuous provenance.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eHistorical Background\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eWithin Por Sala Tan's practice, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePrai work\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e refers to a distinct branch of wicha involving materials and ritual traditions associated with the deceased.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSuch artifacts should not all be treated as identical. Their construction, provenance and purpose can vary considerably depending upon the circumstances surrounding the materials and the particular ritual undertaken by the practitioner.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis piece is especially notable because its provenance does not involve the gathering of miscellaneous funeral materials from different sources.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInstead, the principal components are said to originate from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eone woman and the rites surrounding her passing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Yin Tong symbolism adds another layer. Traditionally representing a paired male and female principle, Yin Tong is commonly connected with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMaha Saneh, attraction and the drawing together of people\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHere, that symbolism was physically carved into relic material associated with the same Prai.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eOrigins of the Materials\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe principal material is the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSi Peng itself\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, prepared with Nam Man Prai associated with the deceased woman.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSeveral surviving materials from her funeral and cremation were then incorporated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA portion of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eunburnt coffin cloth\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e was retained. Hair belonging to the woman was also included, preserving another direct physical connection to the original source.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSurviving \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003erelic material was carved into a small Yin Tong\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e rather than simply being inserted in its original form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis Yin Tong was then tied using \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSai Sin that had been used during the funeral ceremony\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, maintaining the connection between the carved relic and the rites conducted for the deceased.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFinally, a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etakrut for strengthening Saneh and charm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e was incorporated into the preparation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe materials therefore share a closely connected provenance rather than being assembled merely for variety.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRitual\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe preparation began with Por Sala Tan's involvement in the circumstances surrounding the lingering spirit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccording to the lineage account, although the woman's funeral had already taken place, her attachment to the living world remained. Her spirit was consequently said to linger rather than depart peacefully.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan undertook the work of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eappeasing the spirit\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter the necessary rites, surviving materials from the funeral and cremation became the foundation for this artifact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Nam Man Prai was incorporated into the Si Peng. Unburnt coffin cloth and hair were retained, while a surviving relic was carefully carved into \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eYin Tong\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe carved Yin Tong was bound with the same \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSai Sin associated with the ceremony\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, creating a direct connection between the relic and the rites performed for the deceased.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA dedicated Saneh takrut completed the preparation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRather than combining many unrelated Prai sources, the entire construction remained centred upon \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eone spirit, one funeral provenance and one body of materials\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eBlessings and Effects\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eWithin Por Sala Tan's tradition, this Si Peng is principally associated with:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eMaha Saneh\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — attraction and personal magnetism.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eMetta Maha Niyom\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — favourable reception and goodwill.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eJeraja\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — smoother speech and interpersonal communication.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003ePersonal presence\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — traditionally used when wishing to be noticed or remembered.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eOpposite attraction\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — associated with the Yin Tong and Saneh aspect of the preparation.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eCustomer interaction\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — traditionally relevant to sales and occupations involving direct contact with people.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003eSocial favour\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — encouraging warmer and more receptive interaction.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003cspan\u003ePrai assistance\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — understood within the lineage through the concentrated single-Prai nature of the artifact.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe central character of this piece remains \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSaneh and Metta\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, strengthened through materials maintaining a direct connection to the same Prai.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eModern Application\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eTraditionally, a small amount of the Si Peng may be \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eapplied when required\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, particularly before situations involving important personal interaction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis may include meeting customers, discussing business, negotiating or entering a social situation where speech, presence and favourable reception are important.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBecause this is a concentrated Prai preparation, some keepers may instead choose to leave the internal materials undisturbed and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecarry or keep the complete artifact as it is\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt may also be placed respectfully in an appropriate personal sacred space rather than used physically.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe defining point is that the Si Peng, Yin Tong, funeral Sai Sin, hair, coffin cloth and takrut were prepared as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eone complete ritual arrangement\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePhysical Details\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe artifact is housed within a round metal container. The exterior lid carries a raised sacred figure surrounded by ornamental motifs, while the inside of the opposing cover bears \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehandwritten sacred inscriptions and yant\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin the main chamber is the aged Si Peng preparation. Visible among it are the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003erelic-carved Yin Tong bound with Sai Sin, a rolled takrut, hair and surviving ritual materials associated with the funeral and cremation\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe arrangement remains deliberately exposed rather than hidden beneath a decorative covering, allowing the individual components of the original preparation to remain visible.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRecommended Pairing\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis Si Peng is already a highly concentrated \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePrai and Maha Saneh artifact\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, so additional Saneh pieces are not necessary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor business purposes, it may traditionally be paired with a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eRiak Sap or Maha Lap\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e artifact, separating the functions clearly: this piece for Metta, Saneh and human interaction, and the accompanying piece for wealth and opportunity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor someone whose work relies heavily upon speaking, a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJeraja takrut\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e would also be a natural complement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHowever, because all of its principal components originate from one connected ritual account, there is also good reason to preserve and use the artifact \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eas a complete standalone piece\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePersonal Notes\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eWhat stands out to me about this Si Peng is its \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esingle-Prai provenance\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt was not made by gathering powerful-looking materials from numerous unrelated sources. The story, rites and physical components all return to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eone woman whose attachment to the living world was said to remain after her funeral\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePor Sala Tan undertook the task of appeasing her spirit, and materials remaining from those rites were subsequently incorporated into this artifact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe details preserve that connection particularly well: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eher hair, unburnt coffin cloth, Nam Man Prai, Sai Sin from the ceremony and relic material carved into Yin Tong\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA Saneh takrut was then added to complete the intended direction of the work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor me, this makes the piece an important example of Por Sala Tan's more concentrated Prai practice. Its significance is not simply the number of unusual materials inside, but that those materials belong to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eone continuous story, one funeral ceremony and one Prai\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"OOBThaiAmulets","offers":[{"title":"Default Title","offer_id":48429981859977,"sku":null,"price":525.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/1831\/0793\/files\/Untitled-83_2eb25f35-39a4-45bf-8a5f-ed104225cb02.jpg?v=1790232791","url":"https:\/\/oobamulets.com\/products\/por-sala-tan-1100","provider":"OOBThaiAmulets","version":"1.0","type":"link"}