{"product_id":"por-sala-tan-1031","title":"Por Sala Tan","description":"\u003cp\u003ePST06\u003c\/p\u003e\n\u003ch1\u003eFour Armed Wealth Yantra\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003ePor Sala Tan\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e2.5 Inches\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBarang Artifact\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eSacred Craftsmanship\u003c\/h2\u003e\n\u003cp\u003eEach piece was individually hand-yanted, filled and assembled. Natural differences in the relic, inscriptions, sacred powders and placement of the embedded materials make every artifact distinct.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePersonal Experiences Shared by Luksits\u003c\/h2\u003e\n\u003cp\u003eI collected this piece from one of \u003cstrong\u003ePor Sala Tan’s close luksits in Bangkok\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eHe shared that artifacts carrying this particular yantra were made only in small numbers and were seldom seen outside the circle of people who had received them directly.\u003c\/p\u003e\n\u003cp\u003eAccording to him, many of the pieces ended up with people working in \u003cstrong\u003esales, business development and commission-based work\u003c\/strong\u003e, where success depended heavily upon persuasion, opportunity and the ability to secure agreement from different directions.\u003c\/p\u003e\n\u003cp\u003eThe yantra was especially valued by those who wanted not only customer attraction, but also \u003cstrong\u003emoney movement, luck in negotiation, repeat business and success from multiple sources at the same time\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eSummary\u003c\/h2\u003e\n\u003cp\u003eThis artifact is centred upon a rare Cambodian-derived yantra that Por Sala Tan learnt from \u003cstrong\u003eTa Eisey\u003c\/strong\u003e, the Cambodian counterpart of the Thai Lersi or Ruesi.\u003c\/p\u003e\n\u003cp\u003eIts design resembles a central body with \u003cstrong\u003efour arms reaching outward\u003c\/strong\u003e, representing either the four directions or the four elemental forces of \u003cstrong\u003eearth, water, fire and wind\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe “head” is intentionally absent.\u003c\/p\u003e\n\u003cp\u003eThe form was explained not as a human figure, but as a \u003cstrong\u003euniversal force extending equally in all directions\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003ePor Sala Tan later adapted this older yantric knowledge towards wealth, luck, prosperity and success, giving the four arms a practical symbolic meaning:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003efour hands reaching out to gather four forms of prosperity.\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eHistorical Background\u003c\/h2\u003e\n\u003ch3\u003eTa Eisey\u003c\/h3\u003e\n\u003cp\u003eThe Cambodian term \u003cstrong\u003eTa Eisey\u003c\/strong\u003e derives from Sanskrit \u003cem\u003eṛṣi\u003c\/em\u003e and Pali \u003cem\u003eisi\u003c\/em\u003e, referring to a seer, sage or hermit.\u003c\/p\u003e\n\u003cp\u003eIn cultural terms, Ta Eisey are closely related to the Thai \u003cstrong\u003eLersi or Ruesi\u003c\/strong\u003e, Lao Lusi and Indian Rishi traditions.\u003c\/p\u003e\n\u003cp\u003eWithin Cambodian belief, they are remembered as ancient ascetics associated with forests, healing, ritual knowledge, sacred arts and the preservation of esoteric teachings.\u003c\/p\u003e\n\u003cp\u003ePor Sala Tan encountered several \u003cstrong\u003eTa Eisey during his travels in Cambodia in his earlier years\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIt was through these meetings that he learnt this uncommon yantra.\u003c\/p\u003e\n\u003cp\u003eThe design was said to be rarely used, even among practitioners familiar with older Khmer and border-region wicha.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eOrigins of the Materials\u003c\/h2\u003e\n\u003cp\u003eThe base itself was carved from a \u003cstrong\u003erelic connected with a wealthy businessman\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis was important to the composition because the material already carried a direct association with prosperity and successful worldly life.\u003c\/p\u003e\n\u003cp\u003ePor Sala Tan then incorporated:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhong Plai Guman\u003c\/strong\u003e, used within the centre;\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ethree wealth takruts\u003c\/strong\u003e, placed within the relic;\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eprosperity soil from auspicious Cambodian sacred sites\u003c\/strong\u003e, used on the reverse;\u003c\/p\u003e\n\u003cp\u003eand an embedded \u003cstrong\u003ePhra Ngan\u003c\/strong\u003e, traditionally associated in this context with attraction, opportunity, influence and movement of fortune.\u003c\/p\u003e\n\u003cp\u003eThe entire construction was therefore directed towards one coherent purpose rather than being assembled from unrelated sacred substances.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eRitual\u003c\/h2\u003e\n\u003cp\u003eThe most important element is the hand-written yantra itself.\u003c\/p\u003e\n\u003cp\u003eIts structure extends outward in four directions.\u003c\/p\u003e\n\u003cp\u003eThe Ta Eisey explained the form as reflecting either the \u003cstrong\u003efour cardinal directions\u003c\/strong\u003e or the balancing of the \u003cstrong\u003efour primary elements\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eearth · water · fire · wind\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe absent head reinforces the idea that this is not a portrait of a being.\u003c\/p\u003e\n\u003cp\u003eIt represents a force that is \u003cstrong\u003enon-personal, universal and active in every direction\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003ePor Sala Tan then adapted the yantra with his own knowledge of wealth and prosperity wicha.\u003c\/p\u003e\n\u003cp\u003eThe four arms became four active hands:\u003c\/p\u003e\n\u003cp\u003eone gathering opportunity,\u003cbr\u003eone drawing wealth,\u003cbr\u003eone securing favourable relationships,\u003cbr\u003eand one supporting success.\u003c\/p\u003e\n\u003cp\u003eThe central cavity containing Phong Plai Guman and wealth takruts became the energetic core of the piece, while the Cambodian prosperity soil formed its backing.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eBlessings and Effects\u003c\/h2\u003e\n\u003cp\u003eThe main qualities of this artifact are traditionally associated with:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ewealth attraction;\u003c\/li\u003e\n\u003cli\u003esuccess in sales and negotiation;\u003c\/li\u003e\n\u003cli\u003estronger customer response;\u003c\/li\u003e\n\u003cli\u003eprosperity from multiple directions;\u003c\/li\u003e\n\u003cli\u003eluck in business opportunities;\u003c\/li\u003e\n\u003cli\u003erepeat customers and continuing income;\u003c\/li\u003e\n\u003cli\u003einfluence and persuasive communication;\u003c\/li\u003e\n\u003cli\u003efavourable agreements and contracts;\u003c\/li\u003e\n\u003cli\u003emetta and attraction;\u003c\/li\u003e\n\u003cli\u003emovement through financial or professional stagnation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe four-armed structure is especially meaningful for those whose livelihood depends upon \u003cstrong\u003emany different people, channels or sources of income\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eRather than concentrating prosperity in only one direction, the yantra symbolically reaches outward and gathers from all sides.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eModern Application\u003c\/h2\u003e\n\u003cp\u003eThis piece is particularly suitable for people involved in \u003cstrong\u003esales, trading, property, insurance, brokerage, entrepreneurship and client-facing business\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eSomeone whose income depends upon commissions or multiple clients may find the four-direction symbolism especially relevant.\u003c\/p\u003e\n\u003cp\u003eIt can also be understood more broadly.\u003c\/p\u003e\n\u003cp\u003eOne “hand” may represent customers.\u003c\/p\u003e\n\u003cp\u003eAnother may represent influential people.\u003c\/p\u003e\n\u003cp\u003eAnother may represent contracts or opportunities.\u003c\/p\u003e\n\u003cp\u003eThe last may represent the ability to retain and grow what has already been earned.\u003c\/p\u003e\n\u003cp\u003eThis gives the artifact a particularly practical modern meaning while remaining faithful to the older yantric idea of gathering prosperity from every direction.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePhysical Details\u003c\/h2\u003e\n\u003cp\u003eThe front shows Por Sala Tan’s hand-inscribed yantra directly upon the \u003cstrong\u003ePaneang surface\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe unusual design resembles a central body with four extended arms, surrounded by additional characters and inscriptions in red and dark pigment.\u003c\/p\u003e\n\u003cp\u003eAt the centre is a circular sacred filling containing \u003cstrong\u003ethree embedded takruts\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe reverse is built around a dark sacred compound prepared with prosperity soil and other ritual substances.\u003c\/p\u003e\n\u003cp\u003eA small \u003cstrong\u003ePhra Ngan image\u003c\/strong\u003e sits prominently in the centre, flanked by two larger takruts.\u003c\/p\u003e\n\u003cp\u003eFurther inscriptions surround the composition.\u003c\/p\u003e\n\u003cp\u003eThe complete artifact is protected within a \u003cstrong\u003ecustom engraved silver casing\u003c\/strong\u003e, allowing both sides of the work to remain visible.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eRecommended Pairing\u003c\/h2\u003e\n\u003cp\u003eThis artifact already carries a strong emphasis on \u003cstrong\u003ewealth, sales, attraction and opportunity\u003c\/strong\u003e, so it works well on its own for business use.\u003c\/p\u003e\n\u003cp\u003eFor someone who wants a more balanced combination, it may be paired with a Buddha or monk amulet associated with \u003cstrong\u003ebaramee, stability or protection\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThose working in highly competitive environments may also pair it with a protective piece such as Tao Wessuwan or Wua Thanu, allowing this yantra to remain focused on \u003cstrong\u003egathering opportunity and prosperity\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePersonal Notes\u003c\/h2\u003e\n\u003cp\u003eWhat makes this piece especially important to me is its \u003cstrong\u003eprovenance\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eI did not obtain it casually from the market. I collected it from one of Por Sala Tan’s close luksits in Bangkok, who shared the background of how Por Sala Tan had learnt this yantra during his travels in Cambodia.\u003c\/p\u003e\n\u003cp\u003eThe design itself is rarely encountered.\u003c\/p\u003e\n\u003cp\u003eIts meaning is simple but powerful: \u003cstrong\u003efour hands reaching into four directions, gathering the conditions required for prosperity\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003ePor Sala Tan then strengthened that foundation with materials chosen specifically for the same purpose — a relic connected with a wealthy businessman, Phong Plai Guman, wealth takruts, prosperity soil from Cambodia and Phra Ngan.\u003c\/p\u003e\n\u003cp\u003eFor collectors of Por Sala Tan’s work, this is therefore more than a visually unusual hand-yanted piece.\u003c\/p\u003e\n\u003cp\u003eIt represents a small surviving example of the \u003cstrong\u003eCambodian Ta Eisey knowledge he carried back and later adapted into his own wealth wicha\u003c\/strong\u003e.\u003c\/p\u003e","brand":"OOBThaiAmulets","offers":[{"title":"Default Title","offer_id":48317336846473,"sku":null,"price":775.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/1831\/0793\/files\/Untitled-79_c0b8f79e-4c8d-4018-bef0-c40a203b4768.jpg?v=1789024527","url":"https:\/\/oobamulets.com\/products\/por-sala-tan-1031","provider":"OOBThaiAmulets","version":"1.0","type":"link"}