{"product_id":"lp-toon-wat-kao-noi-copy-1","title":"Lp Toon - Wat Kao Noi","description":"\u003cp\u003eMS6\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003ch1\u003e\u003cspan\u003ePhra Khun Paen \u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLP Toon Kantasilo • Wat Khao Noi Khiriwan, Chonburi\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eB.E. 2547 (2004)\u003cbr\u003e6cm\u003cbr\u003eMainstream Artifact\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSacred Craftsmanship\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Khun Paen Roon Raek, Pim Yai\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e belongs to the important B.E. 2547 series created by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLP Toon Kantasilo of Wat Khao Noi Khiriwan\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, Ban Bueng, Chonburi.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach amulet was individually pressed and finished from prepared sacred powders, with the placement of gilding, Yant, embedded materials and Takrut naturally varying from piece to piece. Such differences are part of the handmade character of the B.E. 2547 series.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePersonal Experiences Shared by Luksits\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eAmong collectors familiar with LP Toon's works, his powder amulets are particularly sought after for the combination of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMetta Maha Niyom, saneh, commercial favour and protection\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e traditionally attributed to his lineage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLong-term owners frequently regard his Khun Paen differently from pieces made purely around attraction. The appeal lies in the broader combination of interpersonal influence and Buddhist Baramee: being received favourably by others, improving relationships, gaining customer support and navigating difficult social circumstances more smoothly.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCollectors who are familiar with LP Toon's Plai Guman works also place considerable importance upon their relationship with the tradition surrounding \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLP Tim of Wat Lahan Rai\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The inclusion of old Phong Plai Guman material gives the B.E. 2547 Khun Paen an especially interesting place within this eastern Thai tradition.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSummary\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eB.E. 2547 Phra Khun Paen Roon Raek, Pim Yai\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is an important powder amulet of LP Toon, combining older sacred materials with a particularly elaborate construction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts body incorporates sacred powders traditionally recorded as including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efragments of Somdej Bang Khun Prom, Phong Plai Guman associated with LP Tim and various Phong Phutthakhun\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe reverse is especially distinctive: two red sacred Yant, a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003egold Takrut\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003egelaithong Phra Naprok Bai Makham\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e are incorporated directly into the amulet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin traditional use, the series is principally associated with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMetta Maha Niyom, saneh, Chok Lap, business and customer attraction, personal influence, protection and Baramee\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eHistorical Background\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLP Toon Kantasilo\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e was a respected monk associated with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eWat Khao Noi Khiriwan in Ban Bueng District, Chonburi Province\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBiographical accounts give his birth as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2 July B.E. 2466 (1923)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and record his ordination in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eB.E. 2495 (1952)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e at Wat Noen Sang Srittharam, with LP Thongyip of Wat Bot, Phanat Nikhom, serving as his preceptor.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLP Toon became associated with several areas of traditional knowledge, including Buddhist consecration, meditation and chanting, protective wicha, sacred oils, traditional healing practices and the development of Wat Khao Noi Khiriwan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccounts surrounding his life also describe periods of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ethudong\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e pilgrimage through northern Thailand and Burma.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOf particular importance to collectors is his relationship with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLP Tim of Wat Lahan Rai\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin the lineage history, the two masters maintained a close spiritual association, and LP Toon became connected with the body of knowledge surrounding sacred powders and Plai Guman practices for which LP Tim's amulets later became especially famous.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis background helps explain why the materials incorporated into LP Toon's B.E. 2547 Khun Paen are so important to collectors today.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eOrigins of the Materials\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe powder body was prepared from a combination of older sacred substances rather than a single type of powder.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAmong the most significant were fragments attributed to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSomdej Bang Khun Prom\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. In Thai amulet practice, fragments from damaged or incomplete older sacred images were often carefully retained and incorporated into later creations, allowing the consecrated material to continue within a new generation of amulets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe mixture also incorporated \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhong Plai Guman associated with LP Tim of Wat Lahan Rai\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis material is especially significant within the eastern Thai amulet tradition because LP Tim's Phong Plai Guman became closely associated with his celebrated Khun Paen lineage. Its inclusion links LP Toon's amulet materially as well as traditionally with this wider school of practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVarious forms of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhong Phutthakhun\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e completed the powder foundation, providing the Buddhist sacred-powder component upon which the finished Khun Paen was constructed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe reverse was then further strengthened through its physical inserts: the gelaithong Phra Naprok and the central \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003egold Takrut\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRitual\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eLP Toon's approach brought Buddhist consecration together with the specialised sacred-material traditions he had acquired during his years of practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe prepared powders were first combined to create the body of the Khun Paen. The Buddha image and surrounding Ruen Kaew were then formed through the Pim Yai mould before the surface was finished with gilding.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe reverse received additional ritual attention.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSacred Yant were applied in red, preserving the names and lineage associations of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLP Toon and LP Tim\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The Phra Naprok was incorporated above the centre, while the gold Takrut formed a vertical ritual axis beneath it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe completed pieces were then subjected to chanting and consecration according to LP Toon's wicha.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor collectors, this combination is important because the power of the piece was not understood as coming from one ingredient alone. Its character derives from the interaction between \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eold sacred powders, Buddhist imagery, Yant, Takrut and consecration\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eBlessings and Effects\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe B.E. 2547 Khun Paen is traditionally associated with a broad range of qualities rather than saneh alone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMetta Maha Niyom\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e concerns goodwill, favourable reception and assistance from others, while \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esaneh\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e relates more specifically to personal attraction, charisma and interpersonal magnetism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts Khun Paen character has consequently made it popular among people whose livelihoods depend heavily upon human relationships — particularly business owners, salespeople and those regularly dealing with customers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe old sacred powders and Phra Naprok additionally introduce a stronger Buddhist and protective dimension. Phra Naprok, depicting the Buddha sheltered by the Naga Mucalinda, has traditionally carried associations with steadfastness and protection during adversity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe gold Takrut adds another concentrated element of wicha to the reverse.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTaken together, followers traditionally seek this piece for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMetta Maha Niyom, saneh, customer attraction, Chok Lap, prosperity, personal influence, harmonious relationships, protection and Baramee\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eModern Application\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis Khun Paen is particularly suitable for collectors who prefer a piece in which \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esaneh and Metta are balanced by Buddhist Baramee and protective qualities\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor business owners, its traditional emphasis on goodwill and customer relationships makes it especially relevant to retail, sales, negotiation and professions where trust and communication are important.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor personal use, it may be carried when seeking greater harmony in relationships, increased confidence when dealing with others or stronger personal presence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom a collecting perspective, however, the attraction extends beyond its intended spiritual applications. The combination of historically important powders, LP Toon's lineage, the LP Tim connection, reverse Yant, gold Takrut and miniature Naprok makes the B.E. 2547 Pim Yai a particularly elaborate example of his sacred craftsmanship.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePhysical Details\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis is the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePim Yai\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, or large mould, of the B.E. 2547 first-batch Khun Paen. The front depicts the seated Buddha beneath an ornate Ruen Kaew and has been richly gilded.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe reverse retains its natural light sacred-powder surface and bears two prominent red Yant. A miniature \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Naprok Bai Makham\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is embedded in the upper centre, while a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003egold Takrut\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is positioned vertically beneath it. The amulet is housed in a custom engraved \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e925 silver casing.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRecommended Pairing\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eBecause this Khun Paen already combines Buddhist sacred powders, Phra Naprok symbolism, Metta, saneh and a gold Takrut, it is a relatively complete piece when worn alone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor those wishing to emphasise Buddhist Baramee, it may be paired with a respected \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Somdej\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, particularly fitting given the inclusion of old Somdej Bang Khun Prom fragments within its material tradition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor livelihood and financial opportunities, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Sivali\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e provides a complementary pairing, shifting the emphasis towards sustenance, abundance and ease in earning.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCollectors interested specifically in the eastern Thai lineage may instead pair it with an authenticated amulet of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLP Tim of Wat Lahan Rai\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, creating a meaningful connection between the master whose Phong Plai Guman forms part of the material tradition and LP Toon's own B.E. 2547 work.\u003c\/span\u003e\u003c\/p\u003e","brand":"OOBThaiAmulets","offers":[{"title":"Default Title","offer_id":48620514345097,"sku":null,"price":877.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/1831\/0793\/files\/Untitled-214_408a44c6-233d-4ec2-b752-86fffa401ec5.jpg?v=1755182679","url":"https:\/\/oobamulets.com\/products\/lp-toon-wat-kao-noi-copy-1","provider":"OOBThaiAmulets","version":"1.0","type":"link"}