{"product_id":"lp-anucha-wat-pho-ratchaburana-copy-29","title":"LP Anucha - Wat Pho Ratchaburana","description":"\u003cp\u003eANU01\u003c\/p\u003e\n\u003ch1\u003e\u003cspan\u003ePhra Somdej \u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLP Anucha • Wat Pho Ratchaburana, Ratchaburi\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eB.E. 2565–2568\u003cbr\u003e\u003c\/span\u003e2 Inches\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMainstream Artifact\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eBio of LP Anucha: \u003ca href=\"https:\/\/oobamulets.com\/blogs\/news\/lp-anucha-wat-pho-ratchaburana\" rel=\"noopener\" target=\"_blank\"\u003eclick here\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSacred Craftsmanship\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Somdej\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e belongs to the earlier period of sacred-object creation by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLP Anucha of Wat Pho Ratchaburana\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, produced before many of his later medal issues became more widely known among collectors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach artifact is individually handmade from carefully prepared sacred materials, so natural variations in texture, colour, form, moulding and handwritten Yant make every piece truly unique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe photographs are representative only. A piece will be selected at random, and the item supplied may differ slightly from the exact piece shown in the images.\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003ePersonal Experiences Shared by Luksits\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eI personally collected this Phra Somdej during my visit to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLP Anucha in B.E. 2568\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere was quite a queue of devotees waiting to see him.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMeeting LP Anucha could require patience because he was not necessarily at Wat Pho Ratchaburana throughout the day. At times he would be invited to other temples to participate in ceremonies, while on other occasions he might be away blessing the homes, shops or businesses of his devotees.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis gave an interesting perspective on the relationship between LP Anucha and his luksits. His role extended beyond simply producing sacred objects at the temple; devotees also approached him for blessings connected with their homes, livelihoods and important occasions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese earlier powder amulets were particularly memorable because of the direct involvement of LP Anucha.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen the amulets were collected, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLP Anucha personally hand-Yanted individual pieces\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. The reverse became a surface upon which he could write according to his Wicha rather than merely following a standard design already produced by the mould.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs a result, when several examples are compared, the Yant may differ considerably.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne piece may carry a dense arrangement of characters. Another may have a more open composition. Certain sacred forms may appear prominently on one example but differently on another.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor the collector, this individuality preserves something of the direct encounter with the master: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ethe amulet was moulded by hand, and its sacred inscription was completed by hand.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSummary\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis early \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Somdej of LP Anucha\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e combines three elements that give it particular character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe first is the traditional Phra Somdej Buddha image.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe second is its material body, prepared from numerous older temple and religious substances rather than a simple modern powder mixture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe third is LP Anucha's direct involvement through his \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epersonal handwritten Yant\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe example shown is further distinguished by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etwo Takruts embedded within the front base beneath the Buddha\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRather than being valued for perfect uniformity, these pieces are better understood through their individuality. Differences in powder, surface, moulding and Yant record the handmade process through which they were created.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThey represent an earlier and particularly personal chapter of LP Anucha's sacred-object work.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eHistorical Background\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Somdej\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is one of the most enduring forms within Thai Buddhist amulet culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts visual language is remarkably simple: the Buddha seated in meditation, usually beneath an arch and upon a tiered base. Yet this simplicity is precisely what has allowed generations of monks and temples to interpret the form through their own materials, moulds and Wicha.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor devotees, the seated Buddha represents composure and stability. The surrounding arch creates the impression of a protected sacred space, while the ascending tiers beneath the Buddha establish a firm visual foundation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLP Anucha's early Phra Somdej follows this established tradition while incorporating the practices associated with his own temple work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRather than separating old sacred materials from newly produced amulets, materials connected with earlier religious use were incorporated into a new powder mixture. Ancient temple substances, devotional materials and ritual powders could therefore continue within another generation of sacred objects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis principle of continuity is an important feature of traditional Thai amulet making.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSomething old is not necessarily discarded.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt may instead become part of something new.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eOrigins of the Materials\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe powder body of this Phra Somdej was prepared from a mixture of materials carrying different associations within Thai Buddhist practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePowdered ancient temple bricks\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e connect the physical body of the amulet with older religious structures and places where generations of worship had taken place.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOld gold leaf from principal Buddha images\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e originated from the devotional practice of applying gold as an offering and expression of reverence.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSacred incense ash from long-standing altars\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e represents another form of accumulated temple material, produced through repeated acts of prayer and offering.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe mixture also incorporated \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efragments of relic materials associated with respected monks\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, together with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etraditional Yant powders prepared during temple ceremonies\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eParticularly interesting is the inclusion of material from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eold palm-leaf scriptures\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Palm leaves were historically used throughout the region to preserve Buddhist scripture, teachings and traditional knowledge. Their inclusion gives the powder another connection with older religious practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBecause these substances were combined rather than refined into a perfectly homogeneous industrial mixture, the finished amulets naturally vary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSmall fibres, particles and occasional hairs may remain visible within certain examples.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese are characteristics of the material rather than something that should automatically be regarded as an imperfection.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRitual\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe preparation of the Phra Somdej began with the gathering and combining of its various sacred materials.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOnce prepared, the powder mixture was \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epressed individually into the mould by hand\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe front mould established the Buddha image, arch and tiered throne. In examples such as the piece shown, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTakruts were incorporated into the lower front section\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, physically joining these ritual components to the powder body.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter the amulet had been formed, LP Anucha's personal involvement continued through sacred inscription.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehand-Yanted individual pieces himself\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is an important distinction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA moulded Yant is reproduced whenever another amulet is pressed. A handwritten Yant records a separate act carried out upon the individual object.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe reverse of this example shows precisely this character. The powder surface carries a broad arrangement of sacred characters and lines applied directly over the amulet rather than being formed as part of the mould.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin traditional practice, such Yant are not regarded merely as decoration. They belong to systems of sacred writing connected with particular formulas, intentions and recitations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe completed amulet therefore brings together \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003esacred material, Buddha image, embedded Takruts, handwritten Yant and consecration\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eBlessings and Effects\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe Phra Somdej is traditionally regarded as a broad and balanced Buddhist amulet rather than one confined to a single specialised purpose.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin LP Anucha's practice, such pieces are associated particularly with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMetta Maha Niyom, protection, business prosperity, luck and Baramee\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMetta Maha Niyom concerns goodwill and favourable human relationships. For someone working with customers, colleagues, business partners or people in authority, this is traditionally approached as support for smoother interaction and greater receptiveness from others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eBaramee\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e concerns personal standing. Rather than aggressive authority, it is associated with the ability to command natural respect through one's presence and conduct.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProtective qualities complement this by supporting the wearer against adverse circumstances and helping maintain stability during difficult periods.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProsperity and luck are approached in a similarly practical manner: opportunity, continuity of livelihood, smoother progress and the ability to preserve what has already been built.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe combination may therefore be understood as:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eSomdej for Baramee and stability.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eYant for the directed Wicha.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTakrut for concentrated ritual support.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSacred powders for continuity with older temple materials.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eModern Application\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe broad nature of the Phra Somdej makes this piece particularly suitable for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003edaily wear\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA business owner may approach it for customer relations, stability and continued prosperity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSomeone working in sales or client-facing occupations may place greater emphasis upon its Metta Maha Niyom qualities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eManagers and professionals may appreciate the traditional association with Baramee, composure and favourable dealings with others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThose who travel frequently may approach its protective aspect, while collectors may value the piece for an entirely different reason: it documents an \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eearlier handmade period of LP Anucha's amulet production\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt can therefore be understood both as a devotional amulet and as an object recording the development of LP Anucha's sacred-object lineage.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePhysical Details\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis Phra Somdej has a rectangular sacred-powder body of warm brown to ochre tone, with a naturally granular surface, visible age and small variations arising from its hand-prepared composition. The obverse depicts a seated Buddha beneath a rounded arch and upon a multi-tiered base, with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etwo small horizontal Takruts visibly embedded into the lower tiers\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Sacred writing is also present around portions of the front. The reverse remains comparatively flat and is extensively \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehand-Yanted in black by LP Anucha\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with the individual strokes clearly distinguishable from moulded relief. The example shown is housed within a silver-coloured protective casing with a red inner surround.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRecommended Pairing\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eFor devotees seeking greater emphasis upon livelihood and continuous resources, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Sivali\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a natural companion to the broad Baramee and protective qualities of Phra Somdej.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor occupations strongly dependent upon speech, sales and negotiation, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSalika\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e can provide a more specialised Metta and communication emphasis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA protective Takrut may also complement the Somdej for those who travel extensively or work in environments where additional Klaew Klaad qualities are desired.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNevertheless, the strength of the Phra Somdej tradition lies partly in its completeness. This piece can comfortably function as a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eprincipal standalone daily amulet\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePersonal Notes\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eWhat appeals to me about these earlier LP Anucha powder amulets is that their individuality is immediately visible.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThey were not created to look perfectly identical.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne piece may be darker. Another may contain more visible fibres or fragments. The Buddha impression may differ slightly according to the pressure used when moulding it. Even the texture of the powder can change according to the distribution of the old sacred materials.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMost importantly, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ethe handwritten Yant are individual\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eI collected this example during my B.E. 2568 visit to LP Anucha, at a time when there was already a considerable queue of people waiting to see him. Yet the practice of personally applying Yant to individual amulets retained the intimate character of older Thai sacred-object traditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe two embedded Takruts add another dimension to this particular piece, but its deeper appeal remains the relationship between the old materials and the hand of the living master.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOld temple materials formed its body.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eThe Buddha gave it its sacred form.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTakruts were incorporated into its foundation.\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eLP Anucha's own hand completed its Yant.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor a collector of his work, this \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Somdej\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e preserves an especially personal record of the earlier period of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLP Anucha and Wat Pho Ratchaburana\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"OOBThaiAmulets","offers":[{"title":"Default Title","offer_id":48568303976585,"sku":null,"price":275.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/1831\/0793\/files\/Untitled-143_247799ff-caf8-48b8-aa7d-05d52e73f844.jpg?v=1791515797","url":"https:\/\/oobamulets.com\/products\/lp-anucha-wat-pho-ratchaburana-copy-29","provider":"OOBThaiAmulets","version":"1.0","type":"link"}