{"product_id":"lp-anucha-wat-pho-ratchaburana-copy-28","title":"LP Anucha - Wat Pho Ratchaburana","description":"\u003cp\u003eANU01\u003c\/p\u003e\n\u003ch1\u003e\u003cspan\u003ePhra Somdej Pro Pok\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLP Anucha • Wat Pho Ratchaburana, Ratchaburi\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eB.E. 2565–2568\u003cbr\u003e\u003c\/span\u003e1.5 Inches\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMainstream Artifact\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eBio of LP Anucha: \u003ca href=\"https:\/\/oobamulets.com\/blogs\/news\/lp-anucha-wat-pho-ratchaburana\" rel=\"noopener\" target=\"_blank\"\u003eclick here\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSacred Craftsmanship\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Somdej Pro Pok\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e belongs to the earlier period of sacred-object creation by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLP Anucha of Wat Pho Ratchaburana\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, produced before many of his later medal issues became more widely known among collectors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach artifact is individually handmade from carefully prepared sacred materials, so natural variations in texture, colour, form, moulding and handwritten Yant make every piece truly unique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe photographs are representative only. A piece will be selected at random, and the item supplied may differ slightly from the exact piece shown in the images.\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePersonal Experiences Shared by Luksits\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eI personally collected this \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Somdej Pro Pok during my visit to LP Anucha in B.E. 2568\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere was already quite a queue waiting to see him.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVisiting LP Anucha did not necessarily mean that he would always be sitting at the temple receiving devotees. At times he could be away attending consecration ceremonies or religious functions at other temples. On other occasions, he might have been invited to bless the homes, shops or businesses of followers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis made the opportunity to meet him personally part of the experience of collecting these earlier pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen the amulet was presented to him, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLP Anucha personally hand-Yanted the individual piece\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. This was not simply a standard printed marking already present on every amulet. The inscription was applied directly to the powder surface, meaning that the finished Yant naturally differed between individual examples.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLooking at the reverse today, that distinction remains immediately visible. The lines have the spontaneous character of handwriting rather than a mechanically reproduced design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor me, this is an important part of the amulet's provenance. It records not only an early period of LP Anucha's amulet making, but also a time when an individual devotee could bring such a piece before him and receive his handwritten Yant directly.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSummary\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Somdej Pro Pok\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is an early hand-prepared powder amulet of LP Anucha with a particularly strong connection to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eWat Pho Ratchaburana itself\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts sacred material included powder from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eold roof tiles of the temple's Ubosot\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, prepared together with the wider sacred mixture and personally pressed by LP Anucha.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe amulets were distributed in connection with donations towards construction of the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eWihan Buraphachan\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, linking the creation with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBucha Kru — gratitude and reverence towards the masters of the lineage\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe front follows the familiar devotional language of Phra Somdej.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe material carries part of the old temple.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe handmade body preserves the character of LP Anucha's earlier work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe reverse carries his individually drawn Yant.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor collectors, these qualities give the Phra Somdej Pro Pok a character quite different from a later mass-produced commemorative issue.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eHistorical Background\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePhra Somdej\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e occupies one of the most established positions within Thai Buddhist amulet tradition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe seated Buddha beneath an architectural or sacred arch is deliberately simple. Rather than depending upon elaborate narrative imagery, the form centres attention upon the Buddha and the qualities traditionally associated with Buddhist refuge, merit, composure and Baramee.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLP Anucha's Phra Somdej Pro Pok follows this broader tradition while retaining characteristics particular to his own early sacred-object production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe accompanying Thai account describes the batch as:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e“another opening chapter that may become part of the legend of the Mae Klong river basin.”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt explains that the sacred powder was mixed with material from the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eUbosot roof tiles\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, personally prepared and hand-pressed by \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eAnuchato Bhikkhu\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e — LP Anucha — for presentation to disciples and charitable devotees supporting Buddhism and contributing towards the Wihan Buraphachan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe original account concludes with an especially telling sentiment: something newly created today may not yet appear particularly valuable, but in the future its value may become impossible to compare.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin the context of the batch, this should be understood less as a promise of financial appreciation than as an expression of the belief that \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eobjects directly connected with an early period of a master's work can acquire increasing historical and devotional significance as time passes\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eOrigins of the Materials\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eOne of the defining ingredients of this Phra Somdej is the use of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eold Ubosot roof-tile material\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn Ubosot is not simply another temple building. It is the consecrated ordination hall and occupies a central position within Thai Buddhist monastic life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMaterial originating from such a structure therefore carries a direct physical connection with the temple environment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor this batch, old roof-tile material was reduced into powder and incorporated into the sacred mass from which the amulets were formed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe importance lies partly in continuity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA material that had once formed part of the temple architecture was not simply discarded when its original purpose ended. It entered another devotional form and could subsequently be carried by the temple's disciples.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe resulting powder is visibly organic and irregular. Variations in grain, small inclusions and fibres can be observed within individual pieces, while \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efine hair strands are also visible in some examples\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSuch characteristics are consistent with the intentionally handmade nature of these early powder amulets.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRitual\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe preparation of the Phra Somdej Pro Pok followed an unusually personal process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLP Anucha is described as having \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epersonally pounded and prepared the sacred material mixture\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e before forming the individual pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe amulets were then \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epressed by hand\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, rather than being produced through an industrial manufacturing process. This inevitably created small differences between pieces: pressure within the mould, density of powder, edges, surface texture and clarity of detail could all vary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOnce the physical form had been completed, another stage could follow — \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epersonal Yant inscription\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUpon collection, individual pieces were brought before LP Anucha and he faithfully inscribed them by hand. The reverse offered a broad surface for this work, allowing the Yant to become a major component of the finished artifact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin traditional Wicha, the importance of such writing does not rest upon decorative symmetry. The sacred characters belong to ritual formulae transmitted through teachers and practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis explains why the inscriptions need not look identical.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe mould establishes the common form of the batch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe master's hand distinguishes the individual piece.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eBlessings and Effects\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eAs a Phra Somdej, the amulet is naturally associated with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ebroad Buddhist blessings rather than one narrowly defined objective\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts traditional character centres upon \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBaramee, protection, stability, auspiciousness and support in overcoming obstacles\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBaramee is especially relevant to the Somdej form. For devotees, it may be understood as strengthening personal dignity, composure and the manner in which a person is regarded by others.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe amulet may also be approached for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMetta Maha Niyom\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, encouraging goodwill and favourable relationships with those encountered in everyday life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor working devotees and business owners, these qualities can extend naturally towards livelihood: smoother relationships, greater stability, useful opportunities and protection of what has already been established.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Pro Pok character may also be understood in the traditional sense of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecovering, sheltering or protecting\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, making the amulet particularly suitable as a general daily piece rather than an object concerned solely with one specialised branch of Wicha.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eModern Application\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Somdej Pro Pok\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is especially suitable for someone wanting a balanced principal amulet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt does not require the wearer to be involved in a particular occupation or situation. Its broad character makes it equally relevant to business owners, professionals, travellers, families or those simply seeking a traditional Buddhist amulet for everyday wear.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor someone facing responsibility or leadership, the Somdej association with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBaramee and composure\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is particularly appropriate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor businesspeople, the combination of Metta, stability and auspicious progress can complement the practical requirements of dealing with customers, employees and business partners.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYet its strongest appeal may ultimately be devotional.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is an amulet whose material came partly from the temple itself, whose body was personally prepared and hand-pressed by LP Anucha, and whose individual Yant could subsequently be added directly by him.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt therefore retains a tangible connection with both \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emaster and temple\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePhysical Details\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe Phra Somdej Pro Pok is a rectangular hand-pressed sacred-powder amulet with a warm reddish-brown tone and visibly granular surface. The obverse depicts a seated Buddha upon a tiered base beneath an arched frame, with additional figures or sacred forms appearing around the upper field. Small inclusions, fibres and natural irregularities remain visible within the powder body, including fine hair strands in some examples. The reverse is comparatively plain from the mould and serves as the principal field for \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLP Anucha's large handwritten Yant\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, executed directly in dark ink. The example is housed in a clear protective casing.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRecommended Pairing\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eBecause the Phra Somdej already provides a broad foundation of Buddhist protection and Baramee, any pairing can be selected according to the wearer's more specialised needs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePhra Sivali\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is appropriate where livelihood, resources and continued material support are the priority.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor occupations dependent heavily upon communication, sales or negotiation, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSalika\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e can add a more concentrated emphasis upon persuasive speech and Metta Maha Niyom.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKhun Paen\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e may complement the Somdej where stronger emphasis upon personal attraction, social interaction and opportunity is desired.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Phra Somdej Pro Pok itself, however, is sufficiently broad to serve comfortably as the principal amulet in a daily set.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePersonal Notes\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThere is something particularly meaningful about sacred objects made from the fabric of an old temple.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eroof tiles of the Ubosot once sheltered a consecrated Buddhist space\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. When those materials reached the end of their architectural purpose, part of them entered a different form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThey became sacred powder.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThat powder was personally prepared by LP Anucha.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt was pressed by hand into Phra Somdej.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe resulting amulets were then given to disciples and devotees contributing towards a new religious structure — the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eWihan Buraphachan\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, created in honour of the teachers who came before.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere is a quiet continuity in that process.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMaterial from an older sacred structure helped support the creation of another.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRespect for the Buddha was joined with gratitude towards the teachers.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnd an old temple material became something that devotees could carry with them.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMy own example adds one final layer to that history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt was collected during my visit in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eB.E. 2568\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, when I waited among the devotees to meet LP Anucha, and the individual piece was personally hand-Yanted by him.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe handwritten reverse therefore matters as much as the moulded front.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe front identifies the tradition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe reverse records the hand of the master.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"OOBThaiAmulets","offers":[{"title":"Default Title","offer_id":48568194236553,"sku":null,"price":105.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/1831\/0793\/files\/Untitled-23-3.jpg?v=1791516252","url":"https:\/\/oobamulets.com\/products\/lp-anucha-wat-pho-ratchaburana-copy-28","provider":"OOBThaiAmulets","version":"1.0","type":"link"}