{"product_id":"lp-anucha-wat-pho-ratchaburana-14","title":"LP Anucha - Wat Pho Ratchaburana","description":"\u003cp\u003e\u003cspan\u003eANU01\u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003e\u003cspan\u003eSuer Hua Khad\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eLP Anucha • Wat Pho Ratchaburana, Ratchaburi\u003cbr\u003e2cm\u003cbr\u003eMainstream Artifact\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eBio of LP Anucha: \u003ca href=\"https:\/\/oobamulets.com\/blogs\/news\/lp-anucha-wat-pho-ratchaburana\" rel=\"noopener\" target=\"_blank\"\u003eclick here\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSacred Craftsmanship\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSuer Hua Khad — Headless Suer\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is one of the more unusual Roop Lor associated with LP Anucha of Wat Pho Ratchaburana. Unlike a conventional Suer created deliberately in its final form, the identity of these pieces arose from an unexpected occurrence during their consecration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eAccording to those who assisted with the casting and consecration, the Suer initially possessed their heads. During the ceremony, while LP Anucha was chanting the \u003cstrong\u003eSuer Wicha\u003c\/strong\u003e inherited through his teachers, the heads of a number of the cast Suer reportedly separated or broke away.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach artifact was individually produced through the traditional casting process from mixed old sacred metals. Natural differences in alloy colour, patina, casting texture, form and the manner in which the head separated make every surviving Suer Hua Khad individually distinctive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe photographs are representative only. A piece will be selected at random, and the item supplied may differ slightly from the exact piece shown in the images.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePersonal Experiences Shared by Luksits\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe earliest and most important account attached to this particular batch comes not from a later owner, but from the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003etemple helpers who were present during its creation\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThey recalled that the Suer were being consecrated by LP Anucha using his Suer Wicha when a number of the figures unexpectedly lost their heads.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat made the incident memorable was its timing. According to the account preserved around the pieces, the separation occurred during the consecration rather than being the intended design of the mould.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThose present consequently regarded the affected pieces differently from ordinary damaged castings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe resemblance to the old \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSuer Hua Khad\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e tradition gave them an identity of their own, and the pieces were retained as unusual products of that particular consecration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor collectors, this distinction is important. The significance of the Suer Hua Khad does not rest simply upon possessing a headless tiger-shaped object. Its interest lies in the lineage account surrounding \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ehow it became headless\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eSummary\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSuer Hua Khad\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e brings together three important elements of LP Anucha’s sacred-object tradition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe first is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ematerial continuity\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — old religious metals were not discarded, but melted and given another sacred life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe second is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLor Bolan craftsmanship\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, producing individually varied Suer rather than perfectly uniform factory castings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe third is the unusual occurrence remembered during consecration, when several Suer reportedly lost their heads while LP Anucha was invoking his Suer Wicha.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin older interpretations of the Headless Suer, losing the head does not symbolise weakness or defeat.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuite the opposite.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe head represents thought, fear, doubt and hesitation. The headless form symbolically reduces the creature to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003einstinct, courage and survival\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYet the mature interpretation of this Wicha is not uncontrolled aggression.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts deeper principle is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003epower under restraint\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e — possessing the capacity to respond decisively while remaining disciplined enough not to act without cause.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eHistorical Background\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe Suer occupies a formidable position within Thai occult traditions. Different Suer lineages have historically been associated with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMaha Amnaj, Baramee, courage, protection, territorial authority and the ability to remain composed before opposition\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAmong fighters, travellers, Nak Leng and people whose lives exposed them to danger, Suer Wicha naturally developed a particularly strong reputation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHeadless Suer\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e represents a less commonly encountered branch of this symbolism.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccording to oral traditions circulated among older practitioners, the original Headless Suer represented a creature that had passed beyond ordinary fear. Without the calculating mind, there was no hesitation before danger — only instinct and survival.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis gave the image a severe reputation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStories later circulated within old underworld and Sak Yant circles connecting the design with men considered unusually difficult to intimidate or subdue. Such accounts belong largely to oral occult history and should be understood in that context rather than treated as documented evidence of supernatural invulnerability.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eImportantly, later interpretations introduced the concept of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003erestraint\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn some traditions the Headless Suer became associated with a pillar, chain or other symbol of control. The message consequently changed from uncontrolled ferocity to something more disciplined:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe Suer does not seek confrontation.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBut when confrontation cannot be avoided, it does not retreat through fear.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis distinction is central to understanding the old Wicha.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eOrigins of the Materials\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eLP Anucha’s Roop Lor were created from a mixture of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eold sacred and religious metals\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese included aged religious alloy objects, old temple bells, urn material and other metal items donated by devotees, together with LP Anucha’s own prepared sacred mixture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin traditional temple craftsmanship, recycling such materials carries meaning beyond simple economy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn old temple bell has already spent years sounding across sacred grounds. Religious metalwork may have stood within places of worship, received incense smoke, chanting and repeated ceremonies. When such material is melted into a new sacred object, devotees may regard it as carrying forward a connection with its former religious purpose.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe material is therefore transformed rather than simply destroyed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor the Suer Hua Khad, this is particularly appropriate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOld objects lose their previous forms in the furnace. The metals become fluid, are recombined and eventually emerge as a new Suer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTransformation through fire becomes part of the object's history.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRitual\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eAfter casting, LP Anucha consecrated the Suer through the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSuer Wicha\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e transmitted through his teachers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHis broader occult education is associated principally with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLP Sanga of Wat Nong Muang\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, together with additional teachings received through other respected masters and traditional lineages.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWithin Suer Wicha, the physical tiger is only the vessel. Consecration establishes the intended qualities of the form: courage, commanding presence, protection, firmness and the ability to withstand intimidation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt was during this stage, according to the temple account, that the defining event occurred.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs LP Anucha chanted the Suer Wicha, several of the cast figures reportedly experienced separation of their heads.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThose examples became the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSuer Hua Khad\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe episode consequently gave the affected pieces a ritual identity that was not present when the molten alloy first entered the mould.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eBlessings and Effects\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eWithin traditional belief, the Suer Hua Khad is principally associated with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ecourage, protection, authority and survival under pressure\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts qualities are understood somewhat differently from those of a Suer prepared primarily for Metta or commercial attraction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eMaha Amnaj\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e concerns commanding presence and the ability to stand firmly when challenged.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eBaramee\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e concerns personal weight, credibility and the respect naturally given to someone perceived as possessing inner strength.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKlaew Klaad\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e concerns avoidance of danger and escaping situations that might otherwise result in harm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eKong Grapan Chadtri\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, within traditional belief, concerns physical and spiritual resilience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Headless Suer adds another psychological symbolism: \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efreedom from paralysing fear and hesitation\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor this reason, its modern interpretation should not be one of seeking confrontation. Its stronger lesson is remaining composed when pressure arrives.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePower without discipline becomes recklessness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePower held under discipline becomes \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eauthority\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eModern Application\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe old Headless Suer originated from a social world very different from contemporary professional life, yet its underlying symbolism remains surprisingly relevant.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eModern conflict is often not physical.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt may take the form of workplace politics, hostile negotiations, commercial competition, intimidation, difficult clients or situations in which a person must make an important decision while under considerable pressure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn such settings, Suer Hua Khad symbolism concerns \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eholding one's ground\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is particularly meaningful for business owners, managers, negotiators, sales professionals, security personnel and those working in highly competitive environments where hesitation or intimidation can have consequences.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe old warrior principle therefore becomes a modern one:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDo not create unnecessary conflict. Do not allow fear to control the response when conflict arrives.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePhysical Details\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThis example is a compact \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLor Bolan metal Roop Lor\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e depicting the body of a Suer without its head. The aged alloy displays a warm brass-bronze character with areas of darker oxidation and natural patina. Sacred characters and markings appear across the body, while the paws and muscular posture remain clearly defined.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe base bears temple-related inscriptions, identifying the piece with Wat Pho Ratchaburana. The irregular upper surface where the head is absent is particularly important, as this is the physical characteristic from which the Suer Hua Khad acquired its name and identity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBecause these pieces were individually pour-cast using traditional methods, differences in metal flow, patina, surface texture and the exact form of the head separation are expected.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003eRecommended Pairing\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe Suer Hua Khad already carries a strong emphasis on courage, authority and protection, so pairing is best used to introduce qualities that balance rather than simply duplicate its character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePhra Somdej\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e can provide a calmer Baramee foundation, balancing the fierce symbolism of the Suer with Buddhist composure and spiritual authority.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePhra Sivali\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is particularly suitable for business owners and travellers who want to combine the Suer’s firmness with traditional qualities of sustenance, favourable journeys and livelihood.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNang Kwak\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e can shift the overall combination towards commerce and customer attraction, while the Suer remains the element associated with confidence and authority.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe principle is complementary:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eNang Kwak attracts.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSivali sustains.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSomdej establishes Baramee.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSuer stands its ground.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cspan\u003ePersonal Notes\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe most interesting aspect of this piece is that \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLP Anucha apparently did not set out to create a Headless Suer\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe mould produced a Suer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe consecration produced the story.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhether a collector interprets the separation of the heads as a spiritual phenomenon, an unusual consequence of traditional casting, or a combination of circumstances given meaning by those who witnessed it, the event became inseparable from the identity of the surviving pieces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThat is what distinguishes them from a Suer deliberately designed without a head.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOlder Headless Suer traditions were sometimes surrounded by severe stories of fighters, criminals and men living close to violence. But the more enduring interpretation is not aggression.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003econtrolled fearlessness\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe strongest Suer is not necessarily the one that attacks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is the one that can remain still when threatened, cannot easily be intimidated, and possesses enough discipline to release its strength only when truly necessary.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSuer Hua Khad of LP Anucha\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, that is perhaps the most appropriate interpretation:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003efear removed, strength retained, power controlled.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"OOBThaiAmulets","offers":[{"title":"Default Title","offer_id":48532987117705,"sku":null,"price":275.0,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/1831\/0793\/files\/Untitled-292-2.jpg?v=1791338575","url":"https:\/\/oobamulets.com\/products\/lp-anucha-wat-pho-ratchaburana-14","provider":"OOBThaiAmulets","version":"1.0","type":"link"}