{"product_id":"ajahn-plian-panyapatipo-wat-aranyawiwek-22","title":"Ajahn Plian Panyapatipo - Wat Aranyawiwek","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMS07\u003c\/p\u003e\n\u003ch1\u003eRoop Tai \u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eAjahn Plian Panyapatipo · Wat Aranyawiwek · Chiang Mai\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBefore B.E. 2519\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e4.5cm\u003cbr\u003eMainstream Artifact\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eIndividual Craftsmanship\u003c\/h2\u003e\n\u003cp\u003eBio of Ajahn Plian Panyapatipo can be found here:\u003c\/p\u003e\n\u003cp\u003ehttps:\/\/oobamulets.com\/blogs\/news\/ajahn-plian-panyapatipo-wat-aranyawiwek\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThe original photograph has been preserved within a hand-worked silver casing. Natural differences in photographic tone, paper texture, ageing and the later casing are part of the individual character of surviving early examples.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePersonal Experiences Shared by Luksits\u003c\/h2\u003e\n\u003cp\u003eAmong the early photographs of Ajahn Plian, I particularly appreciate images such as this because they show the simplicity of his life before Wat Aranyawiwek became widely known.\u003c\/p\u003e\n\u003cp\u003eThere is little formality in the photograph. Ajahn Plian is still relatively young, seated beneath a tree in meditation, surrounded by the natural environment of the monastery.\u003c\/p\u003e\n\u003cp\u003eFor me, this is precisely what makes an early Roop Tai meaningful. It does not simply preserve the appearance of the monk; it preserves something of the atmosphere of the \u003cstrong\u003eearly forest monastery itself\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eExamples from this period have also become increasingly difficult to encounter in well-preserved condition.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eSummary\u003c\/h2\u003e\n\u003cp\u003eThis is an early \u003cstrong\u003eKradas Nang Kai Roop Tai of Ajahn Plian Panyapatipo\u003c\/strong\u003e, traditionally identified with \u003cstrong\u003eB.E. 2519 (1976)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe photograph belongs to the early \u003cstrong\u003eSamnak Song\u003c\/strong\u003e period of the monastery and depicts Ajahn Plian seated in meditation beneath a tree.\u003c\/p\u003e\n\u003cp\u003eEarly photographs of this type are significant within his collecting tradition because they document Ajahn Plian during the formative period of \u003cstrong\u003eWat Aranyawiwek, Mae Taeng, Chiang Mai\u003c\/strong\u003e, before the monastery and its abbot became widely recognised.\u003c\/p\u003e\n\u003cp\u003eThe photograph has subsequently been protected within a finely engraved silver casing.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eHistorical Background\u003c\/h2\u003e\n\u003cp\u003eAjahn Plian Panyapatipo was born on \u003cstrong\u003e16 November 1933\u003c\/strong\u003e in Ban Khok Kon, Sakon Nakhon.\u003c\/p\u003e\n\u003cp\u003eHis interest in Buddhist practice developed at an early age. While still a layman, he learned walking meditation from \u003cstrong\u003eLP Phrom Jirapunyo\u003c\/strong\u003e, a disciple within the forest tradition associated with \u003cstrong\u003eLP Mun Bhuridatta\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAjahn Plian was ordained on \u003cstrong\u003e31 March 1959\u003c\/strong\u003e at Wat That Michai and received the monastic name \u003cstrong\u003ePanyapatipo\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eAfter ordination, he devoted himself increasingly to the Thai Forest Tradition, seeking instruction from respected Kammatthana masters. Among the important teachers connected with his development were \u003cstrong\u003eLP Phrom Jirapunyo, LP Thet Thetsarangsi and LP Waen Sujino\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003eThe Early Wat Aranyawiwek\u003c\/h3\u003e\n\u003cp\u003eIn \u003cstrong\u003e1966\u003c\/strong\u003e, Ajahn Plian became abbot of Wat Aranyawiwek in Mae Taeng, Chiang Mai.\u003c\/p\u003e\n\u003cp\u003eDuring these formative years, the monastery was still a simple forest practice centre and was associated with the earlier designation \u003cstrong\u003eSamnak Song Ban Pong Aranyawiwek\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis context is important when looking at early photographs such as the present piece. Rather than showing the established senior master familiar from later photographs, it records Ajahn Plian during the earlier development of both his monastic life and the monastery.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eOrigins of the Materials\u003c\/h2\u003e\n\u003cp\u003eThe principal material is the original \u003cstrong\u003eKradas Nang Kai photographic paper\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe Thai term literally refers to its distinctive textured surface, which gives the photograph a fine raised pattern visible when examined closely. This type of photographic paper appears on a number of older devotional portraits.\u003c\/p\u003e\n\u003cp\u003eBefore inexpensive modern reproduction became widespread, photographs of respected monks were themselves treasured objects. Disciples might keep one on an altar, carry it personally or place it within a protective casing.\u003c\/p\u003e\n\u003cp\u003eFor a forest monk whose teaching emphasised practice rather than elaborate sacred objects, such a photograph had an especially straightforward meaning: \u003cstrong\u003eit preserved the image of the teacher for his disciples.\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eRitual\u003c\/h2\u003e\n\u003cp\u003eAjahn Plian's lineage belongs principally to the \u003cstrong\u003eKammatthana meditation tradition\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eHis practice centred upon moral discipline, mindfulness, \u003cem\u003esamadhi\u003c\/em\u003e and contemplation directed towards understanding the nature of suffering and liberation.\u003c\/p\u003e\n\u003cp\u003eA Roop Tai consequently carries a somewhat different character from an artifact constructed around complicated sacred ingredients. Its spiritual meaning rests strongly upon \u003cstrong\u003eAcariyanussati — recollection of the teacher\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eLooking upon the teacher's image becomes a reminder of his conduct, instructions and the discipline expected of those who follow the path.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eBlessings and Effects\u003c\/h2\u003e\n\u003cp\u003eWithin traditional Thai Buddhist practice, photographs of respected meditation masters are commonly kept as reminders of the teacher and as objects of faith.\u003c\/p\u003e\n\u003cp\u003eFor devotees of Ajahn Plian, this Roop Tai may therefore be associated with:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003emindfulness and mental steadiness;\u003c\/li\u003e\n\u003cli\u003eprotection through recollection of the Triple Gem and one's teacher;\u003c\/li\u003e\n\u003cli\u003eencouragement towards disciplined conduct;\u003c\/li\u003e\n\u003cli\u003ecalmness during periods of difficulty or uncertainty;\u003c\/li\u003e\n\u003cli\u003esupport for meditation and Dhamma practice.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe emphasis remains closely connected with Ajahn Plian's life as a forest monk rather than with promises of immediate worldly results.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eModern Application\u003c\/h2\u003e\n\u003cp\u003eThe Roop Tai may be worn as a personal devotional artifact or kept on an altar together with other objects from the Thai Forest Tradition.\u003c\/p\u003e\n\u003cp\u003eIts compact size and protective silver casing make it particularly suitable for carrying, while the early photograph gives it considerable historical interest for collectors of Ajahn Plian.\u003c\/p\u003e\n\u003cp\u003eIt can also serve as a simple meditation reminder: an image of the teacher himself seated quietly in practice.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePhysical Details\u003c\/h2\u003e\n\u003cp\u003eThe artifact contains an early \u003cstrong\u003eB.E. 2519 Kradas Nang Kai photograph\u003c\/strong\u003e of Ajahn Plian seated cross-legged beneath a tree. The image has naturally developed a warm brown and reddish tone with age, while the characteristic textured photographic surface remains visible. The reverse is plain beneath the casing. The photograph is protected within a substantial hand-engraved silver frame with a suspension ring for wearing.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eRecommended Pairing\u003c\/h2\u003e\n\u003cp\u003eThis Roop Tai pairs naturally with Buddha images or sacred objects connected with the \u003cstrong\u003eLP Mun forest lineage\u003c\/strong\u003e, particularly those associated with \u003cstrong\u003eLP Mun, LP Phrom, LP Thet and LP Waen\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIt may equally be worn alone. As a direct photographic representation of Ajahn Plian in meditation, the piece already carries a clear devotional identity without requiring additional artifacts.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003ePersonal Notes\u003c\/h2\u003e\n\u003cp\u003eAjahn Plian passed away peacefully on \u003cstrong\u003e15 February 2018\u003c\/strong\u003e, aged \u003cstrong\u003e84\u003c\/strong\u003e, after \u003cstrong\u003e59 rains retreats\u003c\/strong\u003e. His royal cremation ceremony was held at Wat Aranyawiwek on \u003cstrong\u003e16 February 2019\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eWhat I find particularly attractive about this Roop Tai is not elaborate construction, but the photograph itself.\u003c\/p\u003e\n\u003cp\u003eAjahn Plian is shown as a comparatively young monk, sitting beneath a tree in the surroundings of the early monastery. There is no ceremonial backdrop and very little separating the monk from the forest environment in which he practised.\u003c\/p\u003e\n\u003cp\u003eFor collectors today, an early photograph such as this therefore preserves more than his likeness. It is also a small surviving record of the \u003cstrong\u003eearly Samnak Song period of Wat Aranyawiwek and Ajahn Plian's life as a Kammatthana forest monk.\u003c\/strong\u003e\u003c\/p\u003e","brand":"OOBThaiAmulets","offers":[{"title":"Default Title","offer_id":48415148277897,"sku":null,"price":237.63,"currency_code":"SGD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0602\/1831\/0793\/files\/BE2527.jpg?v=1790135053","url":"https:\/\/oobamulets.com\/products\/ajahn-plian-panyapatipo-wat-aranyawiwek-22","provider":"OOBThaiAmulets","version":"1.0","type":"link"}